Amoeblog

AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP: 01:09:09

Posted by Billyjam, January 9, 2009 06:06am | Post a Comment
Amoeba Music San Francisco Hip-Hop Top Five: 01:09:09
keak da sneak and san quinn
1) Keak da Sneak & San Quinn
 
Welcome To Scokland (Ehustl)

2) San Quinn From A Boy To A
Man
(SMC/Fontana)

3) E40 The Ball Street Journal
(Sic Wid It/Warner)

4) Common Universal Mind  Control (Geffen)

5) Messy Marv Draped Up &
Chipped Out 3
(Scalen)
 
Thanks to Luis at Amoeba Music Sam Francisco for not only providing the Amoeblog with this first hip-hop top five of 2009 but also for being instrumental, through his dedication to local music as hip-hop buyer at the Haight St. store, in the healthy representation of Bay Area hip-hop on this weekly chart. Four of the five new album entries, including the king of the Bay E40 and his latest The Ball Street Journal, are homegrown rap recordings. Only Chicago's Common (and his December 9th release Universal Mind Control) hails from beyond the Yay Area. The number one seller is the hands-across-the-bridge (Bay Bridge) collaboration, appropriately titled Welcome To Scokland, between two of the Bay's best longtime rap acts, Oakland's Keak da Sneak (who recently dropped his own new solo album, Defied, and who will be interviewed in an upcoming Amoeblog) and prolific San Francisco rapper San Quinn.

Continue reading...

TEN DISCO CLASSICS FROM 30+ YEARS AGO

Posted by Billyjam, January 8, 2009 10:48am | Post a Comment

Of all genres of popular music from the 1950's up til the present day, disco is perhaps the most discrimated against and unfairly hated upon Ironically, the hate is oft times spewed by the very same people who will be the first to dance to or sing along with said disco hits. Of course, karaoke nights and wedding DJs have only helped make some songs less enjoyable than perhaps they should be due to over exposure and bad sing alongs. A prime example would be Gloria Gaynor's "I Will Survive," which is still a great song even 31 years later but might be more enjoyable if we had only heard 3 million fewer times in our lives. The video for that song, along with nine other disco classics, is below. 

The videos include Lipps Inc.'s "Funkytown" from 1979, A Taste Of Honey's "Boogie Oogie Oogie" from '78, Anita Ward's "Ring My Bell" from '79 and, from that same year, Sister Sledge's second biggest hit "He's The Greatest Dancer" (their biggest hit was the eternally popular "We Are Family," which was also released that same year). 

Also included is what I consider to be the greatest and most influential disco record of all time, the Giorgio Moroder-produced Donna Summer song "I Feel Love" from her 1977 album I Remember Yesterday (Casablanca) and released as a single. So innovative was Moroder's futuristic production on this track, according to the liner notes of his Sound + VIsion box set, that, in 1977 while David Bowie was recording with Brian Eno in Berlin, "Eno came running in and said, 'I have heard the sound of the future'...he puts on 'I Feel Love' by Donna Summer…He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.'"

NORCAL RAP PROFILE: BROTHA LYNCH HUNG

Posted by Billyjam, January 7, 2009 07:17am | Post a Comment


Sacramento (aka Sac-Town) CA, born Brotha Lynch Hung is the longtime NorCal producer and rapper who is best known for his unique, unapologetically hardcore, sadistic, self-described "rip-gut cannibal" rap style, often labeled "horrorcore." Brotha Lynch Hung got his rap handle from his younger half brother, rapper Sicx, not long after he first got into rap in the latter half of the 1980's as a battle rapper. Along with Sicx and (the long incarcerated Sac-Town) rapper X-Raided he was a part of early Sacramento rap trio Endangered Species who recorded the local landmark EP NIgga Deep (re-released in the mid nineties). 

In 1991 Brotha Lynch Hung produced X-Raided's solo underground and locally popular debut EP NIggas N Black. The following year he produced all but one track on X-Raided's acclaimed & controversial debut album Psycho Active.

But it was Lynch's 1993 own solo debut, the EP 24 Deep which he wrote, produced, mixed and performed, that firmly cemented him as a rap talent to be reckoned with, and one with a taste for shock-value. On the cover he dramatically appeared stretched out in a casket with a shotgun laying across his stiff chest looking very dead. Of course, he was not deceased but understandably many (especially those outside the immediate Sacramento area who bought the tape) believed him to be indeed dead and the EP a posthumous release. This, like his association with both X-Raided (incarcerated for his alleged part in a murder) and the infamous 24th St. Garden Blocc gang, only helped further fuel a morbid fascination by many with the artist.

Continue reading...

KRAFTWERK FOUNDING MEMBER FLORIAN SCHEIDER LEAVES GROUP

Posted by Billyjam, January 6, 2009 06:06am | Post a Comment
                                                         Kraftwerk "Die Roboter"

After a forty year musical partnership the two founding members of Kraftwerk, Ralf Hutter and Florian
Schneider,
who officially formed the influential Düsseldorf, Germany group in 1970, have gone their seperate ways. As reported yesterday by KraftwerkTechnopop.com, Schneider has decided to leave the group to pursue other projects. Meanwhile Kraftwerk will continue to perform and record after his departure.

Schneider, who played flutes, synthesizers, electro-violin, and programmed computers, first met Ralf Hütter in the late 1960's when the two were both students at the Düsseldorf Conservatory. Initially the group played more in the Krautrock vein before altering their style to more techno/synth pop/rock for which they became famous. Besides merely playing their instruments, they also created many of them. Kraftwerk is perhaps the most widely influential band of the past several decades, with their influence being felt in every genre from new-wave to hip-hop to techno and other strains of electronic music and beyond.

Continue reading...

V.E.R.A. CLIQUE'S BART GRINDING HIP-HOP HUSTLE

Posted by Billyjam, January 5, 2009 11:35am | Post a Comment
v.e.r.a. clique
V.E.R.A. Clique
's Fresh Out The Box CD is available at Amoeba Music and other stores but you can also buy it on BART if you're lucky to run into one of its members selling the CD on a random BART (Bay Area Rapid Transit) train.

The Oakland based group, whose album track "The Movement" is featured on the recent BOMB Hip-Hop Compilation Vol. 2 (also avail at Amoeba), are a talented hard-working hip-hop crew whose pre- Oakland roots date back to 2002 to Bend, Oregon where the group's Anderson Ray and Mascen Apollo first crossed paths at a hip-hop event. Fast forward a few years and both hip-hoppers had moved south to the Bay Area where they formed the group V.E.R.A. Clique, with the name standing for Very Essence of Real Artists.

I first learned about V.E.R.A. Clique only recently and in a most unusual way -- while sitting on the Bay Point / Pittsburg to San Francisco BART, somewhere near the MacArthur stop, Mascen Apollo of the bartgroup walked by dirt hustlin his crew's CD to BART passengers, all the while keeping a watchful eye out for the BART police, who not only frown upon any business being conducted on BART, but will arrest perpetrators for doing so. Over the years I have seen Bay Area hip hop artists sell their CDs or cassettes at various public places. In bygone years, members of Hobo Junction or Mystik Journeymen and their extended Living Legends crew would often be found on Durant or Telegraph (outside Amoba) selling their cassettes. But selling on the BART train was a novel approach to hip-hop marketing or distribution that I had not witnessed before. Hence I was anxious to find out more about it so I recently caught up with the V.E.R.A. Clique member Mascen Apollo to ask him about slinging hip-hop on BART.

Continue reading...
BACK  <<  343  344  345  346  347  348  349  350  351  352  353  354  >>  NEXT