Amoeblog

New 12" Releases at Amoeba Hollywood 4/16 - Miles, Virginia, Alexander Lewis, Carlos Nilmmns, Desolate, Zed Bias and more!

Posted by Oliver / Matt / Jordan, April 17, 2013 03:14pm | Post a Comment

Miles - Fainted HeartedMiles

Faint Hearted

Modern Love

Expansive debut full-length statement from Miles (aka MLZ, half of Demdike Stare and Pendle Coven). This album builds on Miles Whittaker's dub techno pedigree, but also pulls liberally from jungle, corroded big room techno and all manner of experiment esoterica. Opener "Lebensform" pits dub atmospheres against a massive breakbeat recalling a more blown-out version of Pan Sonic's transportative music. By contrast, the meditative "Sense Data" is a drone in search of a drop that eventually comes not with drums, but dubby, plaintive chords. While "Rejoice" recalls AFX's lucid ambient work, "Queuing" takes the beatless formula down into the dungeon, it's reverbed darkness blackened  by sheet metal samples. "Loran Dreams" takes things out on a positive, new-age note, its pristine arpeggios recalling Steve Moore or Ricardo Donoso. For travellers.

Buy Faint Hearted

 

Virginia - Loch and HillVirginia

Loch and Hill

Ostgut Ton

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New 12" Releases at Amoeba Hollywood 4/10 - C.L.A.W.S./Vereker/Demdike Stare/JTC/Shakarchi & Straneus and more!

Posted by Oliver / Matt / Jordan, April 10, 2013 03:54pm | Post a Comment

C.L.A.W.S. - That MagicC.L.A.W.S.

That Magik

Ecstasy

Substantial Bay Area house overview from the Northwest/LA-based Ecstasy crew. The title track is a hypno-house epic with subtle drum programming and atmosphere which belies C.L.A.W.S.' day job as the drummer in RVNG Intl. act Bronze. "John Hetero" plays the convincing diva over the classy Fingers Inc./Gottsching influenced arrangement. 100% Silk mainstay Bobby Browser turns in an excellent rework of the track which sounds like an unremembered Hacienda classic. "It's Tragic" keeps the quality level high with a psychedelic hardware jam enveloping the descending bassline. John Barera takes the track to big room territory. 

Buy That Magik

Vereker

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New 12" Releases at Amoeba Hollywood 3/29 - Pittsburgh Track Authority, Four Tet, L-Vis 1990, Enrico Mantini, E.R.P., and more!

Posted by Oliver / Matt / Jordan, March 30, 2013 06:42pm | Post a Comment

Pittsburgh Track Authority - StrenfPittsburgh Track Authority

Strenf

Work Them

Big release from the prolific Pittsburgh crew, the latest on Spencer Parker's new Work Them imprint. Well-received releases on Uzuri, Further, Argot and their own Pittsburgh Tracks imprint have demonstrated the trio of producers are creatively restless, offering fresh takes on dub techno, rhodes-driven house, boogie and bass music in their relatively short run. On Strenf, PTA continues to keep listeners guessing. A1 "Strenf" finds PTA plying the uptempo analog techno sound which made Untitled such a big track. "The Standard" is peaktime madness, with a deceptively simple synth vamp filtering over a powerhouse rhythm. The B-side eases up slightly, dropping into the dub house territory of their previous Further release Archipelego, and indulging their documented love of classic effects modules. Closer "It's Time" represents the unlikely meeting ground of Basic Channel and classic Dancemania productions, and goes a long way to describe the group's growing popularity in the underground; while hundreds of producers clamber over each other to mimic the classics in fascimiles of varying worth, the Pittsburgh crew's collective decades of voracious record collecting and studio time allows them to push the music they love forwards.

Buy Strenf

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New 12" Releases at Amoeba Hollywood 3/22 - Daywalker + CF, Theo Parrish, Robert Hood, Robert Armani, Alex Burkat, Terekke, and more!

Posted by Oliver / Matt / Jordan, March 22, 2013 04:34pm | Post a Comment

Daywalker + CF

You Only Live Once

L.I.E.S.

