Goth Money Records is one of the hottest underground hip-hop collectives to have a physical album in stores in 2015. In a digital era where a majority of up-and-coming hip-hop music is over-saturated with internet releases, Goth Money wanted to switch it up. Goth Money's new album, Trillionaires, was released with Break World Records on Halloween.
Trillonaires features members Sick Boy Rari (formerly known as Black Kray), MFK Marcy Mane, Hunned Mill, Karmah, Kane Grocerys, and Luckaleannn. With a deep roster, the album is full of unique flows and styles that come together for a dark, heavy, cohesive sound. Goth Money members have all been gaining buzz while working or touring with the likes of Yung Lean and Raider Klan affiliates Space Ghost Purrp and Ruben Slikk (FREESLIKK).
I got the chance to speak with Goth Money member MFK Marcy Mane about Trillionaires, their involvement with Break World Records, and where they want to go with their music after this release. I asked Marcy Mane what made them decide to release a physical album when so much of hip-hop music in this day and age is internet based. He explained it has always been a dream and goal for Goth Money Records to release a physical project since the group came together.
Amoeba sponsors two shows with GRAMMY-winning Jewish klezmer superstars The Klezmatics at the SFJAZZ Center on Sunday, December 20th. Making their SFJAZZ Center debut just after the Festival of Light, The Klezmatics will perform seasonal music from their 2006 album Woody Guthrie's Happy Joyous Hanukkah, which sets lyrics by the late Woody Guthrie to their delightful original compositions.
Formed in the New York’s East Village in 1986, the Klezmatics led the resurgence of the nearly-forgotten klezmer tradition and contemporized it with an irreverent dose of punk rock attitude, and since their inception, have been one of most visible faces of today’s Yiddish culture. Enduring a number of personnel changes over the past two decades, the band has revolved around original members Lorin Sklamberg on lead vocals and accordion, trumpeter/keyboardist Frank London, and bassist Paul Morrissett. They have collaborated with violin virtuoso Itzhak Perlman, Pulitzer prize winner Tony Kushner, and Israeli vocalist Chava Alberstein, and have released eleven diverse albums including the GRAMMY-winning Wonder Wheel, their first session that set previously unused Woody Guthrie lyrics to their own original material. The group’s most recent release is 2011’s historic document Live at Town Hall and the concurrently released documentary film The Klezmatics: On Holy Ground.
We've got your Thanksgiving weekend all planned out for ya! After the excitement of Amoeba Music's Black Friday deals and releases on 11/27, and before Cyber Monday beams down on 11/30, join us at all three Amoeba store locations for our Small Business Saturday Sale!
In celebration of Small Business Saturday, Amoeba Berkeley, San Francisco, and Hollywood are offering 30% off on all Amoeba logo merchandise. That includes our fashionable Amoeba t-shirts, sweatshirts, totes, turntable mats, and more. Time to stock up on your Amoeba flare! This sale is one day only and applies to Amoeba logo-branded merchandise.
Additionally, Amoeba SF welcomes Stephan Jenkins of Third Eye Blind that Saturday at 2pm for an acoustic set of new songs from Dopamine and fan favorites from past albums! More info.
Get up. Get out. #ShopSmall!
Douglas Fairbanks, Anna May Wong, Harry Houdini, Shanghai, London, Paris…the world is your oyster at the San Francisco Silent Film Festival's A Day of Silents on Saturday, December 5, at the Castro Theatre. This very special day of silent-era movies will be accompanied by live music from Alloy Orchestra (featuring Roger Miller of Mission to Burma) and Donald Sosin.
Check out this action-packed schedule:
11:00am - THE BLACK PIRATE (1926, USA, Directed by Albert Parker, Cast: Douglas Fairbanks, Billie Dove, Tempe Pigott, Donald Crisp. 84 min)
The Black Pirate stars the dashing Douglas Fairbanks, full of bravura and charm. The film’s spectacular feats of derring-do include exciting swordplay and breathtaking underwater choreography—all in dazzling two-color Technicolor. Fairbanks plays a nobleman who takes the identity of a pirate to infiltrate and take revenge on the cutthroats responsible for his father’s death. The Black Pirate is not the first pirate story put on film, but probably the most influential.
1:00pm - AROUND CHINA WITH A MOVIE CAMERA (Filmed 1900–1948, compiled in 2015. 68 min)
Take a trip as far back as the days of the late Qing dynasty in Imperial China with this program of rarely-seen films, travelogues, and newsreels. See bustling and cosmopolitan Shanghai in 1900, visit Imperial Beijing in 1910, and cruise the picturesque canals of Hangzhou in 1925 on this odyssey of the remarkable and the everyday. Recently compiled from the collections of the BFI National Archive, the footage was shot by a diverse group of British and French filmmakers—some professionals, but mostly amateurs, including tourists, expatriates, and missionaries.
Amoeba Music is proud to sponsor four nights of shows with The Bad Plus Joshua Redman at SFJAZZ Center from December 10 - 13.
Celebrating their new release, The Bad Plus Joshua Redman, iconoclastic trio The Bad Plus and modern saxophone giant Joshua Redman present an evening of sublime, spontaneous invention. The Bad Plus earned an unusually broad following among young music fans through poker-faced interpretations of beloved rock and pop tunes like Black Sabbath’s “Iron Man,” Blondie’s “Heart of Glass,” and Radiohead’s “Karma Police.” The collective trio still traffics in ingenious covers, but pianist Ethan Iverson, bassist Reid Anderson, and drummer Dave King are all dedicated composers. Possessing distinct and divergent aesthetics, they channel their music through a radically democratic group sound that erases traditional distinctions between soloist and accompanist. It’s an approach that rarely invites in outsides, but the Berkeley-raised Redman joined The Bad Plus for a European tour a few years back and quickly made himself part of their quirky Midwestern gestalt. He joins forces with the band again, though Anderson hesitates to call it a collaboration, noting that playing with the trio means “dealing with what the Bad Plus does, and Josh really got that and brought this incredible energy. It’s a lot of new personality for the music, but still The Bad Plus.”