Amoeblog

San Francisco International Film Festival Features Cibo Matto Live & More

Posted by The Bay Area Crew, April 14, 2015 05:12pm | Post a Comment

The 58th San Francisco International Film Festival runs April 23 – May 7 at multiple theaters in SF and at the PFA in Berkeley. This year, SFIFF features some amazing musical events and films along with the nearly 200 films and live events. Here are three not-to-be-missed musical films and events co-sponsored by Amoeba Music.

CIBO MATTO (USA, 2014, 120 min)
May 5, 8:00pm, Castro Theater
Cibo Matto’s hip-hop infused, electro pop burrowed deep into our collective earholes throughout the 1990s, becoming a symbol for the new post-genre musical cool. Experts at establishing mood and always up for an experimental challenge, the duo has developed new musical soundtracks to a number of wild and abstract short movies to be played in this one-time-only performance. Anchoring the screenings are two rare presentations of films made in 1970. First is Yoko Ono's incredible Fluxus epic Fly, which features a fly roaming a woman's body. Second is a modern re-staging of celebrated Bauhaus artist Oskar Schlemmer’s Triadic Ballet—a movie that will blow your mind with its campy costumes, weird choreography, and sheer delight.

LOVE & MERCY (USA, 2014, 120 min)
May 1, 6:15pm, Sundance Kabuki Cinema
May 4, 2:00pm, Sundance Kabuki Cinema
This powerful musical biopic tells Beach Boy Brian Wilson’s dramatically compelling story in—to use ancient recording jargon—two tracks. In the 1960s as the band rides surf music onto the charts, a creatively restless Wilson (Paul Dano) writes the songs that will become Pet Sounds, but alienates himself from other band members. The 1980s Wilson (John Cusack) is a shell-shocked man trying to emerge from an overmedicated isolation with the love and mercy of a good woman.

Continue reading...

Lila Downs Performs at SF's Nourse Theater, April 22

Posted by The Bay Area Crew, March 23, 2015 06:26pm | Post a Comment

Amoeba Music and CIIS Public Programs & Performances present singer Lila Downs on Wednesday, Lila DownsApril 22nd at the Nourse Theater in San Francisco.

Lila Downs has one of the world’s most singular voices and innovative approaches to music. Her music and vocal artistry have many influences, including the folk and ranchera music of Mexico and South America, and American folk, jazz, blues, and hip-hop. Downs, who grew up in both Minnesota and Oaxaca, has gone on to win a Grammy and a Latin Grammy award. She has performed at many of the world’s most prestigious festivals and venues, and has been invited to sing at the White House.

Tickets available now.

 

San Francisco's Switchboard Music Festival, April 4

Posted by The Bay Area Crew, March 12, 2015 08:30pm | Post a Comment

Kitka Switchboard Music Festival

The eighth annual Switchboard Music Festival returns to San Francisco's Brava Theater on April 4th from 2-10pm. The eight-hour showcase of innovative music from the Bay Area and beyond features 13 sets of music, including the Real Vocal String Quartet, Kitka, Brass Magic, and the premiere of In C Re-Do -- a re-imagining of Terry Riley’s In C featuring contributions from over 50 composers.

In C Re-Do celebrates the 50th anniversary of Terry Riley’s In C, which is comprised of 53 individual cells of music that are performed by a malleable group of musicians who move through the score at their own pace, creating a slowly evolving soundscape. The In C Re-Do will start and end with Riley’s original cells, with each of the 51 remaining cells contributed by Switchboard artists past and present plus other members of the Switchboard community, including Glenn Kotche, Greg Saunier (Deerhoof), Zoe Keating, Carla Kihlstedt, Fred Frith, Pamela Z, Samuel Adams, and all three Switchboard co-directors.

Here's the non-stop line-up for April 4th:

Continue reading...

Sin You Sinners: Joe Sarno's Civilized Sexploitation

Posted by The Bay Area Crew, March 9, 2015 05:18pm | Post a Comment

Sin In The Suburbsby Rebecca Burgan

In the wake of the new wave art house boom of the 1960s, sexploitation films and art films mimicked each other’s aesthetics to market to a wider audience. American auteur Joseph W. Sarno (1921-2010) produced a prolific catalog of softcore films in the '60s and '70s. Hoping that the hardcore genre was short-lived, Sarno found his niche in the arty sexploitation world, where dramatic lighting, complex sensitive characters, and female sexuality dominated. His technical skills and quick production time set him apart from other directors in the genre, whereas those with a comparable technique would have gone on to mainstream films. He directed his actors to express their anxieties and passions through realism, capturing gritty sexual emotion in its immediacy. He was a master of sexual cinematic verisimilitude.

Sarno’s films emphasize women’s relationships and women’s pleasure, whereas the men are more objectified as instruments to help achieve the female orgasm—a fairly fresh feminist notion at the time. Visual focus during orgasm was often directed at facial expressions rather than a tight zoom on some tight penetration. The sincerity of the sexual experience is revealed more intimately by the face. Gustav Machaty's 1933 Czechoslovakian art film, Ecstasy, starring Hedy Lamarr, was still pre-Code but was banned in America and in Germany by Hitler. Audiences watched Lamarr’s titillating nude body traipse through the woods and skinny dip in the lake, leading up to a moment of sexual ecstasy revealed only through a close-up on her pained face. The director employed an inspired technique of realism to achieve the right expressions from her—poking her rump off screen with a safety pin. The film was banned because of her scandalously debauched motivation for pleasure: cheating on her gross old husband. The censors decreed, you had to be married to revel in such pleasure and make faces like that. More intimate and revealing than a nude bathing scene, the close-up disturbed the Production Code censors in America, who considered even a safer, morally balanced edit of the film to be too indecent for audiences. The film was basically buried, and Lamarr was only allowed to work again if she cleaned up her act.

Continue reading...

Amoeba Joins RBMA's San Francisco Broadcasts

Posted by The Bay Area Crew, February 25, 2015 05:39pm | Post a Comment

RBMA is the radio station of the Red Bull Music Academy and is now broadcasting live from San Ceiling EyesFrancisco, straight from their studio in the Mission District, every day from 2pm to 10pm 'till Mar 11th. Guests include Kevin Saunderson, Wooden Shjips, Honey Soundsystem, Amoeba music's own superstars, and many others.

Tune in to RBMA on Tuesday, March 3rd from 2-3pm to hear Amoeba presents Ceiling Eyes live! With their debut album First Lust Encounters, Ceiling Eyes unleashed their esoteric dreamworld on the masses. No two of their experimental ambient performances are ever alike.

Then on Tuesday, March 10th from 6-7pm, hear Amoeba's tribute to 1980's Sunset Strip with Lip Service (aka Brent James & Kells Bells). Spandex and hairspray reign supreme on the outside, but you might be surprised to see what lies beneath as Lip Service spins old favorites and deep cuts from the debauchery that was Hollywood in the late '80s. Listen with fondness or recoil in horror, but be prepared to get rocked to the foundation!

Tune it to RBMA HERE!

BACK  <<  13  14  15  16  17  18  19  20  21  22  23  24  >>  NEXT