Amoeblog

WALK THIS WAY: TRACING THE ORIGINS OF MJ'S MOONWALK

Posted by Billyjam, September 19, 2009 09:05am | Post a Comment

Origins of the Moonwalk

Michael JackMichael Jacksonson was known not just for his music, but also for his dancing abilities. There are many recorded instances of the moonwalk, originally known as the backslide or "walking on your toes," being used before Michael Jackson did it.

Similar steps are reported as far back as 1932, used by Cab "Minnie the Moocher" Calloway. It was first recorded in 1955 in a performance (in the film that same year Showtime At The Apollo) by tap dancer Bill Bailey.

Jeffrey Daniel brought "the backslide" to the tv show Soul Train. In 1980, Jackson asked Daniel (together with dance partners Geron Candidate and Cooley Jackson) to teach him the dance. Michael first performed this move during his "Billie Jean" performance on Motown 25: Yesterday, Today, Forever on March 25, 1983.

Jeffrey Daniel's Influence on Michael Jackson

I remember also seeing this move performed by Mr. Freeze (of the Rock Steady Crew) in the movie Flashdance, released April 15th, 1983. See Flashdance clip below.

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AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP 09:18:09

Posted by Billyjam, September 18, 2009 01:38pm | Post a Comment
                    

Amoeba Music San Francisco Weekly Hip-Hop Top Ten: 09:18:09  (c/o Luis)

Kid Cudi
1) Kid Cudi Man On The Moon: The End of Day (Motown / Pgd)

2) KRS-ONE & Buckshot Survival Skills (Duck Down)

3) Drake So Far Gone (Cash Money)

4) M.O.P. The Foundation (E1 Entertainment)

5) Q-Tip Kamaal the Abstract (Battery Records)

6) Nicolay City Lights 2 - Shibuya (Hard Boiled Records)

7) New Boyz Skinny Jeanz & A Mic (Asylum Records)

DJ Fresh8) DJ Fresh The Tonite Show (The Album) (Town Thizzness)

9) DJ Shadow Diminishing Returns (Reconstruction Productions)

10) Young Cellski/aka 2Took Mr Predicter (Inner City 2000)

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FEMALE DRUMMERS: AMOEBITE KAITLIN INTERVIEW

Posted by Billyjam, September 17, 2009 05:30pm | Post a Comment
Kaitlin

One of the many highlights of the recent Amoebapalooza North 2009 at the Mezzanine club in San Francisco (August 2nd) was the power-duo-- the $helbyville $helbyvilllains' all too short set in which talented San Francisco Amoebites Josh Pollock (guitar/vocals) and Kaitlin Layher (drums, above) effortlessly channeled the White Stripes. Even more impressive was the fact I later learned: that Kaitlin had only been playing the drums for a relatively short time and that this was the first time that she had ever played drums out in public. I recently caught up with Kaitlin to ask her about her personal Moe Tuckerexperiences as a drummer, as well as about female drummers in general as part of the long running In Celebration of the Drum Amoeblog series.

Amoeblog: Who are among your favorite female drummers and why?

Kaitlin: My favorite female drummer currently drumming is Adrienne Davies of Earth. I love watching her controlled, deliberate movements.  She's hypnotizing. Moe Tucker of the Velvet Underground was amazing as well as Karen Carpenter. And, of course, I'll always have a soft spot in my heart for Meg White of The White Stripes. But you can't forget the all-girl groups, too! The Bangles and The Runaways were simply solid bands with solid drummers.

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COMETBUS ISSUE #52 THE SPIRIT OF ST. LOUIS, ANOTHER GREAT READ

Posted by Billyjam, September 16, 2009 11:36am | Post a Comment
cometbus
I recently picked up Cometbus #52 (The Spirit of St. Louis) at the Berkeley Amoeba Music store -- one of several fine independent retailers that carry the legendary, decades old, punk-literary series. As with all the previous installments of this Aaron "Cometbus" Elliot- penned slim book, such as last year's Cometbus #51 The Loneliness of the Electric Menorah, ever since I started reading it I can't put it down...which is a problem, in a good way, because I know in no time I will have read the entire engrossing 66 pages of this latest Cometbus. So  I find myself rationing my reading, allowing myself just nine pages, which is three Cometbus chapters, a day.

Cometbus #51 was a sort of history of the subculture of Telegraph Avenue, focusing on its bookstores and record stores. It incorporates into its story Cody's, Moe's, Universal, Rasputin, and (of course) Amoeba Music, as well as such age old Telegraph Avenue characters as Ace Backwards and Julia Vinograd (aka The Bubble Lady), whose poetry was included in that last issue.

For the The Spirit of St. Louis Cometbus, as its title implies, Aaron writes about St. Louis and the close-knit cast of colorful characters (including Brett, Pete Feet, Spike, Wayne Two, Penguin, Jody Lee, & Katie from Haiti) in the local punk scene that he interacted with in a previous time -- he never says exactly when, but, based on the music references, it seems like it is circa early/mid nineties. 

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FIVE THINGS KANYE WEST COULD HAVE SAID INSTEAD AT THE VMA'S

Posted by Billyjam, September 15, 2009 03:18pm | Post a Comment
Kayne West vs Taylor Swift
Kanye West
's well publicized little outburst at Sunday night's MTV Video Music Awards (VMAs), in which he bum-rushed the stage during country singing teen Taylor Swift's acceptance speech to grab her mic and offer his uninvited opinion on how unfair he felt it was that Beyonce didn't win in the Best Female Video category, gave the media some fodder complete with a good headline for their report on the otherwise ho-hum awards show. And the fact that there suspiciously was no security whatsoever to stop West from storming the stage merely proved what many have long speculated: that MTV's producers secretly encourage any kind of controversy to spice up and give some edge to their show.

But by now Kanye's attention grabbing stunts are beyond tired. On Sunday night, even Beyonce, whose honor he somehow believed he was defending, wasn't impressed by his rude gesture. Neither was anyone else it seemed. And why should they be? Beyond the disrespectful act itself, it's not like he was sticking up for some totally underrated, slept-on artist. It was Beyonce -- one of the world's biggest stars, who a little bit later on in the same show would be bestowed with the Video Of The Year award. If Kanye is going to bum rush the stage and grab someone's mic, he should use the opportunity to say something of substance or worth.  Here are five suggestions for Kanye of what he could have said instead:

1) Talk about something really important or of social/political relevance like he did four years ago in his infamous post-Katrina "George Bush doesn't care about black people" comment (see video below). Or take Beyoncethe opportunity to comment on the growing thinly veiled tide of racism towards Barack Obama, or question why a FOX News host is getting away with calling the president "a racist." Or how about offering some opinion on health care? Note that even the host of the evening, Russell Brand, addressed this issue. However, like everything else that this English host-with-an-acquired-taste uttered throughout the long evening, it simply didn't register with the VMA audience.

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