FlyLo today released a video with audio clips from the album and visuals by manga artist Shintaro Kago. Sounds like lots of acid jazz rap insane beats paired with dead bodies exploding—but, like, in a fun, anime way. BTW, there are a lot of flashing lights, if you’re sensitive to that.
The next round of Led Zeppelin reissues (after the band reissued its first, second and third untitled LPs) are its classic 1971 fourth album (also untitled, but generally referred to as IV) and 1973’s follow-up, Houses of the Holy.
You can now preorder Led Zeppelin IV on LP, Deluxe LP, Super Deluxe LP, CD or Deluxe CD, and House of the Holy on LP, Deluxe LP, Super Deluxe LP, CD or Deluxe CD on Amoeba.com and they'll ship for FREE to the U.S. Both albums will arrive in stores October 28, 2014.
This set will include the albums London Scene (1971), Shakara (1972), Gentleman (1973), Afrodisiac (1973), Zombie (1976), Upside Down (1976) and I.T.T. (1980). It will also include a 12-page booklet with an intro by Eno, song lyrics and contributions by Afrobeat historian Chris May, Pitchfork reports.
Eno and Talking Heads famously used Afrobeat and Kuti as an inspiration for the classic Talking Heads album Remain in Light, which Eno produced. Watch Eno talk about his longtime enthusiasm for Kuti’s music in the video below:
FKA Twigs is the stage name of singer/songwriter Tahliah Barnett, who together with a team of some of the best producers working in pop music (Blood Orange’s Devonte Hynes, Clams Casino and Paul Epworth of Adele/Coldplay fame, among others) come up with one of the most brilliant debut records of 2014. What at first sounds like icy, alien R&B ends up feeling amorous, empathetic and intriguing to no end. Songs like “Lights On” at first sound not so out-of-time, fitting in nicely with the adventurous alt-soul stylings of The Weeknd or current Beyonce, but the songs are continuously chewed up and breathed back out into wondrous concoctions that bear little resemblance to anything else out there. Vocally, Barnett calls to mind someone working to effect change within the mainstream like Aaliyah once did as much as she does weirdos like Yma Sumac and Bjork (especially on the bold “Preface”), her airy voice warping into new dimensions yet latching onto reality on the touching “Two Weeks” and suddenly coming through clear as day as she pleads with sexual abandon through classic soul phrasings for a would-be lover amid analog-sounding robotic textures. As much as FKA Twigs is a product of a time in which introspective artists who allow for empty space to permeate their music are the norm, from The XX to How to Dress Well and James Blake, Barnett’s music feels more fun to listen to and not at all dreary, even if mostly downtempo. “How would you like it if my lips touched yours?” she suddenly entreats in the laser-streaked “Hours” and it’s hard not to think of some fantastical Janet Jackson comeback. “Video Girl” is more direct, asking “is she the girl from the video?” (Barnett has a background as a backup dancer in music videos) as Barnett goes on to prove she’s a lot more than that through stunning lead and layered vocals while the song’s lush, post trip-hop music sways and lurches sensuously. But “Pendulum” will no doubt be her entrÃ©e to most audiences, as the Epworth production literally knocks on your door with its stuttering beat and introduces a girl capable of delivering a Prince-level combination of heartache and confidence while keeping sly pop hooks on the backburner right until they’re ready to sizzle. It makes you happy to be listening to pop music in this day and age when something so exciting as this will bubble to the top.
Portishead will celebreate the 20-year anniversary of their debut record, the trip-hop classic Dummy, by reissuing it on 180 gram heavyweight vinyl. The band should be announcing a release date via their website this week.
The first 1,000 copies of the album will be on blue vinyl, defaulting back to black vinyl after that. It will also come with a download card of the original album. Dummy won’t be seeing a remaster or additional songs added to the original tracklist.
Even more great news in the Portishead world is word that the band is headed back to the studio soon to work on the follow-up to 2008’s Third, band member Adrian Utley told The Quietus in February. Given how amazing Third was, we’re on the edge of our seats in anticipation.
Watch the video for "Glory Box" from 1994's Dummy below: