Amoeblog

The 10 Best Albums of 2015 So Far

Posted by Billy Gil, July 1, 2015 06:38pm | Post a Comment

best albums of 2015

Now that the year is officially half over, we’re checking back over the albums that have been released thus far in 2015. Maybe all of this will change in six months, but for now, here are the albums I’ve been most excited about this year. We’d love to hear some more under-the-radar albums that came out this year that haven’t been as covered by the blogosphere, so please leave a comment and suggest some more picks.  

1. Father John MistyI Love You, Honeybear

father john misty i love you honeybearThe former Fleet Foxes drummer has put out the most emotionally manipulative album of 2015, and that’s a good thing. Songs like “Chateau Lobby #4 (in C for Two Virgins)” are all sweeping melodrama on the surface, horns and strings and Southwest jangle decorating Joshua Tillman’s sonorous voice, but his words destroy the superficial veneer the handsome troubadour puts out on first blush, sneaking snarky lines into a love song to his new wife (“I wanna take you in the kitchen/Lift up your wedding dress someone was probably murdered in”). Songs like “The Night Josh Tillman Came to Our Apt.” and “Nothing Good Ever Happens at the Goddamn Thirsty Crow” dismiss young would-be groupies with borderline arrogance (the oft-quoted “She says, like literally, music is the air she breathes/And the malaprops make me want to fucking scream”), Tillman’s use of detail flip your impression of him from douche to annoyingly charming dude who’s just telling it like it is. And as the album progresses, Tillman’s observations turn more self-effacing, and his pathos makes for some brutally candid moments—“Bored in the U.S.A.’s” white people problems are played for literal laughs, and the self-loathing present beneath the beard transcends its trappings and becomes entirely relatable. It’s also a great love album because it’s romantic but doesn’t sugarcoat shit, starting semi-sarcastically using the pet name “honeybear” and later featuring the line “Maybe love is just an economy based on resource scarcity/What I fail to see is what that’s gotta do with you and me.” There have easily been more sentimental singer/songwriter releases in 2015, but Tillman’s cynicism feels like the most honest thing I’ve heard this year.

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Stream the New Beach House Song "Sparks"

Posted by Billy Gil, July 1, 2015 04:43pm | Post a Comment

beach houseIf you needed any convincing that Beach House is one of the best bands on the planet, their new song "Sparks" is a strong argument. Ever since their first of two masterpieces was released, 2010's Teen Dream, every new song and album by the Baltimore duo feels like an event. After announcing weeks ago that Depression Cherry, their fifth album and first since 2012's Bloom, would be released Aug. 28 on Sub Pop, we've been waiting with bated breath to hear a new song, and now we've finally got it. "Sparks" first premiered first on a Spanish radio show RTVE and has now been made available to stream via YouTube:

beach house depression cherryI keep listening to it over and over again to figure out what the hell is going on. That first blast of heavily saturated guitar and Victoria Legrand's layered vocals portend something special, which is just what we get with this gorgeous track. Legrand's organ and voice drone in perfect unison over a corroded digital beat, while Alex Scally's guitar's lay back and add small bits of texture, unleashing that volcanic noise again at select moments. Legrand's voice is more restrained than on previous singles, heavily breathy like My Bloody Valentine's Bilinda Butcher but with her same unmistakable husky tone, which comes through more clearly as the song progresses.The chorus is subtle but lovely, like Neil Young by way of Broadcast, but the best bits are the details—that skip in the beat right before the chorus, those high sliding guitar notes that sound like reverb-drenched shooting stars. It's somewhat long and amorphous but never outstays its welcome. You could listen for days and find new things to like about it.

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Show Recap: Failure at Amoeba Hollywood

Posted by Billy Gil, July 1, 2015 03:04pm | Post a Comment

failure amoeba

Failure fans withstood a hot, humid tropical drizzle outside of Amoeba Hollywood June 30 for the chance to see the band perform after a 17-year absence.

The alt-rock band reunited last year after breaking up in 1997 due to personal differences. In that time, Failure maintained a sizable cult, due in part to the band members maintaining a visible presence in musical projects such as Autolux, ON and Year of the Rabbit. With their “classic lineup” of Greg Edwards, Ken Andrews and Kellii Scott together again, the band has been successfully touring, playing all over the U.S. and Europe, and at festivals such as Desert Daze and Sunset Strip Music Festival.

failure the heart is a monster lpThe band chose to focus half of its set on its newly released fourth album, The Heart Is a Monster, which has been well-received by both fans and outlets such as Pitchfork. They started the show with that album’s opener, “Hot Traveler,” a highlight as the song moved from muscular riffs to a dreamier closing. The Amoeba show featured the live debut of two new songs from the album, “A.M. Amnesia” and “Otherwhere,” sneaking in classic “Another Space Song” from 1996’s Fantastic Planet in between.

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Album Picks: Vince Staples, The Internet, Miguel, Jaill

Posted by Billy Gil, June 30, 2015 10:55am | Post a Comment

Vince Staples - Summertime 06

vince staples summertime 06 cdOn his gutsy, double-disc debut studio album, Long Beach rapper Vince Staples introduces the world at large to a tough, world-weary persona who at only 22 has seemingly been through enough drama to fill a book. “My pain is never over, pills ‘n’ potions pick me up” he declares on the gnarled beats of “Pick Me Up.” Atonal sound wails in the background of “Norf Norf” as Staples offers slice-of-life tales of growing up in gritty North Long Beach (“I ain’t never run from nothin’ but the police,” he says tellingly). There’s a nihilistic slant to everything Staples puts to tape, which extends even to more decadent party jams like “Loca” and “Dopeman” and love songs like “Lemme Know,” pairing lyrics like “I’ll be fightin’ for you” with “I love to see you cry.” Everything in Summertime ’06 sounds strangely disembodied and cynical, yet it’s not lacking in energy, as with single “Senorita,” on which No I.D.’s creeping production offers the ideal space for Staples’ grim verses and Future’s motoring chorus before morphing into an ’80s horror film-style breakdown. The album’s second disc is mellower, reveling in No I.D. and Clams Casinos immersive production work; “Get Paid” and “Hang N’ Bang” are lively highlights. Though it’s a double-disc, Summertime ’06 doesn’t feel the slightest bit overstuffed, and we never lose sight of the man behind the rhymes.

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Weekly Roundup: Kisses, Tijuana Panthers, Flesh World, Vaguess, Pearl Charles, Creeping Pink

Posted by Billy Gil, June 26, 2015 09:30am | Post a Comment

Kisses – “A Groove”

kisses bandKisses are no longer as pregnant as this press photo shows—the real-life couple of Jesse Kivel and Zinzi Edmundson have a new baby boy, as Kivel told Hit City USA. But if you think parenthood would mellow the electronic pop project, think again—“A Groove” is as funky as anything the band has done. Kivel’s vocals dance around a relatively spare disco bassline and beat, coming in with some sunbaked guitars and synths for an ear-caressing chorus. It’s from their upcoming third album, Rest in Paradise, due later this year.

 

Tijuana Panthers – “Front Window Down” video

tijuana panthersTijuana Panthers have unveiled a video for their great new-wave surf song “Front Window Down,” along with details about their new album. Poster will come out Aug. 28 via Innovative Leisure. And this week we premiered our latest episode of “What’s In My Bag?” with the band. Watch both videos below.

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