I always get excited whenever there is a new Placebo album. They never let me down. I was bit by the Placebo bug many years ago, back when they just had a small little self titled album in 1996. I think I probably saw them on the cover of a magazine before I actually ever heard the album, but I quickly became a big fan. I loved anything British at the time, and especially anything that was a little bit dark and weird. Brian Moloko was an intriguing man. I have seen him live many, many times and read tons of interviews but still don't really have him completely figured out. But that just makes him all the more interesting. Like many of the other bands that I have stuck with over the years, I associate each of their albums with a time in my life. The albums sort of organize my life for me into more organized sections than I could create myself. The first self titled album came out before I had moved to San Francisco. It actually came out in July, which was the month before I moved to San Francisco from Santa Barbara -- so my new life actually did start with the very first Placebo album, but I didn't really get into it until after I had moved. I listened to it a lot over the years. Often I would listen to it between albums. It helped fill the void when there wasn't a new album by them. Highlights of the album would be "Bruise Pristine," "Lady of the Flowers" and "36 Degrees." But "I Know" is the song that gets me every time I listen to this album. It breaks my heart a little bit, but in a good way. This whole album can really do no wrong for me. The second album, Without You I'm Nothing, came out in 1998 after I had been in San Francisco for a couple of years. This was probably the height of my Placebo obsession, although it honestly has never ever gone away. This was the first tour I saw with them and I was hooked for life after this. I really couldn't get enough of this album. It was a dark and depressing one, but I can't tell you how many times I listened to the song "Without You I'm Nothing." It pretty much became the song I would always listen to after the end of any relationship. It always seems like a long song so you can go through a rollercoaster of emotions in just that one song. My other favorites on the album are "My Sweet Prince" and "Every Me Every You." I forever associate this album with my early years in San Francisco. I grew up a lot in these years but also experienced some heartache.

I imagine that everybody will be so busy talking about Grizzly Bear this week, they will forget about any other albums that have also come out this week. I am still trying to get into the Grizzly Bear, but it just hasn't been working. I don't neccessarily have a problem with them and maybe they will finally grow on me in the next couple of weeks. It just has not happened yet. But I imagine if you are already a Grizzly Bear fan then you will love this new album -- everybody seems to like it. Some lucky fans got to hear the album early and even buy it early on this Monday here at Amoeba, the day before the album officially came out.

But there are some smaller albums that are getting me very excited this week. First up is the new album by Blank Dogs. The album is called Under & Under and is released by In the Red Records. Blank Dogs is actually just one Blank Dog: one dude from Brooklyn. We seem to know way too much about most artists these days, so I find it refreshing when I know absolutely nothing about an artist. It just makes it all about the music, which is what it should be. This guy even goes so far as to wear masks when he is photographed. Blank Dogs have been putting out music for a couple of years but this is my first real introduction to him. I have long been a fan and will always be a fan of shoegaze...and shoegaze this is not, but it does sort of fall into the new genre -- "Shitgaze," brilliant term that makes complete sense. He basically is sort of making up his own weird distorted intrepretation of a genre. It makes it super personal and way more interesting than anything else out there. I am also forever in love with the keyboard, so when it is done right, I usually fall in love with the album. Blank Dogs sound not too different than the synth bands you might have grown up with. Elements of Joy Division, The Cure, and Tuxedomoon are easy to find in these songs. He is not really hiding his influences, but imagine a Jay Reatard type playing with those old genres and making his own sound. The album is dark and dreary but also has a hidden energy inside that make the songs have a sort of more fun, pop feel to them. This is probably the music I would have wanted to play if I had ever continued on my career in music and perfected my keyboard playing skills. Lots of good songs on the album, however, the first track is still my favorite. As much as I love Joy Division, sometimes I need a break. This album is the perfect alternative -- giving you the darkness you desire but with a little something else. Maybe if Ian Curtis had found the right medication and managed to survive the 80s and 90s, this is the sort of album he would have ended up making.

