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Mash-Up Of The Week: Yolanda Be Cool & DCUP vs. Phantom of the Opera vs. Backstreet Boys vs. Benny Benassi vs. Bob Sinclair: Everybody Speaks No Americano

Posted by Billyjam, August 26, 2010 09:53am | Post a Comment

Yolanda Be Cool & DCUP vs. Backstreet Boys vs. more "Everybody Speaks No Americano" (2010)

The mash-up of the week, "Everybody Speaks No Americano," comes care of Mashup Germany and was uploaded a week ago by YouTuber Ben Stiller. The irresistible audio/video concoction cleverly incorporates several sources, including the Backstreet Boys, but draws primarily from the current quirky-but-infectious surprise international pop hit by Yolanda Be Cool & DCUP, "We No Speak Americano." 

The new mash-up takes the regular radio single version plus two remix versions (including the Chaos Club mix) of the summer novelty hit and then melds them with the Backstreet Boys' 1998 hit "Everybody (Backstreet's Back)" plus the overture from Phantom of the Opera and segments from both Bob Sinclar Feat. Dollarman and Big Ali & Makedah's "Rock This Party (Everybody Dance Now)," and Benny Benassi's sexually charged 2009 club hit "Satisfaction."

The end result is a catchy-as-hell, sugary pop confection that packs a similar appeal to that of the main source the mash-up draws from, "We Speak No Americano." That electro pop record, a studio collaboration between Australians Yolanda Be Cool and DCUP, originally quietly surfaced back in February of this year when it was released on the Australian label Sweat It Out. The single is constructed around an old sample from the 1956 Italian recording of the song "Tu vuo fa l'Americano" by Italian singer Renato Carosone which was a satire piece about an Italian imitating the American lifestyle. The dance/pop song has topped charts all over and this week is #1 in such countries as Germany, Argentina, & Belgium.

The Town Part IV: The Layover's Prozack Turner Talks About His Popular New Downtown Oakland Bar

Posted by Billyjam, August 23, 2010 05:46pm | Post a Comment

Seven years later, listening back to Oakland (aka The Town) hip-hop artist Prozack Turner's funky-infectious, Oakland party rap anthem "Feelin' My Steelo" (DreamWorks, 2003), it would seem that the mic-wrecker turned bar-owner clearly envisioned himself one day running a popular music themed bar in Oakland -- something he does today at The Layover, which opened earlier this year.

"Make some noise! Let me know where The Town at. Hold up your drink now. Let me see you pound that. Home of the Silver and Black, killin' the track," enthusiastically rapped the talented East Bay emcee on the single (from the album Death, Taxes, and Prozack). He was "possessed by the ghost of Bukowski" as if penning the later soundtrack for his popular new downtown Oakland music bar which earlier this month got honored by the East Bay Express when it won the Best of the East Bay Awards for Best New Bar.    

Born Zachary Turner, Prozack has been a familiar figure for many years on both the local and international underground hip-hop scenes. A successful solo artist (producing as well as emceeing), he is perhaps best All That Glitters Isn't Platinumknown as a member of the super-talented but way underrated Bay Area hip-hop crew Foreign Legion along with his partner-in-rhyme Marc Stretch. Originally a trio, Foreign Legion formed back in the nineties along with DJ/producer DJ Design. Their impassioned ode to hip-hop, "Full Time B-Boy," released as a single by ABB Records, was also the opening track on the first Amoeba Music Compilation series, with their lyrics "All That Glitters Isn't Platinum" even lending the various artists Amoeba collection its title. 

The West Side Record Show in Culver City Today is a Digger's Delight

Posted by Billyjam, August 21, 2010 09:44am | Post a Comment
Amoeba
Amoeba Music will be one of the many vendors at today's big record collector's swap meet in Culver City, CA. The West Side Record Show, produced by Record Collectors News, happens from 10am sharp this morning until 3:30pm this afternoon.  According to the organizers, the show typically promises a lot of rare vinyl finds. Jim Kaplan, who runs the Record Collectors News website that tracks all of the vinyl swap meets across the country, told me that typically vendors "have some very rare collectors items of all genres. There are guys that usually have funk and hip-hop, and a lot of Northern Soul too; usually some very rare stuff." He added that Amoeba Music Hollywood actually plays a major role in the SoCal vinyl collecting world. "Amoeba is such a positive part of the scene here and I don't think Amoeba gets enough credit for the amount of interest and dedication they have generated towards record collecting!"

