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Weekly Roundup: Jack Name, Tobias Jesso Jr., Vetiver, DVA Damas, Spirit Club, Hundred Waters, Sarah Bethe Nelson

Posted by Billy Gil, January 23, 2015 10:36am | Post a Comment

Jack Name – “Waiting for Another Moon”

jack nameLast week we shared noisy space-rocker “Watcher Talk,” from L.A. lo-fi maestro Jack Name’s new album, Weird Moons, which came out this week via Castle Face. Sample another track via The New York TimesT Magazine, featuring Name’s weary vocals singing existentially about the cycle of life, death and boredom over trumpeting synths. Check it out and the rest of Weird Moons if you’re into the likes of Ariel Pink, John Maus and older White Fence (of which Name was once a member).

 

 

 

 

 

 

Tobias Jesso Jr. “How Could You Babe”

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Robert DeLong Headlines Inaugural First Fridays Show of 2015 on Feb. 6

Posted by Billy Gil, January 21, 2015 02:38pm | Post a Comment

first fridays

Amoeba will be on hand for the opening show of First Fridays at the Natural History Museum of Los Angeles Feb. 6. Tickets are $18 and can be purchased here.

robert delong
Robert DeLong live at Amoeba SF Feb. 20, 2013

The first show of the season will feature EDM artist Robert DeLong. We know from the livewire show he put on at Amoeba Hollywood that this isn’t a show to be missed, as DeLong trades between setting off various sequencers, playing the drums and getting the crowd riled up for his electrifying anthems. DeLong’s latest album is Just Movement.

Prior to DeLong’s performance, Tom Vek will take the stage. The British singer/songwriter uses post-punk beats and electronic noise for a unique sound on albums like last year’s excellent Luck. Also opening the show will be Southern California’s QUITAPENAS. The band combines Afro-Latin beats with tropical-psych guitars and Spanish-sung vocals for a SoCal-style mashup that feels natural and is a lot of fun to listen and dance to.

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Album Picks: Belle & Sebastian, Sleater-Kinney, Hanni El Khatib, Amen Dunes

Posted by Billy Gil, January 20, 2015 11:27am | Post a Comment

Belle & SebastianGirls in Peacetime Want to Dance

belle sebastian girls in peacetime want to dance lp

In the latter half of their career, Belle & Sebastian have consistently tried to balance the desire to appeal to a wider audience with more outward-facing pop songs alongside the bookish indie pop that netted them a cult of worshipping devotees in the first place. They’ve never done it quite as successfully as they have here on Girls in Peacetime Want to Dance. Opener “Nobody’s Empire,” with its marching beat, glowing synths and gospel choir backup vocals comes off like a statement of purpose: This will be a richly produced pop album (courtesy of Ben H. Allen III, who’s worked both with the indie-pop elite and hip-hop artists), so gear up. The band comes up with one of its most radio-ready singles to date on “The Party Line,” a disco-rock track with typically clever lyrics and a booming synth riff that won’t quit. The best Stevie Jackson-led song in years comes on the bittersweet beatnik funk of “Perfect Couples.” “Play for Today” is synthy and light, with ace guest vocals from Dum Dum Girls’ Dee Dee Penny. And it’s safe to say Belle & Sebastian have the only ABBA-esque synth-pop track that name-checks Sylvia Plath. But Belle & Sebastian want to do more than make us dance. Several tracks hue closer to their ’90s incarnation while still retaining the fuller production present on the album’s more immediate moments. The European folk-flavored “The Everlasting Muse” is rich with mandolin, horns and clap-along breakdowns. The slow-rolling, string-laden “Ever Had a Little Faith” is reminiscent of early B&S highlight “The Boys of Track and Field.” And Sarah Martin gets to sing lead on both the swoony “The Power of Three” and rollicking “The Book of You,” with some ripping guitarwork to boot. So it’s not the introverted Belle & Sebastian of yore. But this edition of Belle & Sebastian manages to help them evolve without losing what made them special. It’s a win-win for fans new and old, on one of Belle & Sebastian’s best albums in years.

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27 Awesome Sub Pop Albums

Posted by Billy Gil, January 16, 2015 04:00pm | Post a Comment

SUB POP ALBUM LIST BEST SUB POP ALBUMS

We’re still a few years shy of the 30-year anniversary of legendary indie label Sub Pop, which started in 1988. But why wait? We’re calling out 27 of our favorite Sub Pop albums that you can download now on Amoeba.com. Browse all of Sub Pop’s catalog that we have available here.

Mudhoney Superfuzz Bigmuff [Deluxe Edition] (1988)

mudhoney superfuzz bigmuffTogether with Mudhoney’s early singles, this is one of the earliest and most potent statements of the grunge movement, including the eternal “Touch Me, I’m Sick.”

 

Nirvana Bleach [Deluxe Edition] (1989)

nirvana bleachObvi.

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Weekly Roundup: The Soft Moon, Hanni El Khatib & Freddie Gibbs, Jack Name, Nedelle Torisi, Wand, Sonny & The Sunsets

Posted by Billy Gil, January 16, 2015 11:21am | Post a Comment

Hello! Welcome back to Weekly Roundup. If it’s your first time here, I gather songs and videos by artists from the greater L.A. and Bay Area that have been released over the past week or so. Here’s the first one of 2015.

The Soft Moon “Black” (Trentemoller Remix)

soft moon black trentemoller remixWe’ve already heard the strangely enlivening dark pulse of “Black,” the first single from Oakland artist The Soft Moon’s new album, Deeper (out March 31 on Captured Tracks; preorder now). This Trentemoller remix gives the darkwave track an even dimmer shade, taking it from hedonistic dancefloor jam to musky afterparty track. The Soft Moon will be at S.F.’s The Chapel April 28 and L.A.’s Roxy April 30.

 

 

Hanni El Khatib & Freddie Gibbs – “Satin Black”

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