Amoeblog

So Many Wizards' Nima Kazerouni Talks Being in Four Bands Before Performance Jan. 29 at Amoeba Hollywood

Posted by Billy Gil, January 28, 2015 03:17pm | Post a Comment

so many wizards amoebaSo Many Wizards frontman Nima Kazerouni is easily one of the hardest working guys in the L.A. music scene. Other than SMW, his long-running indie-pop project, he has another full-time band, Crown Plaza, and two more new ones. I asked Kazerouni about how he keeps it all straight before So Many Wizards’ show at Amoeba Hollywood Jan. 29 at 6 p.m. They’re handing out a split 7” at the show with Tennis System, as part of Converse Rubber Tracks’ free recording sessions for up-and-coming artists. They’ll also be signing their previous 7”, Night Chills, at the show.

So I heard you started a new band, Nectarine, and now you have GNTLMN, too, bringing the total to four (I think). Is that just to try out different directions, play with different people or something else?

Yeah, totally. Nectarine is a super fun new band that started with homegirl Allie Bumsted. We would just jam together and write songs on the fly in her Long Beach garage while drinking beers and coffee. It turned into a thing pretty naturally. GNTLMN, which is now officially called Others, is a two-piece electronic dream-pop project created with S.F. transplant and homegirl Natalia Rogovin. The two are totally different sounds, and I play different roles in each band. It’s a lot to juggle four bands, yes, but whatever, I love them all.

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Album Picks: Jessica Pratt, Twerps, Natalie Prass

Posted by Billy Gil, January 27, 2015 10:56am | Post a Comment

Jessica Pratt On Your Own Love Again

jessica pratt on your own love again lpJessica Pratt’s voice is something special, a breathy, elfin coo that calls to mind Marc Bolan’s spirited yelp as well as Vashti Bunyan’s inward-facing whispers, channeled through Pratt’s own wry, observational tone. “I see you standing wasted alone in my mind,” she sings directly on opener “Wrong Hand,” but such a line doesn’t feel bitter coming from Pratt’s mouth, as if it’s a gentle warning rather than a harsh truth. “People’s faces blend together like a watercolor you can’t remember in time,” she sings with precision at the outset of “Game That I Play.” Her guitar playing feels nimble yet immediate, leaving in missed notes in the one-take-sounding, stark and lo-fi “Strange Melody,” while her intriguing fingerings and tunings seem to draw inspiration from Joni Mitchell and Nick Drake, though the way she contorts her voice from a floating, teetering high register to a disconcerting low feels entirely unique. The songs themselves are allowed to meander, though never indulgently; rather, On Your Own Love Again feels exceptionally well edited, its serpentine arrangements remaining relatively coiled. “Game That I Play” manages to sneak in a stunning second movement while keeping the song trim at just over four minutes. And she doesn’t overstay her welcome. At just more than half an hour, Pratt ends her second album leaving you wanting more, turning over her curious phrases and mystical voice to uncover their secrets, especially on one of the album’s final and best songs, “Back, Baby”—its pensive breakup lyrics like “your love is just a myth I devised” sting softly amid loping, seaside acoustic guitar. On Your Own Love Again is gorgeous through and through, and it’s easily one of the best albums of this early new year.

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10 More Albums to Look for in Early 2015

Posted by Billy Gil, January 26, 2015 10:33am | Post a Comment

bjork 10 albums blog

A little while ago, we called out 10 albums to look for in this nascent new year (some of them are out now, and they’re great!). Here are 10 more that we’re excited about.

 

Nite Fields Depersonalisation 

nite fields depersonalisationOut Feb. 3

Available on LP and CD

These nocturnally minded Australians set themselves apart from post-punk pack with creeping, atmospheric songs that seem to exist in a netherworld between sleep, dreaming and waking life. Songs like “You I Never Knew” lurch forward with jangling guitars and pounding beats before resting back into woozy, cloudy textures, on tracks like “Pay for Strangers.” Definitely a band to watch for 2015.

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Cocktails Talk SF Music Scene and Power-Pop Before Show at Amoeba SF Jan. 31

Posted by Billy Gil, January 23, 2015 02:17pm | Post a Comment

cocktails bandCocktails play a whimsical, harmonic, fuzz-and-synth-laced brand of power pop with boy/girl harmonies that harkens back to bands like Imperial Teen, The Rentals and that dog. They bring the catchy, garagey goods in healthy doses on their debut album, Adult Life, which is out now. Catch the band live at Amoeba SF Jan. 31 at 2 p.m. and get a FREE Converse Rubber Tracks split 7” with Windham Flat, who recently played Amoeba SF as well.

We took a minute to speak with Patrick Clos, frontman for Cocktails:

Have you guys seen the nature of the SF music scene change along with its changing demographics? Are kids still coming to rock shows?

Patrick Clos: For sure. There definitely used to be a lot more like local, scuzzy guitar rock/garage/psych type bands playing around and such, but you know how it goes—there’s no longer rooms for like $500/month and such. But still, between here and Oakland, there’s no shortage of rock bands.

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Weekly Roundup: Jack Name, Tobias Jesso Jr., Vetiver, DVA Damas, Spirit Club, Hundred Waters, Sarah Bethe Nelson

Posted by Billy Gil, January 23, 2015 10:36am | Post a Comment

Jack Name – “Waiting for Another Moon”

jack nameLast week we shared noisy space-rocker “Watcher Talk,” from L.A. lo-fi maestro Jack Name’s new album, Weird Moons, which came out this week via Castle Face. Sample another track via The New York TimesT Magazine, featuring Name’s weary vocals singing existentially about the cycle of life, death and boredom over trumpeting synths. Check it out and the rest of Weird Moons if you’re into the likes of Ariel Pink, John Maus and older White Fence (of which Name was once a member).

 

 

 

 

 

 

Tobias Jesso Jr. “How Could You Babe”

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