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Continued Anticipation Surrounding Lil Wayne's Rebirth Album

Posted by Billyjam, May 28, 2009 08:00am | Post a Comment
Lil Wayne Rebirth
With its release date having been postoned more than once already (April 7th, May 19th, and June 23 were each cancelled street dates), Lil Wayne's anticipated seventh studio album Rebirth (Cash Money Universal Motwon) is now slated to be released eight weeks from now, on July 21st. However, the promise by the rapper that it would be an all rock album is up for debate. Still, regardless of whatever music is on the new Southern rap artist's album, Rebirth is a guaranteed future hit.

Originally billed as a "rock album" by the artist, born Dwayne Michael Carter, Jr, who has cited Kurt Cobain in interviews as being among his major influences, Rebirth has caused controversy among rap fans who fear that their hero had deserted the genre he came to fame in. In fact, the first single off Rebirth, the rocking, guitar laced "Prom Queen" (video below), didn't chart nearly as well as some past Wayne hits. Some have speculated that this was part of the reason for the album's delay and its genre reformatting to more of a rap than a rock album.

"The influence of the new album is mainly rock...a little different than they [the fans] have been used to," offered Lil Wayne in his recent Soundcheck interview. "We just used the title rock cos we didn't want people to think I am too different so therefore we put the title on the music before they do. But really it's just more Lil Wayne maturing," he said in an interview on The View four weeks ago. Meanwhile Bryan "Baby" Williams (aka Birdman -- one half of BIg Tymers), Cash Money Records co-CEO and mentor to Lil Wayne, informed Vibe magazine that, “It’s not a rock record...That’s what I think people are getting misunderstood. When you speaking about a rock record, you think he’s got a guitar and everything, but it’s not that."

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SEEKING DISTINCTION IN OVERCROWDED ONLINE NETWORKS

Posted by Billyjam, May 26, 2009 01:39pm | Post a Comment
MySpace
Way back in August 2006  -- a relative eternity ago in this fast-paced, ever changing Internet age -- MySpace hit the 100 million members mark, an accomplishment that blew peoples' minds at the time. That was three years ago, when MySpace was king and Facebook, while two years in existence, was still far from the force it is today. Meanwhile, Twitter was just a little baby born that year and something that comparatively few knew about. My, how things change! In March this year, a Nielsen.com blog ranked Twitter as the fastest-growing site in the Member Communities category for February 2009 when it had an astounding growth rate of 1382%. That same month of this year Facebook enjoyed a growth rate of 228%.

Around that time, the site compete.com compiled the interesting Top 25 Social Networks Re-Rank chart (below) that Social Networking Top 25includes the monthly visits each social networking site received for the first month of this year and ranked them in popularity accordingly. Even though MySpace, the once most popular social networking website, has slipped down to the number two position and many people have deserted it in favor of Facebook, it still continues to attract new members and hang onto old ones, including countless artists and musicians.

Music makers from all genres and at various stages along in their careers, from established global acts to young aspiring rappers and rockers, all vie for attention on MySpace since is very difficult to stand apart and get noticed these days with so much competition out there.

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DO BELIEVE THE HYPE SURROUNDING GRIZZLY BEAR

Posted by Billyjam, May 25, 2009 06:52am | Post a Comment
Grizzly Bear "Two Weeks" video by Patrick Daughters from the new album Veckatimest on
Warp Records - official release date tomorrow but available today at Amoeba Music

The buzz surrounding Brooklyn's Grizzly Bear and the anticipation for their new album Veckatimest on Warp Records is well justifiedGrizzly Bear Veckatimest. The record will be officially released tomorrow (May 26th), but is available exclusively today at Amoeba! Grizzly Bear is the sort of muscial group that comes along way too rarely: one that is truly original yet somehow familiar sounding, and also extremely talented. Their music draws you in with timeless melodies and harmonies so beautiful that they might make you weep, but will definitely remind you of snatches of a myriad of other (mostly bygone) great rock/pop/folk acts including the Beach Boys, Simon & Garfunkel, and even a bit of Radiohead (who they opened for on part of their North American tour last summer).

