Taking place at Bedrock Studios, a recording and practice space in Echo Park, from 3 to 10 p.m., the festival will feature music curated by Yeah Yeah Yeahs guitarist Nick Zinner. There will be performances from noisegrind supergroup Head Wound City (featuring Zinner, Jordan Blilie and Cody Votolato of The Blood Brothers, and Justin Pearson and Gabe Serbian, both from The Locust and Holy Molar) as well as local indie rockers Cherry Glazerr (check out our interview with the band here), garage rockers Deap Vally and all-female Black Sabbath tribute group Black Sabbitch. It’s hosted by German techno personality Flula and will feature music spun by DJ Soft Touch.
In the video for her song "Go," featuring Blood Diamonds, Grimes goes all Mad Max/Final Fantasy on us with swords and veils in the desert. But then also at the club. 'Cause after all, this was a song Grimes had written for RIhanna but that got turned down. Pretty lame, it would have been nice to hear Rihanna try something different like this, but it sounds great coming from Grimes, too. The song is available to download now from Amoeba.com.
See the video below:
This 1973 solo debut from the country-rock pioneer marked his departure from The Flying Burrito Brothers and includes such songs as "That's All It Took," featuring Emmylou Harris. This reissue comes on 180 gram vinyl.
The Weekly Wednesday steal is happening every Wednesday, in which we sell some prized piece on discount for only $10 while supplies last. It's limited to one per customer. Previous deals have included releases by Boards of Canada and tUnE-yArDs for only $10. Keep coming back every Wednesday to Amoeba.com to see what we have going on. As always, there’s FREE SHIPPING on Amoeba.com for music and movies in the U.S.
Listen up, Dylan fans: B Dizzle has another set of Bootleg tapes coming our way this November.
The Basement Tapes Complete: The Bootleg Series Vol. 11 is due Nov. 4 on Legacy. These recordings comprise the time when Bob Dylan and his band (that would be The Band) holed up in West Saugerties, New York at a house they dubbed Big Pink to make some of their most iconic recordings some 50 years ago, according to Rollingstone.
Band member Garth Hudson helped producer Jan Haust salvage what they could of the previously unused recordings, which will be released in a chronological order (using Hudson's numbering system) in the six-disc release, which will include covers of country songs by artists Johnny Cash, Hank Williams and Harlan Howard as well as R&B legend Curtis Mayfield, along with traditional rearrangements and lots of originals. There also will be a two-disc version of highlights released called The Basement Tapes Raw.
If you like post-punk music at all, your favorite new band will probably be Merchandise. With a bit of Pulp’s swagger, the Cure’s emotional yet economical guitarwork and the dramatic grandiosity of Morrissey’s solo work, Merchandise nail every nuance on their new album, After the End. Big, shimmering chords on “Enemy” announce their arrival with the kind of bravado that leaves you a little breathless, incredulous that this isn’t a song or band you’ve heard before. Singer Carson Cox’s throaty tenor fills the space that isn’t carved out by his bandmates nicely, on ballads like the stunning “Life Outside the Mirror.” It’s a solid listen, but After the End particularly shines on its singles, like “Little Killer,” the riff of which is catchy enough to leave you tracking back again and again to get that feeling all over again. While After the End is an immensely enjoyable album, the elephant in the room is that, however immaculately made, it’s not the most original thing you’ve ever heard—“Green Lady” is great, with its stuttering beat, big guitar riffs and sure, why not, some sitar, but it could easily be a Morrissey outtake. No matter. Originality will come in time. For now, Merchandise reach a very specific itch, that youthful feeling of discovering a new favorite band who just flat out gets it. No trickery, nothing too out of the ordinary, just some of the best pop music you’ve heard in ages.