Amoeblog

The Late, Great Ricardo Montalbán

Posted by Charles Reece, January 14, 2009 05:48pm | Post a Comment

At 88, he escaped from the planet of the apes.

The Late, Great Patrick McGoohan

Posted by Charles Reece, January 14, 2009 10:29am | Post a Comment

Dead at 80. Be seeing you.

Marxist Tales 3: Falling Stars, or When Art Imitates Art

Posted by Charles Reece, January 5, 2009 11:00pm | Post a Comment

Madonna falling in Rio back in December got me to thinking, naturally enough, about Mulholland Dr.'s use of "Llorando," Rebekah Del Rio's Spanish cover of "Crying." There's a lot of gravitas to gravity -- with one slip, the reality of artifice can be exposed. At the club Silencio, when the character of Del Rio (played by Del Rio) falls, but her singing continues, David Lynch is playing around with Bertolt Brecht's epic theater and his notion of estrangement. By having the work remind the audience of the layer of representation intervening between them and the emotions they're experiencing, Brecht hoped to create a more politico-rationally engaged experience -- that is, one of empathy, not sympathy (the former being of intellectual understanding, not the latter's identification).

rebekah del rio mulholland dr.naomi watts laura harring mulholland dr.

However, Lynch turns estrangement on its ear by using lip-synching as the emotional crux of his film. If you'll remember, the scene occurs at the point where the fugue world of Betty is fracturing, and the reality of Diane is seeping in. Diane had killed her lover, Camilla, out of jealousy, replacing her in the dream with the amnesiac Rita. Of course Rita can't remember who she is, because she's a manifestation of Diane's oneiric state, a displacement of Camilla, with all the bad stuff repressed. As Rita, she's a ghost, pure desideratum, or Diane's objective (objectified) correlative of the real deal. (In fact, the same applies to Betty; she's Diane's idealized self.) Just as the illusion of the film's representational quality is most exposed (Lynch's "eye of the duck" scene), Betty and Rita begin sobbing -- and (provided the Silencio sequence works properly) the audience along with them.

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BEST, WORST & MOST OVERRATED FILMS OF 2008

Posted by Charles Reece, December 28, 2008 07:35pm | Post a Comment
~ THE BEST ~

If You Disagree On These Two, You'd Be Wrong

synecdoche new york posterdark knight joker poster

For Some Realism

boy a poster
rachel getting married postergran torino poster

For Some Comedy

burn before reading posterin bruges posterrocknrolla poster

For Some (More) Fantasy

let the right one in posterfall poster

~ YOU KIDDIN' ME? ~

milk posterwall-e posterwrestler poster

~ LOW FIBER STOOL CONTENT ~

wackness posterjcvd posterreligulous posterlakeview terrace poster

~ MOST SOUL-DRAINING TRAILERS ~

doubt postercurious case of benjamin buttons posterrevolutionary road posterfrost nixon poster

~ MASTERFULLY FULFILLED WORTHLESS INTENTION ~

slumdog millionaire poster

OVERBITES, BELLIES & BIG BUTTS

Posted by Charles Reece, December 13, 2008 10:05pm | Post a Comment
One of my favorite comics artists, Dave Cooper, provides the artwork for a new music video, which looks great -- but I warn you, mute the sound:


Danko Jones - King Of Magazines from Bad Taste Records on Vimeo.

Which came first, the love of comics or the big butt fetish? Anyway, comics work doesn't pay for shit, so Cooper now does illustration work and stuff like the above.

Here are his comics in the 'el' series, all of them as good as pop culture ever gets. They're perverse in the best sense of the word [click to enlarge]:



Note that body conscious David Cronenberg wrote an intro to Ripple, so that should tell you something about Cooper's brand of humor. Some of his oil paintings [click to enlarge]:



Here's his new website, which doesn't have much on it, yet, so here's his old site. And here's an interview with the man by Patrick McKeown, another great comics artist who rarely does comics.
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