1) Big RIch & Ya Boy Guns & Roses EP (Black Card Music)
Big Rich & Ya Boy "Street N*gga" (2010)
Kid Frost "La Raza" (West Coast Blueprint)
3) Rob Swift No The Architect (Ipecac)
From its early days, hip-hop has been closely interrelated with black history and culture. Hip-hop is really a continuum of many previous black art forms. Rapping or MC'ing, for example, is merely carrying on a tradition of various oratorical forms in black history that include West African griots, talking blues, the sharp verbal flow of 1950's & 1960's hipster-jive talking radio DJs, the spoken word of artists like The Last Poets and Gil Scott Heron, and of course, the toasting style in reggae. Additionally, hip-hop music, through both its lyrical content and its endless sampling, is responsible for teaching black history in a non traditional way.
Thanks to hip-hop's ubiquitous sampling of such historical black figures as Malcolm X and Martin Luther King Jr. (especially in the 80's and 90's), many young people first learned about the philosophies of these black leaders and black history in general. One of the earliest popular hip-hop songs to sample Malcolm X was Keith La Blanc's "Malcolm X - No Sell Out" 1983 single on Tommy Boy that utilized absolutely no rapping, just samples of the black leader speaking. In later years most hip-hop artists sampled bits of Malcolm X to compliment the emcee's message. In 1988 Public Enemy's politically charged album It Takes A Nation Of Millions To Hold Us Back opened with a powerful Malcolm X sample.