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MILES DAVIS' KIND OF BLUE HONORED BY THE HOUSE

Posted by Billyjam, December 15, 2009 12:16pm | Post a Comment
Miles Davis Kind of Blue
As reported by the Associated Press (AP), Washington has decided to commemorate jazz great Miles Davis' album Kind of Blue. The House voted (409 to 0) yesterday to honor the landmark fifty year old recording's contribution to the genre. Kind of Blue, originally released by Columbia Records in August 1959, featured Davis along with saxophonists John Coltrane and Julian ''Cannonball'' Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb.

Michigan Democrat Rep. John Conyers, who sponsored the measure, said that Davis and the other album contributors ''made musical history and changed the artistic landscape of this country and in some ways the world.'' Indeed, the album's influence has been far reaching, influencing all types of music far beyond just jazz, including Latin, rock and hip-hop. And over the years many musicians have done their renditions or reinterpretations of Kind of Blue, including Portland, OR blip artist Andy Baio, who earlier this year recorded an inspired 8-Bit reinterpretation of the album that he retitled Kind Of Bloop.

Below is a video honoring Kind of Blue's fiftieth anniversary made in conjunction with Legacy Recordings' recent releasing of the album's Collector's Edition Box set which is available at Amoeba Music. 


Miles Davis - Kind of Blue 50th Anniversary

HIP-HOP BEHIND BARS: A FIRST PERSON ACCOUNT BY X-RAIDED, PT V

Posted by Billyjam, December 14, 2009 08:08am | Post a Comment

Today we have the latest in the ongoing series by guest Amoeblog contributor, incarcerated Sacramento hip-hop artist Anerae "X-Raided" Brown. Here, he continues a topic that he began in a previous Amoeblog about the creative process in prison.

In the previously published first part he wrote about the fact that incarcerated individuals sometimes have an advantage when it comes to being creative because they can focus more easily on their art due to lack of distractions. In this second piece on the same topic, he writes about the importance of certain programs for inmates and one in particular that was cut some years back due to the state's budget crisis. As you know, California's budget crisis has only worsened in recent times and those in the prison system, where things are already chronically overcrowded, are feeling the crunch most.



The Creative Process in Prison, Part Two: by Anerae "X-Raided" Brown

art class in prison

Once upon a time, before California's well documented budget crisis, before the California Department of Corrections indisingeniously added "Rehabilitation" to their name, there existed a program titled Arts in Corrections. For this program, so called Free-Staff, often unpaid citizens that volunteered their time and expertise, would come into institutions to teach inmates such skills as how to play musical instruments, how to paint, or draw, or bead, and many other crafts and hobbies that would allow interested inmates to occupy their time in productive ways. And oftentimes Free Staff would learn a thing or two from random exceptionally talented inmates.       

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AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP: 12:11:09

Posted by Billyjam, December 11, 2009 07:07am | Post a Comment
Amoeba Music Berkeley Weekly Hip-Hop Top Five: 12:11:09
Souls of Mischief
1) Souls of Mischief Montezuma's Revenge (Clear Label Records)

2) FELT FELT 3: A Tribute to Rosie Perez (Rhymesayers)

3) Wu-Tang Meet the Indie Culture, Vol. 2: Enter The Dubstep... (Ihiphop Distribution)

4) Black Eyed Peas The E.N.D. (Interscope)

5) Aesop Fables Living The Dream While Awake  (Weed Tracker Music)

Shout out to Inti at Amoeba Music Berkeley for this week's Hip-Hop Top Five chart which finds a local hip-hop crew on top, Oakland's Souls of Mischief and their first new studio album in a decade, the Prince Paul produced Montezuma's Revenge on Clear Label Records. The new album also includes production input from Domino (responsible for their amazing debut 93 Til Infinity). The four emcees, A-Plus, Phesto, Opio and Tajai, are in top notch form here. And, not surprisingly, these diehard Hieroglyphics members, who dropped their debut sixteen long years ago when they were still teenagers, have matured quite a bit, all the while keeping that Hiero/Souls flavor that made them so endearing in the Rosie Perez, Feltfirst place. It sounds like veteran yet ever-envelope pushing producer Prince Paul got the best of out of the crew, as witnessed on standout songs such as "Home Game," "Postal," "Proper Aim," and "Dead Man Walking." Also, Prince Paul can be credited with creating a cohesive album (complete with skits, of course) that deserves listening to in its entirety -- the way albums used to be.

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AFTER 12 YEARS JAWBOX REFORM TO DO ONE-OFF LIVE TV SHOW

Posted by Billyjam, December 9, 2009 03:00pm | Post a Comment

The much revered (and missed) nineties alt-rock outft Jawbox performed last night (12/8) for the first time in twelve years! They played a one-off, one-song reunion show live on Late Night with Jimmy Fallon at NBC's New York studios in the famed 30 Rockefeller Plaza building, performing the song "Savory" (video above in case you missed their charged performance). The Washington DC group played their first show ever back in 1989 opening for Fugazi and were once signed to Dischord before surprising/shocking many by jumping to a major (Atlantic Records). The occasion for this surprise reunion was to celebrate the reissue of Jawbox's 1994 album For Your Own Special Sweetheart -- available at Amoeba Music -- featuring the song "Savory" that was once covered by the Deftones. And, despite the wishes of the many remaining fans of this post-hardcore band, the group's J. Robbins insisted in a recent statement that, besides last night's TV appearance, there would be no other shows or chance of a full-fledged reunion.

JOHN LENNON AND NEW YORK CITY

Posted by Billyjam, December 8, 2009 07:40pm | Post a Comment
The Dakota, December 8th, 2009

On this date, December 8th, exactly 29 years ago, John Lennon was tragically shot and killed outside his New York City home, The Dakota building on 72nd Street and Central Park West. He was gunned down at approx John Lennon, New York City10:50pm in cold blood by Mark David Chapman, a "fan" who Lennon had signed an autograph for earlier in the day. The former Beatle, along with his wife Yoko Ono, had just returned from a remixing session at the Record Plant recording studio.

While this event stunned Lennon/Beatles fans the world over, for those who lived in New York City it was momentous. While certainly nowhere near as devastating a tragedy as the 9/11 attacks on New York City, Lennon's horrifying murder on a Manhattan's streets was similar in that the event brought the city and its citizens together in shock and mourning. A densely populated metropolitan area, New York City can often be a cold, unfriendly place where strangers may bump shoulders with fellow city dwellers but rarely stop to talk to total strangers.

But on that night in 1980, as news of Lennon being slain trickled out, total strangers in shock gathered in the streets and cried together over the unbelievable news. It hit New Yorkers especially hard because Lennon had adopted New York City as his own. He had relocated there nine years earlier and had always proclaimed his love for the Big Apple. He even titled one of his albums after NYC, the highly politicized 1972 Yoko collaboration and double-album Some Time In New York City. And one of the most common images that comes to peoples' minds of John Lennon is one with him proudly wearing that New York City t-shirt (above). So his death in New York City hit hard. And on the night of the shooting concerned fans converged at both Roosevelt Hospital where Lennon was taken (and died within a half hour of tstrawberry fields central parkhe shooting) and outside the Dakota building, where a huge crowd had gathered, with candles lit and singing Lennon songs. And once word that Lennon had died got back to the swelling crowd outside the Dakota, the crying and mourning intensified. In fact, it continued through the night and into the days after.

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