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Kenny Lattimore Comes to The GRAMMY Museum April 20

Posted by Amoebite, April 8, 2015 04:15pm | Post a Comment

kenny lattimore grammy museum the drop

Amoeba is proud to sponsor The Drop: Kenny Lattimore at The GRAMMY Museum April 20. R&B singer Kenny Lattimore will appear at the museum’s Clive Davis Theater for an intimate performance and discussion about his career and new album. The show starts at 8 p.m., and tickets are $20.

Lattimore’s soulful vocals and romantic tunes with contemporary touches have won him a wide-ranging audience, as well as the NAACP Image Award for Best New Artist and nominations for the Soul Train and Stellar Awards. He’s hip enough to have had his song “Lately” sampled by Kanye West on Yeezus"I'm In It," and he’s worked with artists as diverse as Musiq Soulchild, Rachelle Ferrell, Nancy Wilson and Brian Culbertson. Lattimore will release his new album, Anatomy of a Love Song, April 14, featuring "Love Me Back," which has charted on Billboard's Adult R&B National Airplay chart.

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New "What's In My Bag?" Episode With Techno DJ Scuba

Posted by Amoebite, April 7, 2015 05:26pm | Post a Comment

Scuba

Scuba is the alias of British techno/house DJ and producer Paul Rose. In 2003, he founded Hotflush Recordings, an independent label which has released music from Joy Orbison and Mount Kimbie, among others. In 2008, ScubaHotflush released Scuba's debut LP, A Mutual Apathy, which was followed two years later by Triangulation and Personality in 2012. His most recent album, Claustrophobia, just hit stores. Scuba has also released a couple of EPs, curated a mix in the DJ-KiCKS series, and released a Sub:Stance mix as a companion piece to the weekly night he hosted at Berlin's legendary Berghain nightclub. In 2013, he won DJ Mag's Best Live Act award.

On a recent visit to Amoeba Hollywood, Scuba dug up some great vinyl in our dance section. He manages to find a copy of the first 12 inch he bought in 1995, Dave Clarke's Red 3, and shares a funny story of interacting with Dave Clarke on Twitter. He follows with Jazzanova's "That Night" 12 inch and reminisces about using the song during his UK Garage DJ sets. From techno to freestyle to new wave, Scuba finds some great pieces of vinyl. Watch the full episode below to see the rest of his picks. 

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10 Albums You Should Know Before Going to Coachella

Posted by Billy Gil, April 7, 2015 03:08pm | Post a Comment

10 albums you should hear before going to coachella

Like Tame Impala? Nuts for Drake? Sure, they're great. But a big part of Coachella also has been the chance to see legendary bands reunite and take the stage, as well as long-established artists alongside the newcomers. Here are 10 great albums by reunited or established artists you should know before heading to the desert next weekend.

AC/DC Back in Black

ac/dc back in black lpThe album that started the Brian Johnson era of AC/DC (following the death of lead singer Bon Scott) is their biggest and has many of their best-loved hits, including “You Shook Me All Night Long” and the title track. It’s good to know the rest of the songs, even if you’re not especially sober by the time AC/DC goes on (which is probably how they’re best heard anyway).

 

Ryan Adams Heartbreaker

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Vote For Our 'What's In My Bag?' Series To Win a Webby People's Voice Award

Posted by Amoebite, April 7, 2015 02:15pm | Post a Comment

Webby Award Nominee

Our “What’s In My Bag?” series has been nominated for the 19th annual Webby Awards for Best Online Film & Video: Variety series! We'll find out if we won on April 27th, but now that we've been nominated we're also in the running for the Webby People’s Voice Award! We’ve got some stiff competition from AMC's Talking Dead, Pivot/Participant Media's HitRecord, AOL's Park Bench, and Conde Naste's Improv Imagination.

Webby Awards People's Voice

We need your help to win! Vote here.

Voting ends Thursday, April 23 at 11:59pm PST and you can only vote once. It’s super quick and you can log in easily via Facebook, Twitter or email. Vote here.

Described by The New York Times as the "Internet's highest honor" and presented by the International Academy of Digital Arts and Sciences (IADAS), the Webby Awards are the leading international award honoring excellence on the Internet. We are so incredibly proud of our little series (now in its eighth season) and are so excited to be nominated. 

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Hip-Hop History Tuesdays: Remembering Compton's Short-Lived C.P.O.

Posted by Billyjam, April 7, 2015 12:01pm | Post a Comment

In the aftermath of the success of N.W.A.'s Straight Outta Compton, record labels were rushing to sign West Coast SoCal acts in any way related to N.W.A. or even just hailing from their Compton neighborhood. Compton's C.P.O. were such an act. Down with N.W.A. and from Compton, the rap group was comprised of rapper Lil Nation and DJ Train (plus some extended posse members). Formed in 1989, they were signed soon after, thanks to N.W.A.'s MC Ren, by Capitol Records who released their debut album To Hell And Black the following year. However, the major label dropped the rap group from their roster that same year. 

The short-lived Compton-based C.P.O., whose name stood for Capital Punishment Organization, was primarily just its front person - the robust rapper/MC Ren protege Lil Nation (aka 'CPO' or Boss Hogg) who, at 6'2" and 357 pounds, was far from 'lil' back in 1990 when the former gang-banger emerged on Ren Records/MC Ren Productions. To Hell And Black spawned the two funky singles "Ballad Of A Menace" and "The Beat Is Funky" and their accompanying videos.

DJ Train, who added all the turntable scratching and cutting, had previously worked with both J.J. Fad and MC Ren, and had been down with N.W.A. for some time. He was among those included on the album cover photo of 1987's N.W.A. & the Posse.  Meanwhile the C.P.O. entourage was rounded out by The Chip, Donovan, and Young D who co-produced the group's sole album with Ren (who also rapped on the release). Lil Nation, as Boss Hogg, would later appear on N.W.A,'s 1991 Niggaz4life on the track "Findum Fuckum and Flee."  C.P.O. was in the right place at the right time, arriving on the music scene just as gangsta rap, still a relatively new and primarily West Coast phenomenon, was, to the chagrin of many, proving itself to be more than just a passing fad. They were presented alongside the major players of the new hip-hop shock sub-genre of that era.

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