Amoeblog

Joel Jerome Chats With the Amoeblog Before His Performance Nov. 18 at Amoeba Hollywood

Posted by Billy Gil, November 14, 2014 03:45pm | Post a Comment

joel jeromeJoel Jerome has been one of the best songwriters in L.A. for years under a number of guises—with his bands, dios, dios (malos) and Babies on Acid. Recently, he’s been going under his own name, under which he’s released the Beck covers album When Beck Was Cool and now a collection of his own songs called Psychedelic Thriftstore Folk. It’s perhaps the most direct and honed release he’s put out yet, consisting of songs new and old that have been whittled down to pop perfection in his home studio in Echo Park. I caught up with him a bit before his Amoeba Hollywood performance Nov. 18 at 6 p.m. Instead of teasing you with some “quirky” factoid about our interview, why don’t you just take two minutes and read it??

What made you change the name under which you record, from dios/dios malos to Babies on Acid and finally Joel Jerome?

Joel: I finally decided to have everything I do under one umbrella, one name, since I write, arrange, produce and record all my music. I decided to just have it under my name so I could have the freedom of having different players for different shows. I’m the one busting my ass for this, so I may as well take full responsibility and have it all go under my name.

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Weekly Roundup: Deerhoof, Silk Rhodes, Medicine, Meatbodies

Posted by Billy Gil, November 14, 2014 08:51am | Post a Comment

Deerhoof – “Exit Only” video

deerhoofTake Shelter’s Michael Shannon stars in a new video as two guys losing their shit while listening to Deerhoof’s ferocious “Exit Only,” from their great new album La Isla Bonita, which is out now. To be fair, Deerhoof’s music does kind of make you feel like you’re losing it—in the best way.

 

Silk Rhodes – “Realtime”

silk rhodesThe second track (after "Pains") that we’ve heard from Silk Rhodes upcoming self-titled debut, out Dec. 2 on Stones Throw, is a delicious slice of minimalist, pyschedelic neo-soul. The L.A. duo are subtle, yet they immediately get under your skin.

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Celebrate The Byrds' Gene Clark With Nov. 16 Performance Featuring Members of the Byrds, Beachwood Sparks and More

Posted by Billy Gil, November 12, 2014 04:23pm | Post a Comment

gene clark show

November 17 would have been the 70th birthday of Gene Clark, founding member of legendary rock band The Byrds. Clark’s son, Kai Clark, has organized an intimate concert at Hotel Cafe this Sunday, Nov. 16, to celebrate the life of his father, featuring Kai Clark, Jangle Brothers (with John York, who played bass for The Byrds), Gospelbeach (featuring members of Beachwood Sparks), Carla Olson with The Psychedelic Cowboys, Bob Woodruff and more.

The show takes place from 6 p.m. to 12 a.m., and tickets are $20. You can pick up advance tickets here.

gene clark two sides to every story lpThe event also coincides with the re-release of Gene Clark’s long out-of-print 1977 solo album, Two Sides To Every Story. It’s out on CD now and comes with a color, 26-page booklet with photographs by Ed Caraeff from the album cover photo session and liner notes by John Einarson, author of Gene Clark biography, Mr. Tambourine Man. In addition, the CD comes with a download card with more than 90 minutes of exclusive bonus tracks, including a 1975 full-band performance. An earlier LP reissue of the album is also available.

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Album Picks: Cult of Youth, Royksopp, Cool Ghouls, Dream Police, Dirty Beaches

Posted by Billy Gil, November 11, 2014 11:02am | Post a Comment

Cult Of Youth - Final Days (LP, CD, Download)

cult of youth final days lpCult of Youth’s self-described “post-industrial Pet Sounds” begins with the instrumental “Todestrieb,” its eerie synths and tribal drums setting a foreboding tone for the album. “Dragon Rouge’s” acoustic strums and Sean Ragon’s intoning vocals give the track the feel of a classic Church song or stripped-down Sisters of Mercy track, while additional touches like cello and orchestral percussion pump up the grandiosity. Elsewhere, the band plugs in and goes full-tilt, with B-52’s riffs and post-punk rhythms on “Empty Faction” and goth-jangle on “Gods Garden.” Ragon’s voice is used terrifically throughout, judiciously given echo to resonate or often without effect to let his throaty post-industrial growl run free without trampling over the gorgeousness of these tracks. He’s at his best screaming through the nocturnal desert scene set by “Down the Moon” or kicking up dust on the rollicking “No Regression.” Like Iceage’s recent Plowing Into the Field of Love, Cult of Youth’s Final Days successfully marries Americana to post-punk rooted in traditions of hardcore and industrial music. It’s an unholy union, and it’s awesome. Check out "Empty Faction" via Stereogum.

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Album Picks: Bob Dylan, Dean Blunt, Deerhoof, Arca

Posted by Billy Gil, November 4, 2014 09:48am | Post a Comment

Bob Dylan - Basement Tapes Vol. 11 (LP out 11/24, two-CD set, CD box set)

bob dylan basement tapes vol. 11In between the albums Blonde on Blonde and John Wesley Harding, Bob Dylan holed up in Garth Hudson’s Woodstock home with his band (that would be The Band), where the group tore through multiple recordings a day for the summer of 1967. Those recordings would not only provide the seeds of hit songs for other artists, they would go on to spawn The Band’s Music From Big Pink. Though a collection of these recordings was released in 1975, the entirety of this legendary fertile period had never been released until now. Vol. 11 of The Bootleg Series gives Dylan fans what they’ve dreamed of having. Running in chronological order, we start with the sweet “Edge of the Ocean,” a simple, rough-and-tumble recording that of a never-before-released song that represents the seedlings of Dylan and The Band’s momentous summer. We get early versions of “You Ain’t Goin Nowhere” with cool, scattershot lyrics about feeding cats. There’s an early take of The Band’s “I Shall Be Released” that is stunning in its shambolic simplicity. You can almost feel the room around which “Quinn the Eskimo” was recorded as the band casually rolls through the future Manfred Mann song. Some of the recordings can be a bit rough, sure. But listening through these recordings and finding your favorites is the next best thing to having been there yourself during these epic recording sessions. And the prime cuts from Vol. 11 taken together still represent the great lost Dylan album. For fans of Dylan and The Band—really, for all fans of music history—Basement Tapes Vol. 11 is an essential listen. Hear "Odds and Ends" via Rollingstone.

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