 

Quick-hit white label biz from L.I.E.S., who seemed poised to continue their breakneck release schedule into 2013. Here, Entro Senestre and the prolific Willy Burns (Trilogy, WT) trot out their Daywalker + CF alias, as featured on Gerd Janson’s Music for Autobahns compilation. The title track sets the tone for the varied synth journeys contained on this limited white-label. “You Only Live Once” is a gentle jacker with dueling melodic synth lines. A2 “Insectorium” takes an unexpected turn for motorik optimism - this track would fit in well with Ashra’s “Sunrain” or even Orbital’s “Belfast” - gorgeous stuff. Closer “Chamber” bottles that incredible feeling of lingering in the anteroom of a big room techno club. Limited.

Buy You Only Live Once

 

Secret Circuit - AfterlifeSecret Circuit

Afterlife

Beats in Space

 

Silverlake’s mad scientist Eddie Ruscha returns to Beats In Space with a heady release that builds upon the plethora of ideas on last year’s “Tropical Psychedelics” LP. Ruscha has honed his restless machines into a side of drippy, tasteful pop for “Afterlife”, a track built around an acid-influenced arpeggiated bass line. Ruscha uses this foundation to show off his songwriting chops, stepping forward with understated vocals before proving, once again, his commitment to psychedelic sound within the dance context. The Ukranian producer Vakula comes with a more floor oriented remix that recalls the live approach of peers Juju and Jordash. The remix ends with a haunting, warped vocal every bit as zonked as something off of a Charalambides record.

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New/Upcoming 12" Releases @ Amoeba Hollywood 3/11 - Pepe Bradock, The Sonic Aesthetic, Patrik Sjeren, and more!

Posted by Oliver / Matt / Jordan, March 14, 2013 09:16pm | Post a Comment

 

Acid Test 07Pepe Bradock
Acid Test 07
Acid Test
 
It’s been 10 years since French legend Pepe Bradock has released music on any label outside of  his own Atavisme. From the start of “Lifting Weights”, the a-side off Acid Test 07 (the themed offshoot of LA’s Absurd Recordings), it’s clear that Bradock finds the label’s dedication to neo neo acid liberating. Those expecting the Pepe responsible for so many restrained masterpieces can keep looking: “Lifting Weights” starts with banging 909, quickly tempered by hazy guitar. At two minutes, the requisite 303 slices through the carefully constructed atmosphere. After a shrill, circuitous lead synth line does its damage, Bradock enters the more contemplative territory of “Ghosts” and “Deep Burnt”, dwelling on a bittersweet bassline to conclude the track. “Mujeres Nerviosas” starts out sounding like a Pierre track, but the nervous acid is soon countered by a bouncy French Touch piano vamp. Around the four-minute mark on the epic track, Pepe drops into a hypnotic, simple bassline, working an ambient arpeggiated synth against the 303 while using hi-hat filter sweeps to full-effect in what is perhaps the most efficient, utilitarian section of the two-tracker. As the track ends, you can see the master producer conducting the Roland orchestra, using the ingenious internal communication of the classic machines to bring new visions to life. Essential release from one house music’s most respected auteurs. Limited edition with silkscreened cover art painted by Pepe Bradock. Pre-order.
 
Buy Acid Test 07
 
The Sonic Aesthetic - Tales From The NocturnThe Sonic Aesthetic
Tales of the Nocturne
International Feel
 
High-class balearia from International Feel founder and recent Ibiza transplant Mark Barrott. “Medicant Adventures” is a slo-mo deep house workout, full of 303 and lush Roland pads repurposed for island living. Things proceed on the funk kosmische tip with “Dark of the Moon”, which weaves a filmic lead melody over mellow arpeggiation. “The Paradol Chamber” ventures further down the Cluster/Harmonia wormhole, a mellow motorik workout ending with gentle waves.
 
Buy Tales of the Nocturne
 
 
Patrik Sjeren
Untitled 
FIT
 
Tight four-tracker from the FXHE/Omar S affiliate. Sjeren shows he knows his way around a house progression on the a-side, Lowdown. The track works a gorgeous set of chords and incessant bass to set the stage for a brief, soaring synth lead and vocal. "Trashed Funk" retains the melody but heads further into beatdown territory, recalling Terrence Parker or Claude Young’s work as Lowkey. The b-side is much more volatile, containing two tracks of uncompromising acid techno. 
 
