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The Secret Of Yolanda

Posted by phil blankenship, November 15, 2008 01:30pm | Post a Comment
The Secret Of Yolanda Cannon Films video  The Secret Of Yolanda starring Aviva Ger

The Secret Of Yolanda plot synopsis

MGM / UA Home Video MV600210

Jody Reynolds 1932 - 2008

Posted by Whitmore, November 15, 2008 12:45pm | Post a Comment

Rockabilly Hall of Fame
member Jody Reynolds died this past week of liver cancer in Palm Desert, California. He was 75. His most famous record, and sole Top 10 hit, "Endless Sleep," not only added a strange evocative sound to the typical Rockabilly rave-up of the day -- Reynolds differentiated himself from many of the era’s rockabilly artists with his disquieting, haunting melodies -- but was a forerunner in the long line of melodramatic teen hit records and a genre sometimes known as “teardrop rock."

Born in Denver on Dec. 3, 1932 as Ralph Joseph Reynolds, his family soon moved to Oklahoma, where he grew up listening to country music and Western swing acts such as Eddy Arnold and Bob Wills, eventually picking up the guitar as a teenager. In 1956 while performing in Yuma, Arizona, Reynolds wrote the song “Endless Sleep” after listening to Elvis Presley's "Heartbreak Hotel" five times in a row on a jukebox. Two years later Reynolds met a music publisher named Herb Montei who forwarded the demo version to the Los Angeles based label Demon Records. Demon liked the demo but executives insisted on Reynolds tacking on a more uplifting end to the song; the revised finale has the suicidal girl saved from drowning by her guilt ridden beau. Another peculiar bit of history about “Endless Sleep” -- writing credits for the song went to Jody Reynolds and Dolores Nance, but according to Reynolds, Nance was a fictitious person created by the Demon Records to make it appear that there was songwriting team.

By the summer of 1958 “Endless Sleep” became a huge national and international hit, peaking at No. 5 on Billboard's Hot 100 singles chart, no doubt opening the door for several other doomed tales of love-death tinged million selling pop hits including Mark Dinning's "Teen Angel," Ray Peterson's "Tell Laura I Love Her," Dickey Lee's "Patches" and the Shangri-Las' "Leader of the Pack," to name but a few. Reynolds' next single was not as successful. “Fire of Love” peaked at number 66 on the Billboard charts. It would be his last charting single. Still, he continued to record and tour into the 1970’s for several labels including Smash, Brent and Pulsar Records. His typically anomalous 1963 recording, and excellent single, on Titan Records, "Stranger in the Mirror" / "Requiem for Love" featured a very young Bobbie Gentry (“Ode to Billie Joe”) in her debut. Eventually Reynolds opened a music store in Palm Springs and worked as a real estate agent. He was inducted into the Rockabilly Hall of Fame in 1999.

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Killer Fish

Posted by phil blankenship, November 14, 2008 03:34pm | Post a Comment
Killer Fish directed by Antonio Margheriti  Killer Fish directed by Antonio Margheriti

Killer Fish starring Lee Majors and Karen Black

Killer Fish plot synopsis

Killer Fish piranha attack

Key Video 9057

An Electronica-Dub-Reggae treasure for all-but-free! Djosos Krost's ignored No Sign of Bad

Posted by J. Mark Beaver, November 14, 2008 03:30pm | Post a Comment
Djosos Krost No Sign of Bad
Djosos Krost
(DJ Pharfar and DJ Filip) are two dub-obsessed Danes who are better known for having produced the most popular mix of Junior Senior's dancefloor hit, "Move Your Feet." 

I was on board No Sign Of Bad from the first dub moog-fuzz chords of this album. Guests on vocals include Tuco, Jah Bobby, Little Tasha, EMO and Adrian. Tuco, featured on lead vocals for the opener "Straight Upfront" has that lover's reggae vibe pulled from the holy book of Hugh Mundell and Gregory Isaacs. Such a slinky, relaxed delivery as the little dub bleeps and blurps chase each other's tails around the tune.

A good while back (95-99), I was really into the Japanese electro-dub outfit Audio Active and their super-tripped take on bong-heavy dub. Their two classic releases Tokyo Space Cowboys and Happy Happer still satisfy that stony, space-travel urge instilled in all lovers of On-U era Lee 'Scratch' Perry masterpieces like Time Boom De Devil Dead and From the Secret Laboratory.

Here's a classic track from Audio Active.



And one from that particular era of On-u Sound Dub Syndicate 'Scratch!'



Sukiyaki Western Django

Posted by Kelly S. Osato, November 14, 2008 11:25am | Post a Comment
Takashi Miike's Sukiyaki Western Django
Japanese director Takashi Miike is a freak. Based on ongoing discussions I've held with friends and co-workers I'd say his films seem very either/or; anyone who has seen even one of his films has undoubtedly come to the conclusion that they've either seen one Miike film too many or that they've become Miike movie addicts. I've seen only a few films of his that could be categorized as middling (my favorite is one of these: the wonderful musical-comedy-horror farce Happiness of the Katakuris (2001)), and plenty ofQuentin Tarantino in Takashi Miike's Sukiyaki Western Django others I had trouble watching or couldn't finish due to the shocking visual content his stories are often soaked in. Being highly prolific (he has directed over seventy theatrical, video and television productions since 1991 and is credited with directing fifteen productions from 2001 to 2002 alone) and internationally famous for making movies capable of churning stomachs and blowing minds with such outrageous depictions of extreme violence and bizarre sexual perversions in underworld or otherworldy settings that often involve gangsters, outsiders and general sickos, it is no surprise Miike's films caught Quentin Tarantino's eye. It is a surprise, however, to see Tarantino himself all gunslingin' and gussied up in the opening sequence of Miike's latest creation, made available this Tuesday on DVD, Sukiyaki Western Djangoturduckin for thanksgivingI was so not expecting his performance or much of what followed, but I can say that I had a good night of movie magic enjoyment.

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