The Reatards Fallout Records, Seattle – 1999
It's been just over ten years since that was filmed. On the first cross country jaunt by (a just old enough to drive) Jay and his make shift band. As whip fast and damaging as
that daytime instore was, that night's gig has gone down in Seattle’s punk rock history books. A local oaf was heckling the Reatards as they played at the downtown venue The Gibson House (RIP). Jay, not one to take lightly these jabs at his character, watched as the drunken punk walked out the door. As he waited to cross the street, Jay threw down his guitar, opened the sliding window (stage left), jumped out and ran to the intersection. The crowd watched in awe as the band continued, not missing a damaged beat…and acting as though this happens all the time. It does. Jay laid a few steady blows, a few crazy man arm swings, wrestled about, and then came back in to finish the song.
This left a lasting imprint on me.
Not as much an imprint as it did on the pulpy, drunk outside, but…
This was art as terrorism. Band vs. crowd. He was the rare kind of frontman that does this not for the
audience's sake, but for himself. This was his release. A tension breaker. Therapy. Jay was in it deep. If he hadn't been, he'd prolly have been a criminal or something. I dunno.