One of my other favorites of the week is the new James Blackshaw. This guy has been around for a while but I have never actually gotten around to listening to him...although it is very possible that I did listen to him before and it just didn't hit me until now. I honestly always thought this guy was some 60 something Irish dude playing old timey folky ballads. I pictured him with a long white beard and maybe in a wheelchair -- not unlike Robert Wyatt. I was amazed to find out he was actually born in 1981, and he is from London...so I was not so far off on his location, just a bit off on my guess of his age. He has been putting out albums since 2004. He made his way to the label Young God for this new album called Glass Bead Game. Like the albums of Grouper and Jose Gonzalez, this album manages to break my heart a little every time I listen to it. At first it just seems like a simple little album of solo guitar and piano, but it managed to get inside me and break me all up inside. It was one of those albums that I put on not really expecting to like, but I was intrigued because it was on Young God. I just expected some Glenn Yarbrough style vocals over the music. I have not had a chance to explore his old albums, but I know he has crossed some boundaries and experimented with a couple different genres. I just like what he is doing right now. There is also some great piano work on this album. The Glass Bead Game is actually the last book by author Hermann Hesse, the man who brought us Siddhartha and Steppenwolf. The album features Joolie Wood on violin, clarinet, and flute; and also John Contreras playing the cello, both of whom also play with Current 93. Lavinia Blackwall also contributes some vocals, but most of album is instrumental. The album is nothing short of beautiful. While it manages to break my heart every time I listen to it, it also mangages to heal it every time. The album is sort of a spiritual classical album. It really makes me feel like I am living in a different era.

When I first moved to Los Angeles 7 or 8 years ago I became obsessed with Six Feet Under. I remember going to work one day and one of my coworkers talked about the show for hours. She couldn't believe that I was not watching it. However, I didn't have HBO and I don't think the show was out on DVD yet. I didn't even have a DVD player yet. VHS releases of TV shows were starting to disappear so I didn't really have any way to watch it-- so it might have been Six Feet Under that made me finally give in and get a DVD player. My first DVD purchase was The Muppet Movie, but I think my second or third purchase was the first season of Six Feet Under. It had been a while since I had been obsessed with a really good TV show. I still managed to watch the entire Twin Peaks series about once a year, but there wasn't much else out there. It was just that I didn't have HBO. I had heard about all these new shows, but still had never watched Oz or the Sopranos. These shows would later become some of my favorites as I started to collect the DVDs and eventually was forced to get HBO again. I don't want to sound like an advertisement for HBO, but it really did change the way I looked at TV and really gave me many enjoyable viewing hours. Six Feet Under came at a perfect time in my life. The show took place in the Los Angeles area and was filmed just down the street from Amoeba at the Gower studios. I somehow felt the show was speaking directly to me. And I somehow felt more involved with it since it was filmed so close to me and took place in a city so close to my heart. It was also nice to see a gay character as one of the lead roles in a drama series. I have always had a love/hate sort of relationship with Los Angeles, but this show made me love it just a little bit more. The five seasons of the show took me on a long and intense journey. I fell in love with all the characters and started to think of them as my family. The show followed me back to San Francisco, where it eventually ended in 2005. This was one of those shows that I really did love but it also just sort of tortured me when I watched it. Not only was every episode dealing with somebody's death, but it was also dealing with all the characters' messed up lives at the same time. It was an intense journey. The thing that made this show so fantastic was the cast. The mix of the brilliant writing with the perfect cast was a magical combination -- and it doesn't really happen that often. The leads were all perfect. Peter Krause, Michael C. Hall, and Lauren Ambrose were perfect as the siblings of the house. Frances Conroy was brilliant as their mother. The show just had a list of some of my favorite or soon to be favorite actors -- Rachel Griffiths, Freddy Rodriguez, Jeremy Sisto, Lili Taylor, Kathy Bates, Richard Jenkins, Rainn Wilson, Justin Theroux, Mena Suvari, Veronica Cartwright, Illeana Douglas, and Catherine O'Hara. And Patricia Clarkson and Joanna Cassidy were nothing short of brilliant as the aunt and mother in law. I wish they could have been in every episode, I don't think any TV show will ever get a better cast...although Mad Men comes very close.

