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Colleen Green Talks Growing Up and Turning 30 Before Amoeba Performance

Posted by Billy Gil, February 23, 2015 10:44am | Post a Comment

colleen green amoebaMuch has been made of the mid-life crisis, but Colleen Green details the kind of quarter-life crisis that happens in your late 20s on her new album, I Want to Grow Up. Over fizzy power-pop chords and purring solos, Green’s girlish coo is so sweet you almost miss the hungover, self-flagellating lyrics that fill I Want to Grow Up—“I’m sick of being immature … I think I need a schedule,” she confesses on the title track. But I Want to Grow Up is also a lot of fun, as Green doesn’t take herself so seriously, writing odes to TV and her lack of an attention span that are as funny as they are self-critical. Even in the admonishing “Things That Are Bad For Me (Part 1),” Green admits in part two, “I wanna do drugs right now/I wanna get fucked up, I don’t care how.”

Green talked to us a bit about her new album before her show at Amoeba Hollywood Feb. 24 at 7 p.m.

The songs on I Want to Grow Up really hold together as an album because there’s an inward quality to them, for the most part. Did you write them kind of all at once in a certain frame of mind or were they written more slowly?

They were kind of written over the course of a few years. They started out primarily as ideas that I thought about for a long time before I tried to sit down and make music out of them. Once I got to that stage where I was like OK, I need to record this and get this done, it all kind of materialized as a set kind of well.

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Weekly Roundup: Best Coast, Crocodiles, Joel Jerome, Spaceships, Male Gaze, Peach Kelli Pop

Posted by Billy Gil, February 20, 2015 10:04am | Post a Comment

Best Coast Announce ‘California Nights’

best coastBest Coast will release a new album called California Nights on May 5 via Harvest. Hard to believe this is actually their major-label debut. California Nights follows the SoCal duo’s two critically acclaimed albums, Crazy For You and The Only Place and the 2013 Fade Away EP. They played a surprise show at the Echo this week, but if you missed that, they’ll be back playing shows in their beloved California next month. Hear a snippet of a new song in the album trailer below:

 

Crocodiles – “Crybaby Demon”

crocodilesSoCal’s Crocodiles have released four solid LPs of perfectly scuzzy shoegaze pop, and they’ve now got a new one on the way called Boys, due May 12 on Zoo Music. Boys was recorded in Mexico City, and they say the area influenced them in terms of adding certain aspects of Latin rhythms to their sound. You can certainly hear that bubbling underneath the din of “Crybaby Demon,” with swinging percussion underpinning the organ-and-guitar-based drone and Byrds-ian vocals. We’re definitely excited to hear the rest of Boys. Hear it below via Stereogum.

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Album Picks: Mourn, A Place to Bury Strangers, Jose Gonzalez, Six Organs of Admittance, Ibeyi, Sonny & the Sunsets

Posted by Billy Gil, February 17, 2015 09:55am | Post a Comment

MournMourn

mourn lpCatalonian teen quartet Mourn makes a passionate racket on their debut album. Singer Jazz Rodriguez Bueno channels PJ Harvey with her raspy delivery and more cutting lyrics on tracks like “Dark Issues,” or a young Siouxsie, on the way she can play with emotions but still bring a smile to your face, on songs like galloping opener “Your Brain is Made of Candy.” Her band keeps things terse, inspired by the likes of Nirvana and The Ramones, yet their clean guitars and neat grooves on standouts like “Philliphius” and “Otitis” suggest wisdom beyond their years. A handful of tracks read as more juvenile alt-rock exercises, yet Mourn also never loses momentum, bashed out with a live-tracked, Steve Albini feel and the animated precision of off-the-cuff ideas rehearsed and captured in one raw take—Bueno’s wail at the end of bonus track “Boys Are Cunts” feels both visceral and well-timed. It’s an incredibly promising debut that puts our faith back in so-called wasted youth.

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Weekly Roundup: Kendrick Lamar, The Black Ryder, Bouquet, OOFJ

Posted by Billy Gil, February 13, 2015 11:30am | Post a Comment

Kendrick Lamar – “The Blacker the Berry”

kendrick lamarA razor-sharp indictment of racism in the United States without sounding heavy-handed, “The Blacker the Berry” is one of the best things we’ve heard yet from Kendrick Lamar, which, given the overwhelming quality of good kid, m.A.A.d city, is saying something. The Compton rapper hasn’t yet announced the details of that album’s follow-up, but having heard this track and “i,” we’re betting it’ll be every bit as remarkable.

 

The Black Ryder – “Let Me Be Your Light”

the black ryderAustralian shoegaze duo The Black Ryder are now Angelenos and have a new album on the way called The Door Behind the Door, due Feb. 24. If you’ve ever fantasized about a collaboration between Slowdive and The Verve, this is for you. Washy guitars, a post-punk bassline and soothing female vocals combine with angelic synths for a song that sounds like what they play when the Pearly Gates open. Go to the light!

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Album Picks: Father John Misty, Punk 45

Posted by Billy Gil, February 10, 2015 10:46am | Post a Comment

Father John Misty - I Love You, Honeybear

father john misty i love you honeybear lpFather John Misty’s fearless second record builds on his folk-rock sound with orchestral touches, genre diversions and direct, conversational lyrics that cut through singer/songwriter clichés. The title track introduces Beatlesesque melodies and weeping steel guitar to prepare you for the scope of the record. J. Tillman starts going into crooner mode with the spectacular “Chateau Lobby #4 (in C for Two Virgins),” his crushed-velvet vocals singing over a sweeping, country-symphonic arrangement, but his lyrics nicely keep the romanticism from getting too gooey (“I wanna take you in the kitchen/Lift up your wedding dress someone was probably murdered in”). “True Affection” takes a sharp turn into MIDI-electro-dream-pop, with some Fleet Foxes-style harmonies keeping things grounded in Tillman’s wheelhouse. “The Night Josh Tillman Came To Our Apartment” takes another turn, this time into Velvets-third-album twinkling indie pop, while Tillman calls out an airheaded groupie (“She says like, literally, music is the air she breathes,” he sings hilariously). Tillman’s lyrics work so well because of their specificity—you feel like you’re watching him break hearts at a local bar when he sings “Why the long face? Blondie, I’m already taken,” over a sultry Southern sway on “Nothing Good Ever Happens At The Goddamn Thirsty Crow.” Such subject matter could read as self-serving, if not for the album’s more self-effacing tracks, like “The Ideal Husband,” in which Tillman admits various wrongdoings, petty or otherwise, over nervy rock ‘n’ roll; or “Bored in the USA,” a piano ballad that seems to mock Tillman’s own first-world problems of alienation and dullness (“Save me, white Jesus!” is an awesomely cutting exclamation). Tillman’s refusal to do anything in a typical way while still keeping the music highly polished helps I Love You, Honeybear to never feel indulgent. Rather, it’s an extraordinarily giving album, as Tillman’s honesty and strength as a songwriter and performer has grown immeasurably. It’s easily one of the best albums of the year thus far.

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