Amoeblog

Like Thunder, Lightnin', So Catchy It's Frightenin': Amii Stewart's "Knock on Wood"

Posted by Kelly S. Osato, February 9, 2011 06:07pm | Post a Comment
amii stewart knock on wood album back cover glamour fashion disco sweateramii stewart knock on wood album cover fashin outrageous wierd disco goddess






















In the vein of my last post, here's a different trippy take on another beloved classic hit: Amii Stewart's deep-dish disco serving of Eddie Floyd's "Knock on Wood." Initially, I bought this record more so for the glamorama of cover art than the actual musical content, but I have since developed a sort of terminal enchantment with the overall calorie-off, aerobic aesthetic repeat listening presents.

Girl is wearin' me out with this video, check it out!
 

Who's Zoomin' Who? It's Aretha's "What A Fool Believes"

Posted by Kelly S. Osato, February 4, 2011 10:33am | Post a Comment
aretha franklin aretha 1980 kenny loggins michael mcdonald yacht rock hit cover song soul synth
I woke up with this song stuck in my head again this morning and so, accordingly, I attempt to exercise it here. Aretha Franklin's cover of Kenny Loggins and Michael McDonald's classic yacht-rocker made popular by the Doobie Brothers is a manic slice of synth-indulgence that's, like many an Aretha song, dead catchy. Beware. Just give it thirty seconds of warming up and you'll be in the zone, the smoooooth R&B zone.

Aretha Franklin - "What A Fool Believes"


OMG! Look What the Cat Dragged In!

Posted by Kelly S. Osato, January 26, 2011 01:08am | Post a Comment
I don't know about you but when I was thirteen years old this is what I thought rock 'n' roll looked like:
poison anniversary tour 2011 glam rock look what the cat dragged in vinyl reissue bret michaels motley crue rumor
Hardly petal fresh but definitely party pretty! Poison celebrates their 25th anniversary this year and rumor mills are a-spinnin' that Bret Michaels is intent on putting together a commemorative tour with a reluctant Mötley Crüe who, at 30 years of "togetherness," accuse Michaels of "trying to will" the bill into being. And why not? It's a dreamy match up of iconic glam-rockery and bitchy cocksureness the likes of which RuPaul's Drag Race can only boast, and don't we know Ru can put on a show! But I digress..
poison debut lp reissue look what the cat dragged in tour 2011 25th anniversary motley crue
Even if the Crüe doesn't fit, I hope Poison still moves ahead with their tour and, if they have any imagination what-so-ever as to what their audience of once-thirteen-year-old girlies want, they had better play right through all thirty-eight glorious minutes of their recently reissued (on 180 gram vinyl housed in deluxe gatefold, no less) debut LP Look What the Cat Dragged In. The record once described by Michaels as a "glorifed demo" spawned four singles (and, after almost a year of climbing, peaked at #3 on the Billboard charts in 1987, how lucky! Like Mötley Crüe, Poison originally formed under a crap name (Paris; in Mötley Crüe's case, Christmas) and changed it to a lesser crap name after moving from Pennsylvania to Hollywood, where they met their future ("reality") star guitarist, Brooklyn native C.C. DeVille (who apparently won out over Slash in auditions due to personal preferences concerning wardrobe; you know, stilettos over moccasins). Though possibly best known for the sleazy, erectual frustration of songs like "Talk Dirty To Me," "I Want Action" and "Want Some, Need Some," not forgetting the corny "I Won't Forget You" slow jam, Look What the Cat Dragged In serves up more than just a teased tumbleweed of ambition which, given their swift success, surely pissed off a lot of the competition. To revisit Ru, I believe this record to be a portrait of the charisma, uniqueness, nerve and talent a certain kind of musician had to harness --- however desperate, ripped-off or closeted --- in their quest to make a name for themselves in the unforgiving 1980's Hollywood rock scene, namely "glam." The video for Poison's debut single from Look What the Cat Dragged In, "Cry Tough," is a slice of Hollywood glam zeigeist unparalleled in every aspect -- check it out (p.s. did these guys love Van Halen or what?!):
 

7" Fix: The Sandwitches "Summer of Love"

Posted by Kelly S. Osato, January 19, 2011 03:57pm | Post a Comment
sandwitches summer of love my teddy seven inch record vinyl single 1234go label san francisco girl band broken pop weird fresh & onlys sonny sunsets kelley stoltz
Of all my band crushes, I feel an attachment to the Sandwitches that's way beyond the point of smitten at first listen: I'm hopelessly devoted. There's something about their sound that suggests a beautiful thing broken down, makes me long to don a once beloved party dress dredged from a dumpster or follow up their tunes with a worn out "girl group" record, damaged from repetitious play. Their latest 7", Summer of Love, flaunts two fresh yet yellow-edged pop oddities from the Sandwitches' curio cabinet and is limited to 500 copies on 1234Go! Records, so please, don't miss! And catch the girls live at Slim's on Tuesday, January 25th, if you can, and support our (SF) local, shamefully under-appreciated "female Creedence."

The Sandwitches - "Summer of Love" [side A]


The Sandwitches - "My Teddy" [side B]

My Best of 2010: Music Picks by Kelly

Posted by Kelly S. Osato, January 13, 2011 08:45pm | Post a Comment
Howdy and Happy New Year, one and all. I've spent about a week and half, that is the first week and a half of 2011, listening only to the music I purchased last year and I've come up with a list of stuff that I am not only not sick of but ready to live happily ever after with. Here's what I love the most, my best picks for music released in 2010, and you know it's gotta be firm 'cause it's all I've been living on. Let's go:
sun city girls funeral mariachi album cover
Sun City Girls - Funeral Mariachi (Abduction)

This is the kind of record that you listen to repeatedly, one side at a time. I think I must have replayed side one at least five times before moving on to play side two again and again --- it's just a mesmerizing and solid piece of work, enchanting and haunted by an astounding breadth of world music influences (no doubt culled from field recordings, transmissions and the like Sun City Girls has gifted to the public via their Sublime Frequencies label, which pretty much makes them, alongside Mississippi Records, the Smithsonian Folkways of our generation). This release is held even more dear by the fact that it is the last Sun City Girls record due to the death of drummer and vocalist Charles Gocher Jr. in 2007. It's also a limited release, so get it while you can. In fact, it's the "get it while you can" of 2010.

Sun City Girls - "Blue West" from Funeral Mariachi


BACK  <<  23  24  25  26  27  28  29  30  31  32  33  34  >>  NEXT