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Do Vinyl Reissues Lessen the Value of Originals?

Posted by V.B., September 29, 2014 05:40pm | Post a Comment

Head to the Vinyl Beat website to check out extensive LP label guides and wild cover galleries!

One would correctly assume that a record is reissued because there is a pent up demand for an out of The Jimi Hendrix Experience, Are You Experiencedprint title. Let’s take the latest reissue of Jimi HendrixAre You Experienced for example. Once this demand is sated, one might conclude that the elevated value for the original would come down, citing the law of supply and demand. This should be especially true because the newest release is pressed on 180 gram vinyl and sounds superior to previous versions.

My experience however, is that the added buzz and exposure adds to the mystique of owning the original and raises the value, especially if the original is in great shape. If you buy records just to hear the music, you absolutely shouldn’t pay more just to get an original. But, if you’ve crossed the line into being a “record collector,” all kinds of other considerations start to creep in. Suddenly condition starts to matter, you tend to be more of a completest in regard to an artist’s catalog, you weigh mono versus stereo, and you start to favor original issues.

A simple analogy would be: if you were an art collector would you want the original Mona Lisa, or a $29 copy? No matter how beautiful they might think it is, most art collectors would not put a repro up in their house, even though they could never afford the original.

Getting back to Hendrix, we see below the original Reprise tri-tone label, which was soon replaced by the two tone label, and then by the 1970s a solid brown label was used.
 

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The Cover Story

Posted by V.B., February 28, 2013 06:20pm | Post a Comment

Head to the Vinyl Beat website to check out extensive LP label guides and wild cover galleries!Eric Christensen

Eric  Christensen has made an entertaining and informative documentary called The Cover Story about iconic album covers and how they came to fruition. There are interviews and stories with a number of the photographers and designers such as Bob Seidemann (Blind Faith), Henry Diltz (Morrison Hotel, Crosby Stills & Nash, Eagles), Mouse (Grateful Dead), and Jim Marshall (Allman Brothers and hundreds of others). Along the way he also interviews such rock luminaries as Nick Lowe, Ray Manzarek, Huey Lewis, Elvis Costello, and Sammy Hagar. There’s also a very intimate chat with Yoko Ono where she talks about John’s blood smeared glasses, etc. It is also a hoot to see a psychedelic Amoeba SF in the introduction.

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The Amazing Rufus Thomas

Posted by V.B., August 26, 2012 02:39pm | Post a Comment
Head to the Vinyl Beat website to check out extensive LP label guides and wild cover galleries!

Rufus Thomas

Rufus Thomas led a storied life. He started in show business in the late 1930s with a traveling minstrel show. By the early ‘50s, he was a renowned DJ on WDIA Memphis and was also recording on Meteor, Chess, and Sun Records.  

rufus thomas rufus thomas rufus thomas

“Bear Cat” - Sun Records 1953 

 
His daughter, Carla, had one of the first hits on the fledgling Stax Records with “Gee Whiz.”  Two years later in 1963, Rufus had a monster crossover hit with “Walking The Dog.” Later he recorded “Jump Back,” which became a R&R standard. 

“Walking The Dog”


Forgotten Surf Masterpiece: "Summer Means Fun" by Bruce & Terry

Posted by V.B., July 26, 2012 04:51pm | Post a Comment

Head to the Vinyl Beat website to check out extensive LP label guides and wild cover galleries!    

Here’s a little known surf gem that I stumbled upon at Amoeba. It has all the ingredients of a hit: catchyBruce and Terry  Summer means fun charles manson tune, great production, and excellent vocal performance, but for whatever reason it never charted.  

Bruce & Terry are unknown as a group, but individually Bruce and Terry charles manson summer fun surf beach boysthey’ve got quite the reputations. Bruce Johnston went on to become a Beach Boy and also wrote the infamous hit “I Write the Songs,” which Barry Manilow got reamed for. Terry Melcher was a renowned L.A. producer and son of Doris Day.  He produced the first few Byrds albums among others. Together Bruce & Terry also produced many other acts, including the Riptides and their hit of “Hey Little Cobra.”

Unfortunately, Terry is perhaps best known for having been chummy with Charlie Manson for awhile. It was his just-vacated house where the murders occurred and it’s theorized that the family was really after him and his girlfriend, actress Candice Bergen, and not Sharon Tate

Otis Rush: Unheralded Blues Master!

Posted by V.B., June 7, 2012 06:34pm | Post a Comment
To check out extensive LP label and price guides plus cover art, head to the Vinyl Beat website!

Otis Rush

In 1956, Willie Dixon was lured from Chess Records to be the musical director of the newly formed Cobra label.  He signed the relatively unknown Otis Rush, and the stage was set for some of the deepest Chicago blues ever recorded.  Otis had amazing pipes and played a mean left-handed blues guitar.  Perhaps more importantly, Willie Dixon was able to get an otherworldly sound on his singles.

Otis Rush Cobra
 Otis Rush in a 1957 Cobra publicity shot.


All Your Love


Keep On Loving Me Baby


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