I think I am sometimes easily persuaded by advertising...but I like to think of myself as a pretty strong person. I usually turn off my brain during commercials or at least think of other things while they are on... and these days I usually just fast forward through them! I try to ignore billboards, and while I might look at ads in magazines, I don't usually pay attention to what they are advertising. But I most certainly have nothing short of Star Trek fever. I think sometimes advertising and promotion is just right and my mind is already open to the idea. Sometimes, like this time, I just can't resist, even though I have never been a huge Star Trek fan. I have always loved science fiction and did watch the first couple of Star Trek movies, but I never made it past the fourth movie, which came out in 1986. I might have to venture back and watch them all over again. Maybe I will make it up to the fifth one this time. It does sound a bit interesting, if not a bit absurd as well-- Spock's half brother kidnaps the Enterprise to go on a search for God! Sounds a bit like a big budget, sci fi soap opera plot. I think the time is just right for this film. We were all horribly let down by the three prequel Star Wars movies. We grew up loving those movies and I sort of had a little bit of hope at the time, but they were just not good, as much as I tried to like them. I have much higher hopes for this new Star Trek. Let's just hope there is no Jar Jar Binks in the new Star Trek. The Star Trek movie is really more of a reinvention than the Star Wars movies ever were-- George Lucas would never let that kind of reinvention happen, but it would still be interesting to give the Star Wars franchise over to someone like Quentin Tarantino or Danny Boyle just to see how it could be revinvented. Maybe Robert Rodriquez and Quentin could codirect it. It would be interesting at least! J.J. Abrams seems like a great director for this new set of films, and the cast seems perfect: choosing Zachary Quinto as Spock and Simon Pegg as Scotty is just brilliant. I also think Winona Ryder as Spock's mother is perfect casting. Enough about Star Trek! It doesn't really need any more promotion! I am just excited. I couldn't get my favorite seat at the Arclight Dome until next Monday, and I was also not so sure I wanted to see the movie with all the crazy super fans on the first weekend -- although maybe I will be missing out on some great costumes in the audience.

Anyway, I really thought I had gotten over Peaches. I was a huge fan of her first album-- I just couldn't get enough of The Teaches of Peaches. She had recorded an album before that one, but 2000 was the year the first real Peaches album came out. It was the year she made her way into San Francisco, into my small little world and she seemed to sort of take it over and reinvent a whole new sort of music. She made dance music fun again and made pop music more interesting. Her shows were amazing and out of control. I know there are Peaches haters out there, but you really can't really understand what she is all about until you see her live. Seeing her perform with John Waters in Los Angeles many years ago was the perfect lineup for her. It just made sense. As much as I loved her and listened to this first record, I sort of started to lose interest over the last couple of years. Was I now a bit to old to listen to Peaches? Was she too old to be Peaches? The new album is out this week and is called I Feel Cream. It will manage to offend just as many people as the other albums have, but it should also please all her old fans. She even manages to sing on the album. The song I keep going back to is "Lose You" -- mostly because I can't even believe it is her. It is a song that could easily end up on a Kylie Minogue of Royksopp album, but it is Peaches and she actually has a good voice. I also love the song "Mud." "Mommy Complex" and "Trick or Treat" are also fantastic songs on the album. I can't really imagine anyone but Peaches being able to pull these songs off. There is really nobody like her and nobody else should even try to be. Peaches is Peaches, and I am happy to know that she is still in my life. I don't know if I will still be listening to her in 10 years, but I imagine she will have reinvented herself by then. Maybe she will start doing modern opera or some classic bluegrass. I would really love for her to reinvent every genre. She could do a fantastic comedy album. I could also imagine her putting together a really good blues album. But I do know one thing for sure: in 10 or 20 years Peaches will be performing showtunes in Vegas. And I will most certainly make the drive out there for that one! She will never be as big as Cher or Bette Midler, but it sure would be fun to see her perform in some big Vegas production! A Peaches Cirque Du Soleil would mosty certainly be fantastic and amazing. Somebody please steal my idea! Peaches in a sort of animal revue would also work. We do need another Siegfried & Roy! Can't you just imagine Peaches and her lesbian assistant performing on a Vegas stage with some wild birds and monkeys?

