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10 Albums To Look For in 2015

Posted by Billy Gil, December 26, 2014 05:15pm | Post a Comment

2015 albums

The year’s coming to a close, and it’s time to look ahead. There are already several sure-to-be great albums on the horizon. You can already preorder the ones below.

 

Panda BearPanda Bear Meets the Grim Reaper

panda bear meets the grim reaper lpOut Jan. 13

Available on LP, CD, Deluxe LP, Deluxe CD

Experimental pop auteur and Animal Collective member Panda Bear aka Noah Lennox is back with his fifth solo album and first in four years. Like his last album, Tomboy, it’s co-produced by Peter Kember, and it features two songs that have already been premiered, the woozy “Mr Noah” and mind-bending “Boys Latin,” for which you can watch the mesmerizing video below. “Mr Noah” has been already released on a four-song EP of the same name, which includes three more songs; those three extra songs will also be available on the deluxe editions of the album.

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Amoeba Hollywood's Best In-Store Shows of 2014

Posted by Billy Gil, December 26, 2014 09:42am | Post a Comment

amoeba hollywood best instores 2014

 

SKY FERREIRA, Wednesday, February 19

sky ferreira amoeba hollywood

Sky Ferreira’s show at Amoeba Hollywood was one of those great zeitgeisty shows where we knew we were all seeing a huge new star at the height of her hype and acclaim. Ferreira was charming and cool, engaging with the tons of young fans who came out to see her and pulling out a surprise by coming back to the stage to sing her breakthrough song, “Everything Is Embarrassing.” Read my review of the show here.

 

DEAP VALLY, Tuesday, May 13

The duo of Lindsey Troy and Julie Edwards pulled out blistering fuzz-rock guitars and caveman stomp with hair-flying abandon at this punchy performance of tunes from their debut record, Sistrionix. Troy and Edwards easily worked the crowd into a froth and left them wanting more.

 

December Album Picks: Charli XCX, D'Angelo, Nicki Minaj

Posted by Billy Gil, December 23, 2014 03:30pm | Post a Comment

December often doesn’t have the same number of big new releases as other months. But in this age of Beyonce-ing albums at the end of the year, there are still a few winners that slip into the end of the year.

 

D’Angelo Black Messiah (CD, LP out 2/10)

d'angelo black messiah cd lpThe long-awaited Black Messiah caps off 2014 as the year’s best soul album. But to call it soul or R&B would be reductive. Even more so than D’Angelo’s previous two albums, the excellent Brown Sugar and neo-soul masterpiece Voodoo, Black Messiah eschews any preconceived notions of what R&B, pop, music in general should be. Black Messiah draws upon a rich history of black music, notably blues, jazz and gospel and funk, and blows them out into billowing, smokey jams that seep under your skin, work their way into your veins. “Ain’t That Easy” rides hard on The Vanguard’s hip-hop beat and raunchy funk chords, while D’Angelo delivers an impassioned vocal and conciliatory lyrics like a sleek modern-day update of Al Green’s “Let’s Stay Together.” “1,000 Deaths” lays out Black Messiah’s other theme, starting with a powerful passage by an African American preacher that rails against the presentation of Jesus as a white savior. Over The Vanguard’s stuttering, skronking beat, D’Angelo’s multitracked vocal paints a harrowing picture but makes its most memorable couplet a rallying cry for the oppressed (“A coward dies a thousand times/But a soldier only dies just once), ending in an ecstatic, Prince-worthy cry and Hendrixy guitar explosions. Like Erykah Badu’s New Amerykah albums, or (aesthetically) like Kanye West’s Yeezus, Black Messiah is remarkably adventurous throughout. “The Charade” shuffles along a beat reminiscent of Radiohead’s “There, There,” dazzles with springs of sitar and builds to a thick climax. Similarly, “Back to the Future (Part I)” and “II” breaks up a future-funk suite about breaking up, keeping you engaged with its heady groove. Black Messiah’s more accessible moments make for some of the loveliest songwriting D’Angelo’s put to tape, with lush devotionals like “Till It’s Done (Tutu)” and “Really Love” and the jaunty alien jazz of “Sugah Daddy” making for perfect mixtape material. D’Angelo definitely kept us waiting a while for this one, but his remarkably consistent catalog to this point shows that the best things come to those who wait. Truly, Black Messiah is a densely layered soul masterpiece.

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The 25 Best Albums By California Artists Released in 2014

Posted by Billy Gil, December 17, 2014 03:50pm | Post a Comment

best california albums blog

From L.A. and S.F.’s garage rock scenes to Compton’s blossoming rap artists, California artists represented well in 2014. Here are 25 of our favorites from the year, in alphabetical order.

Allah-LasWorship the Sun

allah-las worship the sun lpOn Worship the Sun, L.A.’s Allah-Las get some dirt on their boots by scuzzing up their sunny surf-garage sound with some rattling guitar solos, stonery grooves (“Buffalo Nickel”) and head-spinning psych-rock tunes (“501-405”).

 

 

Cherry Glazerr Haxel Princess

cherry glazerr haxel princess lpCherry Glazerr had the debut record of the year for Burger Records, moving unstoppably on the strength of its garage riffs and singer/guitarist Clementine Creevy’s teenage caterwaul.

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14 Indie Rock Records That Would Make a Great Gift

Posted by Billy Gil, December 15, 2014 12:11pm | Post a Comment

Gift Ideas Indie Rock

There have been tons of records released under the nebulous indie rock genre this year that find new things to say within the confines of rock 'n' roll (The War on Drugs), or throw out the rules while still remaining pleasing to listen to (Ariel Pink). Here are 14 widely appealing records from this year that would make a great gift for just about any indie rock fan. 

the war on drugs





 

The War on Drugs - Lost in the Dream

The War on Drugs’ dreamy country-rock music evokes slow motion, even as its songs move at a sprightly pace. The driving rhythm behind "Under the Pressure" is caked in heavily reverbed guitars and washes of synthesizer, even as real-life guitar solos and Adam Granduciel's vocals come through more clearly than ever before. Similarly "Red Eyes" is like some lost '80s collaboration between The Highwaymen and The Cure, effusing brilliant colors with its bright synths and yelping vocals, but the most stunning moment comes in the minute or so in the middle of the songs when a third of the sound is stripped away, leaving a gorgeous, introspective bridge before Granduciel's yelp brings everything crashing back, while the rhythm stays insistent as always. Lost in the Dream invites repeat listens—atmospheric pieces like "The Haunting Idle" keep things spacious, yet the band comes back for the Bruce Springsteen-vibing "Burning" in the albums latter half. As its title would suggest, it's an album to get lost in. It feels like seeing the entire open road ahead of you, coasting yet seemingly to move in place while the sun sets and middle-of-nowhere stations play Bruce and Tom Petty in the background.

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