Bookworms, the nom the plume for New Yorker Nicholas Dawson, stormed into the national consciousness with his pizza-emblazoned white label, African Rhythms. The track's psychedelic, sample-driven shuffle, was one of the early tracks (along with Terekke's Damn and Legowelt's Sark Island Acid) the put L.I.E.S. on the map. A little over a year later, L.I.E.S. is 50 releases in, Dawson looks after the Confused House label/night and African Rhythms is a 70 dollar record. Most post-white label material has been work completed in concert with fellow cosmonaut Steve Summers, so new solo material is highly anticipated - Japanese Zelkova doesn't disappoint. This is moody, machine funk of the highest order. The title track has a drifting pad and a rhythmic element that sounds like an old Xerox machine. Malfunction is a slow, filtering arpeggio jam, finding several unlikely sweet spots and emphasizing the unpredictability of analog machinery.
LIES unleashes a mini-epic from the Miami producer. As demonstrated on his recently reissued Apron debut, Beato is admirably unconcerned with traditional dance structures. That said, the young talent works in pockets of seasick improvisation onto more gridlike patterns on PMA, making the diversions even stranger in context. These tracks feel like a chaotic ride through the black of night punctuated by placid sunrise. The title track's distorted lurchto life eventually dissolves to contemplative string pads. Hawo is truck idling dub house, while Gimme a Light takes an idiot savant synth lead into what sounds like a seriously lo-fi version of early Orb material .