My new favorite album of the week is most definitely the debut album from Esser. Ben Esser is most certainly from England -- that much is obvious early on in the album. My first thought when I heard this record was Patrick Wolf. They have a similar style and both seem to play all their own instruments and record albums in their bedrooms. They both also have that young, early 20's energy that is hard to capture once you are beyond your early 20's. This excellent album is called Braveface. Equal parts Blur and Lilly Allen, plus Patrick Wolf singing with the Ordinary Boys. His lyrics are not as magical and ethereal as Wolf's though. They are more rooted in the angst of new relationships and love. The best song on the album comes at the very end, so make sure you make it all the way to track 10, "Stop Dancing." It is the song that you will keep coming back to. The whole album is less than 40 minutes long, so it doesn't take you long to get there and you also have fantastic, perfect pop songs like "Headlock," "Bones," and "I Love You." The album is not replacing my favorite of last week though! I still love that Thieves Like Us album more than anything, but this Esser album comes in close second. Pop music is usually so horrible -- it is nice to find a great little pop album every once in a while. They mostly all seem to come from England. But I guess that is just my taste in pop music! I am already looking forward to his next album. He may have not even written the songs yet but I can already imagine it in my head. I am gonna go back and listen to "Stop Dancing" again, probably a couple of times. I love it. Thank you, Ben Esser for sharing your album with us. It is just what I needed to start my summer.

It is hard for me to think about anything except for Grey Gardens today, but I will try. The new Grey Gardens Docudrama was on HBO last week, but I finally had my little screening party last night and watched it. I have been a big fan of the documentary for a while. I fell in love with it not only because it is an amusing look and a very interesting eccentric family, but also because it is tragic and beautiful and hilarious all at the same time. There is really a bit of the Beales in all of us. But I had my doubts about this movie. I was excited about all the interest in what I felt like was a secret little documentary that not that many people knew about. Still, I was skeptical-- I had not seen the musical version on Broadway but thought it was sort of a strange subject for a musical. Somehow despite all that, this movie worked out perfectly. I really can't imagine it being any better. I really think that the Beales would have even liked it themselves. They would most certainly enjoy the fact that the story of their lives was not only an award winning documentary but also a musical and an HBO movie.

Jessica Lange and Drew Barrymore were fantastic as Big and Little Edie. I have been really wanting them both to have a good role for a while now. Jessica Lange was great in my favorite, Tootsie. She also starred in Frances that same year in 1982 and broke my heart with her performance. While I loved her in Cape Fear in 1991, I feel like she has not really found the right role for herself until now. And Drew Barrymore just blew me away with her performance as well. I have long been a fan of Drew Barrymore but never really liked the movies she ends up in. I really have not enjoyed much since Firestarter and E.T., aside from Charlie's Angels. The makeup was probably the most amazing thing about the movie. This was only a TV movie but had better makeup than most big budget blockbusters. I can't wait to go back and watch the old documentary now. It was really crazy how they seemed to totally become these two characters. They not only got the look and voices perfectly, but they also had all the mannerisms down perfectly. They really were a fascinating family. I liked the way the film intertwined the backstory of how they came to be with the recreations of the footage from the original documentary. The story is actually extremely sad and poignant. Fantastic. This movie will be staying with me for a very long time to come.