As both an Amoeba employee and an Amoeba shopper I totally agree. But then, I love digging for vinyl anywhere and everywhere, from record shops to swap meets, and from yard sales to old thrift stores. I also love just visiting fellow vinyl fiends' homes to thumb through their lovingly compiled collections and talking music and record collecting. Interestingly, every record collector has their own way of filing and storing their music depending on what the focus of their collection is or whether they actively use their records to play on the radio or out in clubs. Not everyone files strictly alphabetically. I divide mine by sub-genres of hip-hop such as Bay Area hip-hop, turntablism (including battle records), Miami bass, old school, etc. Some collectors divide by years or decades of release while others divide theirs into genres and subgenres, but everyone has their own unique take.

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Hip-Hop Rap Up 08:20:10: Camu Tao, Spinderellla, Concrete Dreams Bay Compilation, Wu-Tang Clan Documentary, Rock The Bells, Ray Ricky Rivera, The 45 Sessions, MC Hammer and More

Posted by Billyjam, August 20, 2010 08:04pm | Post a Comment
Amoeba Music Hollywood Weekly Hip-Hop Top Five Chart: 08:20:10

Big Boi OutKast
1) Eminem Recovery (Aftermath, Interscope, Shady)

2) Big Boi Sir Lucious Left Foot... The Son of Chico Dusty (Def Jam)

3) Rick Ross Teflon Don (Def Jam)

4) The Roots How I Got Over (Def Jam)

5) Drake Thank Me Later (Cash Money Records)

Thanks to Marques at the Hollywood Amoeba Music for this week's hip-hop top five chart which, as he notes, "has a lot of the same releases from the past few weeks" still holding it down, including Drake, Eminem, The Roots, Big Boi, and Rick Ross. But by next week expect some changes when, no doubt, the just released and already much hyped Camu Tao debut album King of Hearts takes over.

The album is already one of Amoeba SF's Luis' hot picks. The posthumously released album is the debut from this talented Brooklyn-via-Ohio emcee, singer, & producer, who died two years ago after a protracted battle with lung cancer. The late artist's CD, which could as easily be filed Camu Taounder rock as rap, is an effective blend of hip-hop sensibilities with melodic pop/rock & electropunk and may even remind some of a grittier version of B.O.B. and (longtime fan) Kid Cudi. Had King of Hearts been released when it was first recorded it would have been ahead of the curve. Knowing that these recordings, which executive producer El-P deliberately kept in their raw original form, date back many years only adds to their greatness.

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Public Enemy Bring The Noise & Fight The Power in NYC Concert with DJ Kool Herc, Son of Bazerk, Cold Crush Brothers, Kendo the Almost Famous, and Blitz the Ambassador

Posted by Billyjam, August 19, 2010 12:48pm | Post a Comment
Pulblic Enemy
Despite the wet afternoon's non-stop downpour plus a sketchy job by the sound man for over half of the four hour event, Sunday's Public Enemy headlined show in New York City's Central Park was both inspiring and entertaining. The always outspoken Chuck D shared many insights and personally invited hip-hop creator DJ Kool Herc onto the bill, as well as genre pioneers the Cold Crush Brothers, the recently reformed group Son of Bazerk, Kendo the Almost Famous, and Brooklyn-based, Ghana-born emcee Blitz the Ambassador. Add to that a supercharged (musically & politically) set by Public Enemy (PE) with a full live band, featuring a drum solo by Flavor Flav and scratch routine by DJ Lord, that included PE ripping through a barrage of familiar hits like "Don't Believe the Hype," "Bring The Noise," and "Fight The Power" that had the rained on but happy and totally packed outdoor audience singing and dancing along every note of the way. The concert was also a celebration of 20th year anniversary of Fear of a Black Planet.

Constantly touring the world, it is not often that Public Enemy gets to play back on their home ground. "We only play New York City about every five years-- like an eclipse," noted Chuck D, adding that PE have nothing but major love for NYC. And clearly from the enthusiastic reaction of the all ages but mostly mature hip-hop audience that had packed into Central Park's SummerStage, everyone else felt similarly about the political hip-hop group from Long Island. 23 years ago they released their landmark debut Yo! Bum Rush the Show and in the years since the Chuck D led group has never stopped demonstrating their love of hip-hop or their commitment to always being outspoken against social & political ills.

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