One of the greatest cultural tragedies in the history of Bay Area music is the way an entire musical scene or movement was literally wiped out, and all ironically in the name of "development" and "progress." The music was the blues and the (once very vibrant) place was West Oakland, in the area on and surrounding 7th Street. Now simply known as the area where the main Oakland Post Office and the West Oakland BART station, along with its overhead tracks and its extended parking lot sit, this was once ground zero for the blues on the West Coast. But tragically, from the 1960's into the 1970's "developers" bought out and displaced nearly all of the clubs, venues and homes to build the BART and the
area's vibrant music scene was put to sleep forever. Above is the Amoeblog interview with longtime Oakland resident and blues and r&b fan Buck on this tragic topic, that at its core was a function of racism in that it displaced a minority community who at the time had little political power to help fight to save their cultural scene.
A little reported on part of Bay Area history, one of the few places that you can read about the death of the blues in Oakland is in Ishmael Reed
's recommended Blues City
publication from five years ago in the Crown Journey
published series where authors walk their city and report on its streets and inhabitants, weaving in its history en route. Toward the end of Reed's wonderful book he encounters Ronnie Stewart
of the Bay Area Blues Society
and allows him to vent and educate on this tragic slice of Bay Area history. Among the many nuggets of history emparted by Stewart, "Seventh Street between Wood and Center Streets, Pine Street, Henry Street, and Campbell Street were full of blues. You had the Reno Club
and Miss Essie's Place
, a very popular club on Wood and Seventh Streets. Essie had hamburgers and a jukebox and every now and then she'd put a band in there. They had black and white clubs, segregated, but lined up one next to the other. Then they had Pearl Harbor Liquor,
which had a jukebox. See, back in those days, there was a whole culture of jukeboxes. They played nothing but blues. One outstanding musician was Saunders King
. He played guitar, and he was raised on Seventh Street. He had his first hit back in 1942 and his daughter Deborah
[was married to Carlos Santana
for 34 years]. He was extremely important in the development of the Oakland blues; the reason the Oakland scene was so popular was because [of] people like Saunders King and Bob Geddins
[a songwriter, producer, and arranger]. Geddins owned three or four record labels and was the first African-American to own one. He owned Big Town Records
and Uptown Records.
He recorded Jimmy McCracklin, Johnny Hartsman, Lowell Fulson, Roy Hawkins.
He even recorded 'The Thrill Is Gone' but Modern Records
ripped him off for that. It ended up being the biggest hit of B.B. King
's career. That came out of Oakland in 1949."