Let’s be honest, all I had to say was “featuring Kevin Shields” and your ears perked up. First, let’s talk about Reitzell. He’s served as the drummer for Air and Redd Kross, so already nice resume there. He has been a Hollywood music supervisor and composer, working with the likes of Sofia Coppola on The Bling Ring and Gus Van Sant on Promised Land, among others. Now the recuslive My Bloody Valentine frontman helps him out on the dreamily decadent “Last Summer,” which does have the feel of something from a Sofia Coppola soundtrack. That all makes sense—Reitzell is the guy who convinced Shields to do a song for her film Lost in Translation. Reitzell made the experimental Auto Music to sound like the drive from his home to his studio in Los Angeles, with all the small changes and evolutions of the journey represented in the music. The album’s out June 3 on Smalltown Supersound.
The festival is devoted to Indian cinema and culture, and features critically acclaimed independent films from India, Bollywood kitsch, documentaries, film shorts and more. The IFFLA is showing 33 films in total this year. Fest passes are $100 for access to all screenings (excluding galas). Pick them up here. Individual screening passes are $14.
Check out all of the festival’s films and buy tickets here.
This year Amoeba presents the following films:
Writers (Sulemani Keeda)
Thursday, April 10
Sulemani Keeda, which means “pain in the ass” in Hindi street slang, is billed as a slacker bromantic comedy. Two writing partners want to shake up Bollywood but instead get rejected by producers and spend their time hitting on girls at bookstores and poetry slams. Things change when a drug-addled son of a B-movie producer hires them to write a salacious arthouse film. One of the writers meets a beautiful photographer, making him question his choice to sell out. Director Amit V Masurkar casts his friends in the film and shoots guerrilla style to keep things real.
The War on Drugs’ dreamy country-rock music evokes slow motion, even as its songs move at a sprightly pace. The driving rhythm behind "Under the Pressure" is caked in heavily reverbed guitars and washes of synthesizer, even as real-life guitar solos and Adam Granduciel's vocals come through more clearly than ever before. Similarly "Red Eyes" is like some lost '80s collaboration between The Highwaymen and The Cure, effusing brilliant colors with its bright synths and yelping vocals, but the most stunning moment comes in the minute or so in the middle of the songs when a third of the sound is stripped away, leaving a gorgeous, introspective bridge before Granduciel's yelp brings everything crashing back, while the rhythm stays insistent as always. Lost in the Dream invites repeat listens—atmospheric pieces like "The Haunting Idle" keep things spacious, yet the band comes back for the Bruce Springsteen-vibing "Burning" in the albums latter half. As its title would suggest, it's an album to get lost in. It feels like seeing the entire open road ahead of you, coasting yet seemingly to move in place while the sun sets and middle-of-nowhere stations play Bruce and Tom Petty in the background.
Here are 12 great albums that are coming out soon. Better save your pennies!
Out March 18
Atlanta’s finest, scuzziest garage rock band is back with its seventh album. It’s co-produced by The Black Keys’ Patrick Carney. The video for “Boys in the Wood” has all kinds of homoerotic and drug-fueled forest mayhem.
Out March 18
The event will feature an intimate discussion and performance from the duo, made up of Summers and multi-instrumentalist Rob Giles. Tickets are $25 and are available here.
The band started after The Police reunion tour of 2008. Summers, who has released many solo albums and had just played on the third highest-grossing tour of all time, was looking for a new project. He saw Giles’ band The Rescues play a few years back at The Troubador and knew he’d met his new musical partner. Circus Hero features 13 tracks of high-energy pop rock, fueled by Summers’ trademark, stuttering riffs and Giles’ soaring vocals, which do bear some resemblance to those of Sting.