Buy Untitled
 
 
Paul Hill - Need Me Some U
Paul Hill/Nikki O
Need Me Some You/Music
Mahogani
 
Nice deep/vocal house split from the KDJ collaborators. Paul Hill’s A-side will appeal to fans of the Andrew Ashong/Theo Parrish collab "Flowers" from last year - beautiful chords and perfect song structure along with Hill’s longing, slightly strained vocal make “Need Me Some You” a winner. Nikki O’s “Music” is a more uptempo cut, built on submerged Rhodes chords and Nikki’s soulful vocals.
 
Buy Need Me Some You/Music
 
 
 
Jeanne Vomit Terror and Ed Sunspot
The Seat Of Same
Acoustic Division
 
Awesome long-form mutant synthpop, as though the stars of the Drive soundtrack attempted to score the cult film Liquid Sky instead. Ms. Vomit Terror’s vocals hold it down over complex disco/prog indebted production recalling Peter Ivers “Terminal Love”. Fellow American weirdo Carl Calm (Caboladies) turns the complex original into a spaced piece of outsider house. The last several minutes of Calm’s remix loop the original’s vocal over an impressionistic, Debussy-influenced set of chords. Italians Do It Better/New Jersey head Mike Simonetti steps up for the second remix - hey, he used to be a weird American guy as well! Simonetti puts Vomit Terror’s odd, addictive vocals over a smooth tech house track, getting weird with a pitched down male spoken word section and a trashcan ride cymbal lifted from the original. 
 
Buy The Seat Of Same
 
 
 
Nina Kraviz
Fit x Rekids
 
Very cool collaborative release from the FIT and REKIDS labels pairing the Siberian underground house aesthete with some Detroit luminaries. Marcellus takes a swing at Kraviz’s “Working” first - hollowing out the sparse original even further and lending the track some signature Unirhythm machine-funk. Pittman relies on the slightest 303 burble and a deft polyrhythm for a full 3 minutes before introducing a totally insane, likely-shifted chord progression. A hint of jazzy deepness closes out the alien track, a single chord echoing like a foghorn in the night. Urban Tribe is back with his (their?) electro-influenced techno, turning Kraviz’s “Taxi Talk” into a dystopic, late-night journey. The kick varies between a Detroit pummel and deeper 808 throb - the omnipresent filtered arpeggio is supported by a recurring and futuristic melodic theme. Epic.
 
 
 
 
Ben Sun - Your FootprintsBen Sun 
Your Footprints
Delusions of Grandeur
 
Cool retro-house ep from the London-based Aussie. “Your Footprints” is reminiscent of prime Nu Groove material, the longing vocal and wandering synth also recalling the legendary Knuckles/Principle team-ups. “Affirmation” keeps up the high standard - the track pairs urgent bass with psychedelic ambience in a way similar to the classic Aphrodisiac track “Song of the Siren”. Tevo Howard presents an awesome Italo take on “Your Footprints” for the B.
 
Buy Your Footprints
 
 
 
Borai - Moonlight on the MalagoBorai
Tasteful Nudes
 
The Bristolian-producer, dj, mastering engineer and frequent October collaborator releases his solo debut, the first on Argot offshoot Tasteful nudes. A-side Moonlight on the Malaga works a classic square-wave bassline, bright chords and 707-claps for a lush, slightly jacking whole. The positive influence of Borai’s mastering work is apparent; the high bell-like synth lead, the pulsing mid-range chords, every sound sits unencumbered in its frequency, spokes in a perfect wheel. “Does it Bother You” is based on a funky, percussive two-chord vamp, soaring string synths and several spoken-word vocal samples. Borai samples the 1974 classic “The Conversation”, emphasizing different words with repetition, adding a slightly paranoid edge to the otherwise sunny production. Limited to 300. 
 
 
Lamar
Aesthetic Audio
 
Keith Worthy returns with new material under his Lamar alias, and fans of the longtime Detroit dj/producer won’t be disappointed. Title track “Guilty Pleasures” balances a heavy, midi bassline against ethereal lead synth. Eventually a dirty bassline emerges against to offset the track’s heavy groove. B-side works a similar formula, balancing all manner of atmospheric deepness around a simple set of chords and five-note refrain. 
 

 

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