Colleen Green details major life upsets as she faces the end of her 30s on her new album, I Want to Grow Up. From breakups to digitally addled attention spans, Green’s power-pop panache makes quarterlife crises go down smoothly on hooky songs like “Pay Attention” and girl-groupish “Wild One.” “I’m so sick of being self-absorbed,” Green sings on the title track, yet she’s so good at communicating that sense of staring at the ceiling and chastising yourself that we can’t help but be hooked on her particular brand of sugary anxiety. She writes a catchy ode to getting clean and going to bed early with “Things That Are Bad for Me” and then follows it up with another track about wanting to get fucked up on the drone-rocking “part 2,” summing up a sentiment on this album we can all relate to: I’m gonna get it together, maybe tomorrow. Read more about I Want to Grow Up in our interview with Green here. See her live at Amoeba Hollywood today at 7 p.m.!
Much has been made of the mid-life crisis, but Colleen Green details the kind of quarter-life crisis that happens in your late 20s on her new album, I Want to Grow Up. Over fizzy power-pop chords and purring solos, Green’s girlish coo is so sweet you almost miss the hungover, self-flagellating lyrics that fill I Want to Grow Up—“I’m sick of being immature … I think I need a schedule,” she confesses on the title track. But I Want to Grow Up is also a lot of fun, as Green doesn’t take herself so seriously, writing odes to TV and her lack of an attention span that are as funny as they are self-critical. Even in the admonishing “Things That Are Bad For Me (Part 1),” Green admits in part two, “I wanna do drugs right now/I wanna get fucked up, I don’t care how.”
Green talked to us a bit about her new album before her show at Amoeba Hollywood Feb. 24 at 7 p.m.
The songs on I Want to Grow Up really hold together as an album because there’s an inward quality to them, for the most part. Did you write them kind of all at once in a certain frame of mind or were they written more slowly?
They were kind of written over the course of a few years. They started out primarily as ideas that I thought about for a long time before I tried to sit down and make music out of them. Once I got to that stage where I was like OK, I need to record this and get this done, it all kind of materialized as a set kind of well.
Best Coast Announce ‘California Nights’
Best Coast will release a new album called California Nights on May 5 via Harvest. Hard to believe this is actually their major-label debut. California Nights follows the SoCal duo’s two critically acclaimed albums, Crazy For You and The Only Place and the 2013 Fade Away EP. They played a surprise show at the Echo this week, but if you missed that, they’ll be back playing shows in their beloved California next month. Hear a snippet of a new song in the album trailer below:
Crocodiles – “Crybaby Demon”
SoCal’s Crocodiles have released four solid LPs of perfectly scuzzy shoegaze pop, and they’ve now got a new one on the way called Boys, due May 12 on Zoo Music. Boys was recorded in Mexico City, and they say the area influenced them in terms of adding certain aspects of Latin rhythms to their sound. You can certainly hear that bubbling underneath the din of “Crybaby Demon,” with swinging percussion underpinning the organ-and-guitar-based drone and Byrds-ian vocals. We’re definitely excited to hear the rest of Boys. Hear it below via Stereogum.
Catalonian teen quartet Mourn makes a passionate racket on their debut album. Singer Jazz Rodriguez Bueno channels PJ Harvey with her raspy delivery and more cutting lyrics on tracks like “Dark Issues,” or a young Siouxsie, on the way she can play with emotions but still bring a smile to your face, on songs like galloping opener “Your Brain is Made of Candy.” Her band keeps things terse, inspired by the likes of Nirvana and The Ramones, yet their clean guitars and neat grooves on standouts like “Philliphius” and “Otitis” suggest wisdom beyond their years. A handful of tracks read as more juvenile alt-rock exercises, yet Mourn also never loses momentum, bashed out with a live-tracked, Steve Albini feel and the animated precision of off-the-cuff ideas rehearsed and captured in one raw take—Bueno’s wail at the end of bonus track “Boys Are Cunts” feels both visceral and well-timed. It’s an incredibly promising debut that puts our faith back in so-called wasted youth.
Kendrick Lamar – “The Blacker the Berry”
A razor-sharp indictment of racism in the United States without sounding heavy-handed, “The Blacker the Berry” is one of the best things we’ve heard yet from Kendrick Lamar, which, given the overwhelming quality of good kid, m.A.A.d city, is saying something. The Compton rapper hasn’t yet announced the details of that album’s follow-up, but having heard this track and “i,” we’re betting it’ll be every bit as remarkable.
The Black Ryder – “Let Me Be Your Light”
Australian shoegaze duo The Black Ryder are now Angelenos and have a new album on the way called The Door Behind the Door, due Feb. 24. If you’ve ever fantasized about a collaboration between Slowdive and The Verve, this is for you. Washy guitars, a post-punk bassline and soothing female vocals combine with angelic synths for a song that sounds like what they play when the Pearly Gates open. Go to the light!