Latin Jazz Album: "Funk Tango," Paquito D'Rivera Quintet.
This album is pedestrian at best.
Alternative: Cabijazz, Latin Giants Of Jazz, Colon 264

Latin Pop Album: "El Tren De Los Momentos," Alejandro Sanz.
El Tren De Aburridos is more like it. Jorge Drexler's 12 Segundos De Oscuridad would have been better, just for the title track alone.

Latin Rock or Alternative Album: "No Hay Espacio," Black:Guayaba.
Read the title above. Cafe Tacvba's Si No or Maneja Beto's Accidentes de Longitud y Latitud would have been better.

Latin Urban Album: "Residente O Visitante," Calle 13.
No argument here. I felt Calle 13 should have been in the general Album of the Year with Herbie, Kanye and Amy, even if it never had a ghost of a chance to win.

Tropical Latin Album: "La Llave De Mi Corazon," Juan Luis Guerra.
Some great songs on this album but not enough to say it's the best. El Gran Combo & Spanish Harlem Orquesta, who were also nominated, were just as good. My pick? Calambuco, Grupo Caribe, La Excelencia or Envidia All-Stars

Mexican/Mexican-American Album: "100 (Percent) Mexicano," Pepe Aguilar.
Paquita La De Barrio gets robbed again! Pepe becomes her new "rata de dos patas"

Tejano Album: "Before the Next Teardrop Falls," Little Joe & La Familia.
Little Joe can't sing anymore. Go for the old school real deal: Conjunto Bernal or the Beto Villa's Orchestra reissues

Norteno Album: "Detalles Y Emociones," Los Tigres Del Norte.
I love Los Tigres Del Norte but this wasn't their best. Los Razos, Raza Obrera or Los Rieleros Del Norte had better offerings last year. Still, no one can come close to writing the kind of songs that Los Tigres write.

Banda Album: "Te Va A Gustar," El Chapo.
I figured Valentin Elizalde would get the sympathy vote, but I guess he didn't. What? getting shot and killed doesn't guarantee a Grammy any longer?

I wrote about Victor Gastelum several months back when I first starting writing for Amoeba.com. Victor’s iconic art has been used by Calexico, Culture Clash, Greg Ginn, just to name a few. Victor is currently showing in a group show called ALEX STEINWEISS: CREATOR OF THE ALBUM COVER at the Robert Berman Gallery in Santa Monica. Victor is one to show his appreciation for any artist that inspires him. I got him to share his thoughts on Morrissey, his Mexican following and Morrissey's supposed anti-immigrant remakes he made last November.

What makes you a fan of  Morrissey? How did you become one?

I started liking the Smith's right when they were breaking up.  I was starting to make my own art and I found Morrissey’s lyrics inspiring. Not that I wanted to draw what he was describing but that he was telling his own stories.  You got the feeling that he was talking about what he knew.  He along with other artists that I admire made me look at myself, and draw from what I knew about, what I had to offer.  The music was the first attraction to the band though.  I like pop music, especially with clever lyrics and hooks.  The band was tight and at the time there didn’t seem to be anything like them.


Why do you feel that Mexicanos identify with him?

For me I think it might have to do with his outsider, nerdy loser
image.  He made being square and dorky really cool.  He is into all these obscure English pop artists, television shows, and movies that he would make references to. I think it made you place a little more value to the things you liked that most people didn’t know about or thought were lame.  Also the Manchester bands seem to have this thing where they are all homeboys.  Not so much pride or shame, but just an acknowledgement of where they are from.  He put a lot reference to where he was from, places and buildings.  I like seeing that, (for instance) like when an artist is from San Pedro or Long Beach and they throw that influence into their work.

Many of my fellow Mexicano/Chicano peers that have much respect and hold Morrissey in high regard. One of them is L.A. Weekly’s Ask A Mexican writer Gustavo Arrellano. In his excellent article written back in 2002 by about Morrissey and his Mexican following, Arrellano asked then doctorate candidate Colin Snowsel why he thought why Morrissey and Mexicanos were so closely connected.

“Morrissey was, in short, providing to lower- and middle-class Mexican-Americans the same dual utopian message that he had once provided a decade earlier to predominately Anglo fans in the United Kingdom," he writes. And what did he offer Anglos? "Escape from the injustices of a social order that confines them to the margin, but escape also from the limited identity options entrenched in peripheral, working- and middle-class culture."

It was disheartening in reading that at the end of last year. Morrissey was in the news for his comments made about immigration to NME magazine. In the article it suggests that one of the reasons that he no longer lives in England is due to immigration.

“ With the issue of immigration, it’s very difficult because, although I don’t have anything against people from other countries, the higher the influx into England the more the British identity disappears.”

Seems quite odd for someone who resides in Los Angeles, one of the most diverse cities in the world and with a large following of Non-Anglos to say something like that.  Morrissey supporters are quick to mention that he is a life long liberal and defender and lover of people all over the world. In his rebuttal to the NME, Morrissey states that, “Racism is beyond common sense and I believe it has no place in our society.”

This has to rank as one of my favorite videos ever. Snoop is just crazy! I like how the video begins and ends like it was recorded off a VCR. It reminds me off watching a late night video show and waiting for my favorite video to come on, then pressing the record and play. Everyone in the 80's/early 90's had that one VHS tape full of your favorite videos. The song's pretty out there as well. It's Snoop meets Prince/The Time/Vanity 6 meets T-Pain meets Daft Punk. BTW, Snoop's album drops March 11th.

When I was in eighth grade, I would come home from school and this would be on the television.:



No Prince, no Funkadelic, not even metal or punk rock. A bunch of bad 80’s videos with a bunch of rich suburban kids in the audience doing that new wave dance. It was depressing, but since they took off the reruns of The White Shadow and replaced it with MV3, there was nothing else better to watch.

There was one song I wanted to like. It was Thomas Dolby’s She Blinded Me With Science. The video was so goofy I was embarrassed to like it, even though it was funky.  A few days later I went to the park and all the breakers were pop locking it to it. I figured if they liked it, it wasn’t so bad. My sister had the first Thomas Dolby record and I started to listen to it more than her. Outside of the annoying song, Europa, I liked it. Still, I kept in the closet about my love for the TB, except for a few friends.

When the second Thomas Dolby album, The Flat Earth came out, I bought it right away. I didn’t like the single, Hyperactive. It sounded like a weak attempt at The Talking Heads. The rest of the album was surprisingly chill and somewhat acoustic. It took me a bit off time to like this album, but at the end, I did. The song that hit me was Dolby’s cover of Dan Hick And His Hot Licks’ I Scare Myself. It was haunting with a slight Jazzy Brazilian feel to it. I soon went on the hunt to find the original version. When I found it I noticed that it was very different. Dolby’s version was haunting, yet calm and melodic. Dan Hicks original version sounded frantic and straight up paranoid, thus validating the title. It was a little too much for me to take at the time. Still, there was something about it that I liked.