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COVERING CREEP: RATING RADIOHEAD COVERS

Posted by Billyjam, March 5, 2009 11:11am | Post a Comment
radiohead
Since Radiohead first released the Thom Yorke-penned song "Creep" seventeen years ago, numerous artists -- including many well known, high-profile acts -- have covered the Radiohead hit that became so popular that the band themselves distanced themselves from it for a spell.

Originally released in 1992 as their debut single, "Creep" was not initially a hit. But it did become one when it was rereleased the following year, when it also appeared on their debut album Pablo Honey. Out of uneasiness with becoming a sort of one-hit-wonder band associated with this sole major worldwide hit, plus the fact that Radiohead had shifted in style as the nineties progressed, Yorke and the band ceased playing it in concert altogether by 1998. After three years, they changed their mind and re-added it to their show playlists, although only sporadically.

Truth is that it is a great song and one that one that countless others have covered: many of which are included below in either video or audio format. Included in the versions are covers by Beck, Chrissie Hynde/Pretenders, Moby, KoRN, the Dutch band Shiver, Sad Kermit, and Weezer at a Hootenanny in Portland last summer. Weezer also played the song at a Hootenanny in the Bay Area and again at a concert in Tokyo last year. Also below is the original version by Radiohead. Not below but viewable on YouTube is Tears For Fears 1996 live in Brasil cover of the song. 

My personal fave remains the original, with Chrissie Hynde coming in a close second. I place off-key Moby (an ariist who I normally like) in the last place, even behind the frog named Sad Kermit. If you have time, check out the versions below and post your opinion / rating of best to worst version in the COMMENTS below.
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Amoeblog Update: thanks to the Amoeblog commenters SFatNIght who informed me of the Prince cover of "Creep" at Coachella last year which is not great audio quality recording but well worth checking out, and also to Amoeblog commenter Robert Gable who turned me onto the wonderful Edmund Welles bass clarinet quartet version of the song which I have added below. Thanks!

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MISSION DISTRICT CELEBRATED IN BEN STOKES' ANIMATED AZEEM VID

Posted by Billyjam, March 4, 2009 01:21pm | Post a Comment

The brilliant, Ben Stokes-directed video above for Azeem's Air Cartoons' album track "Latin Revenge" (on Oaklyn Records with music production by DJ Zeph) takes place in the Mission District of San air cartoons azeemFrancisco. Inspired in part by Terry Gilliam's work and also by Azeem's music, the animated piece also puts a spin on the role of how police are perceived in society. In the video Azeem gains popularity as he peruses the streets of the Mission (eventually becoming a King Kong-like menace) as meanwhile a host of local neighborhood characters take notice. The police in the video are described by the maker as "enablers and cheerleaders."

I called up Azeem the other day to ask him what he thought about the new video. "It made me a fan and it's my video," he laughed, adding that, "All I can say about that video is that I can really almost take no credit for it. I just made the song. Like you and anyone else, I am fan of the video and I am amazed at the level of artistry that it incorporates." The video's animation was done by Ben Stokes (the video's producer/director) with additional animation by Patrick Siemer, who drew from the thousands of still photographs they shot, then cut up, mixed and matched, and then painstakenly animated using After effects.

Ben Stokes, also a part of Tino Corps, D.H.S.,, &  Meat Beat Manifesto, has been professionally making music videos for about 20 years. The Mission District, San Francisco-based Stokes started out doing videos back in 1990 in his native Chicago where he began directing & producing a lot of the pioneering hometown WaxTrax industrial music artists' videos such as Ministry and the Revolting Cocks.

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NEW MUSIC LABEL, FEAT. DAEDELUS, BASED ON FRIENDS OF FRIENDS

Posted by Billyjam, March 3, 2009 08:30am | Post a Comment
daedelusFor many, many years now Tuesdays have been the music industry's standard day of the week to release new records and CDs. And today, Tuesday March 3rd, is when brand new Los Angeles music label FoF Music is dropping its inaugural release, Friends of Friends Vol. 1 featuring Daedelus and fellow LA electronic act, duo Jogger. But similarities with the traditional music industry business model end there for this modern, post-Internet age, self-described "T-shirt label," whose catalog will be all digital file only releases.
 
"The Internet in many ways has been “the great equalizer” for both artists and music fans, giving us all new opportunities to release, buy and receive music," writes creator of this new indie label Leeor Brown on FoF's website. The concept for FoF Music, which stands for Friends of Friends Music, he writes, is to invite an artist "to join the FoF family by signing on to do a split EP; they in turn invite another musician or group to complete the split release and commission a designer to create the EP’s artwork on a limited edition T-Shirt which will include a download card (100% seed paper card-- Included will be the release, exclusive remixes and special content: ie videos, mixes etc)."

Today's premiere release, Friends of Friends Vol. 1, is a digital only six song shared "EP" with three songs each from number one "friend" Daedelus (born Alfred Darlington) and his friend Jogger. Alfred also invited friends Amir Yaghmai (who he attended high school with) and Jonathan Larroquette, both of whom are active live band members of his side project The Long Lost with his wife Laura, to also contribute to the new project. Additionally he invited the husband and wife art duo Kozyndan to do the cover art/t-shirt design for the release.

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Nick Gilder's 1978 #1 Hit Hot Child In The City

Posted by Billyjam, March 2, 2009 10:30am | Post a Comment

31 years ago was the career peak of British-born Canadian rocker Nick Gilder, who in October of 1978 scored a number one hit in both the US and in his native Canada with the single "Hot Child In The CIty."

"Hot Child..," a perfect pop-rock song that has stood the test of time, is from Gilder's second solo album CIty Nights (Chrysalis) and was produced by Mike Chapman and co-written with James McCulloch.

Above is the video of Glider's version and below are covers of the timeless track, including one by Dirty Martini and another by an uncredited band who do a really good cover of it.

Reportedly Gilder wrote the song after seeing young girls on Hollywood and Sunset Boulevards in LA. In an interview with Rolling Stone magazine he said, "I've seen a lot of young girls, 15 and 16, walking down Hollywood Boulevard with their pimps. Their home environment drove them to distraction so they ran away, only to be trapped by something even worse. It hurts to see that so I tried writing from the perspective of a lecher -- in the guise of an innocent pop song."

Initially Nick Gilder was a member of Sweeney Todd, the Canadian glam rock band that formed in 1975 and also (very briefly) featured a young Bryan Adams as well as James McCulloch, who also left to join Gilder's solo backing band. Sweeney Todd's one big hit was the summer 1975 single "Roxy Roller," which went to number one on the Canadian music charts and was later covered by Detroit female rocker Suzi Quatro in 1977.

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GETTING DUMB WIT IT: SAT SCORES RELATED TO MUSIC LISTENED TO

Posted by Billyjam, February 28, 2009 11:09am | Post a Comment
The above image, courtesy of TMZ.com, pretty much sums up the overall results of the intriguing recent scientific study by young computer wiz Virgil Griffith which came to the conclusion that smart people listen to Ludwig Van Beethoven while dumb peeps bumped Lil Weezy, and average intelligence folks knew all the lyrics to "Mr Jones" by The Counting Crows.

This SAT scores related to music habits study, which it goes without saying should be taken with a grain of salt, was conducted by comparing SAT scores with music listened to by a sample of college students. The study utilized Facebook profiles' listing of favorite music/artists and correlated this with said students' SAT scores.

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