Comprised of guitarists/songwriters Ed Droste and Daniel Rossen, along with drummer/vocalist Christopher Bear and multi-instrumentalist Chris Taylor (bass/electronics/woodwinds/vocals), Grizzly Bear released their first record as a quartet in 2006. Yellow House came out on Warp and included their infectious song "Knife" (see video below). Although released under the name Grizzly Bear, 2004's Horn Of Plenty on Kanine Records was really an Ed Droste solo release. Most recently, in late 2007, they released the EP Friend.

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LIGHT IN THE ATTIC RECORDS' WEST COAST ROAD TRIP

Posted by Billyjam, May 23, 2009 09:35am | Post a Comment
Light In The Attic
On Memorial Day --this Monday, May 25th, sometime between 1 and 2 in the afternoon, four guys from Light In The Attic Records (LITA) up in Seattle are expected to roll through the doors of Amoeba Music on Sunset Blvd. in Hollywood.

The four may look tired and understandably so, as it will be Day 8 of their unique road trip that will take them from Seattle to San Diego and back. But expect the LITA four and the Amoeba folks who greet them all to be smiling widely once they peep the cool music these guys are coming armed with -- all from LITA's deep catalog: stacks of wax, rarities, and lots of goodies from the indie label known for its roster of reissue projects and its distribution catalog, with artists including Serge Gainsbourg and The Monks.

On Monday last, May 18th, they crammed thousands upon thousands of pieces of music into their van and since then have driven all the way down from Seattle, through Tacoma and Olympia, then through Oregon and into California, stopping all along the way at a total of 50 indie record stores to personally Black Daisy Light In The Attic road tripdeliver the goodies. This 50 store/10 day/3000 mile music road trip will take them as far south as San Diego. Then it's back north and inland to Sacramento, their last stop before heading home to Seattle by Friday, May 29th. For those of you with calanders asking, doesn't that then make it an 11 or 12 day trip? Well, technically it is still 10 days, since the record store part of the operation runs from May 18th to the 28th.

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AMOEBA MUSIC HIP-HOP WEEKLY ROUND UP: 05:22:09

Posted by Billyjam, May 22, 2009 07:00am | Post a Comment
Amoeba Music Hollywood Hip-Hop Top Five: 05:22:09
eminem
1) Eminem Relapse (Shady/Aftermath/Interscope)

2) Method Man & Redman Blackout! 2 (Def Jam)

3 Busta Rhymes Back On My B.S. (Flipmode/Universal Motown)

4) Tanya Morgan Brooklynati (Interdependent Media)

5)  DOOM Born Like This (Lex Records)

Released this week, Relapse, the sixth studio album from Eminem, went straight to number one on the Amoeba Music Hip-Hop chart. And most likely this anticipated album from Slim Shady, produced by Dr Dre, willl also top most other charts this week, including Billboard's. Even though many critics have already panned the album, most saying that the once controversial Em is now attempting to stilll sound shocking and merely duplicating his old formula with a twist of Reggaton, most music fans are hungry for, or at least curious to hear what Eminem Version 2009 is all about. After all, it is the artist's first new album in five long rap years -- since he dropped Encore in 2004 -- which is a virtual eternity in the ever shapeshifting hip-hop genre. Typically, fickle rap fans move on but Eminem ain't no ordinary rapper and a lot of people want to see/hear what's new with the artist who withdrew himself from the world and became dependent on prescription drugs. 

In true Eminem tradition, his personal life -- in this case his openly admitted addiction to prescription drugs and some other issues, including, of course, his mother -- is fuel (fodder?) for his art. And drugs are certainly a prominent theme on Relapse, and not just the repeated lyrical references. The album cover spelling of the name Relapse cleverly utilizes the "Rx" symbol as used in prescriptions (Dr. Dre, naturally, is the prescribing doctor), while the cover art illustration of the artirt's head (above) is mademethodman redman up by a mosaic of thousands of pills.

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