Amoeblog

This one's about the Blues, Pete Kelly's Blues

Posted by Eric Brightwell, August 12, 2014 01:40pm | Post a Comment

Today Jack Webb is best remembered for his portrayal of Detective Sergeant Joe Friday on the radio and television series Dragnet. Friday – a stiff, slouching, robotic cop who chain smokes as he rails against drug abuse – embodies for many folks the definition of a hypocrite and a square. However, the real Webb was also quite the hepcat, an amateur jazz musician with a massive collection of records. In addition to playing hard-boiled detectives, he also used radio to attack social injustices (on One out of Seven) and, with Pete Kelly's Blues, indulge his lifelong love of jazz and Chandler-esque noir.
 

Pete Kelly's Blues lobby card
Pete Kelly's Blues lobby card

Pete Kelly's Blues began as an unsponsored replacement series for The Halls of Ivy after a 13 February audition. It debuted on NBC on 4 July, 1951 and aired on Wednesday nights in most markets (Saturdays in others). It was created by Richard L. Breen, who'd previously worked with Webb on the wonderful and not-at-all dissimilar radio noir series, Pat Novak, for Hire, which Webb had left in 1947. Throughout the series' short run, Webb continued to star on both the radio version of Dragnet, which ran from 1949 until 1957, and the television version, which began a few months after Pete Kelly's Blues and continued to air until in its first run until 1959).

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Hip-Hop History Tuesdays: History of DJ (The DMC Story Part 2)

Posted by Billyjam, August 12, 2014 10:34am | Post a Comment
           
The History of DJ Part 2: The DMC Story (2014)

Just finished in production and finally published yesterday is the above anticipated second part/sequel to the excellent premiere in the The History of DJ and the continued story of the UK founded DMC as told by DMC founder Tony Prince - the former Radio Luxembourg DJ/founder of the British company that would become synonymous hip-hop DJ/turntablist battles - even if DMC initially (and still does) stand for Disco Mix Club. It was so named since initially it was all about the mixing end of the DJ but soon morphed into the scratch area of the DJ as is outlined in this second part of the documentary above when some participants in the contest took offense to the (then) new direction in the latter 80's that the battle was taken - upon its cue from the scratch-themed Superman battles at the annual New York City convention the New Music Seminar.  Tony Prince formed the "Disco Mix Club" in 1986 as an offshoot of his Disco Mix Club Show radio program that he began in 1981. The above second part is a great history lesson that covers a lot of ground in the history of both the DMC and of the DJ. It returns to some memorable moments such as Philly DJ Cash Money traveling to the UK in 1988 to reign supreme in the competition, 1989 DMC World champ Cutmaster Swift doing a live routine on the high profile Terry Wogan television program, and Germany's DJ David winning the world title in 1991 when, in the final dramatic 15 seconds of his six-minute routine, he wowed the judges with the ultimate body trick of palm-spinning his entire body around on top of one of his turntables. However many (justly) argued at the time that the judgement was unfair and based on his purely eye-catching, visual body trick rather than on his turntablist skills and that runner up DJ Qbert should have in fact won. But such are the debates surrounding any competition that carries as much weight as the DMC does. Upcoming in this year's DMC battles are the 2014 DMC US Finals taking place in NYC at Webster Hall on August 23rd (look for a full review of that battle here on the Amoeblog shortly after that date), followed by the 2014 DMC World Championships in London at the Forum on October 5th. Below is the video of the winning routine by last year's champion - DJ Fly from France.

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New Fela Kuti Vinyl Box Set Announced, Curated by Brian Eno

Posted by Billy Gil, August 12, 2014 10:15am | Post a Comment

fela kuti box set vol. 3Knitting Factory will release their third set of vinyl reissues by Afrobeat legend Fela Kuti Sept. 29, assembled by Brian Eno.

This set will include the albums London Scene (1971), Shakara (1972), Gentleman (1973), Afrodisiac (1973), Zombie (1976), Upside Down (1976) and I.T.T. (1980). It will also include a 12-page booklet with an intro by Eno, song lyrics and contributions by Afrobeat historian Chris May, Pitchfork reports.

Vol. 1 of the Kuti sets was curated by The Roots?uestlove while Vol. 2 was curated by Ginger Baker.

Eno and Talking Heads famously used Afrobeat and Kuti as an inspiration for the classic Talking Heads album Remain in Light, which Eno produced. Watch Eno talk about his longtime enthusiasm for Kuti’s music in the video below:

Album Picks: FKA Twigs, Mirel Wagner

Posted by Billy Gil, August 12, 2014 09:53am | Post a Comment

FKA Twigs - LP1 (LP and Deluxe LP out 8/25, CD, Download)

fka twigs lp1FKA Twigs is the stage name of singer/songwriter Tahliah Barnett, who together with a team of some of the best producers working in pop music (Blood Orange’s Devonte Hynes, Clams Casino and Paul Epworth of Adele/Coldplay fame, among others) come up with one of the most brilliant debut records of 2014. What at first sounds like icy, alien R&B ends up feeling amorous, empathetic and intriguing to no end. Songs like “Lights On” at first sound not so out-of-time, fitting in nicely with the adventurous alt-soul stylings of The Weeknd or current Beyonce, but the songs are continuously chewed up and breathed back out into wondrous concoctions that bear little resemblance to anything else out there. Vocally, Barnett calls to mind someone working to effect change within the mainstream like Aaliyah once did as much as she does weirdos like Yma Sumac and Bjork (especially on the bold “Preface”), her airy voice warping into new dimensions yet latching onto reality on the touching “Two Weeks” and suddenly coming through clear as day as she pleads with sexual abandon through classic soul phrasings for a would-be lover amid analog-sounding robotic textures. As much as FKA Twigs is a product of a time in which introspective artists who allow for empty space to permeate their music are the norm, from The XX to How to Dress Well and James Blake, Barnett’s music feels more fun to listen to and not at all dreary, even if mostly downtempo. “How would you like it if my lips touched yours?” she suddenly entreats in the laser-streaked “Hours” and it’s hard not to think of some fantastical Janet Jackson comeback. “Video Girl” is more direct, asking “is she the girl from the video?” (Barnett has a background as a backup dancer in music videos) as Barnett goes on to prove she’s a lot more than that through stunning lead and layered vocals while the song’s lush, post trip-hop music sways and lurches sensuously. But “Pendulum” will no doubt be her entrée to most audiences, as the Epworth production literally knocks on your door with its stuttering beat and introduces a girl capable of delivering a Prince-level combination of heartache and confidence while keeping sly pop hooks on the backburner right until they’re ready to sizzle. It makes you happy to be listening to pop music in this day and age when something so exciting as this will bubble to the top.

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Portishead to Reissue Seminal 'Dummy' LP

Posted by Billy Gil, August 12, 2014 09:32am | Post a Comment

portishead dummy lpPortishead will celebreate the 20-year anniversary of their debut record, the trip-hop classic Dummy, by reissuing it on 180 gram heavyweight vinyl. The band should be announcing a release date via their website this week.

The first 1,000 copies of the album will be on blue vinyl, defaulting back to black vinyl after that. It will also come with a download card of the original album. Dummy won’t be seeing a remaster or additional songs added to the original tracklist.

Even more great news in the Portishead world is word that the band is headed back to the studio soon to work on the follow-up to 2008’s Third, band member Adrian Utley told The Quietus in February. Given how amazing Third was, we’re on the edge of our seats in anticipation.

Watch the video for "Glory Box" from 1994's Dummy below:

 

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