Everyday I think about what it would mean to suffer the panic of a disastrous earthquake. Sometimes the thought is latent, residing somewhere in my metal recesses. But at other times, like a few mornings ago when a magnitude 4 earthquake centered a few miles away literally shook me out of bed at 5:33am, it glows at the front and center in my mind like a warning fire. Can anyone ever really be ready for a seismic shift of any size? How does one prepare for the aftermath? Is there a price you wouldn't pay for hindsight?
If for no other reason than to acquire some beautiful music, Kazu Makino of the band Blonde Redhead has recently released a charity compilation on her newly founded Asa Wa Kuru label (meaning "Morning Will Come" in Japanese) with proceeds to benefit the Japan Society Earthquake Relief Fund and Architecture For Humanity (a list of these and other groups, individuals and institutions active in the disaster hit areas in Northern Japan can be found here). The vinyl-only compilation, titled We Are The Works In Progress, features some of the most hauntingly 4AD-esque broken-yet-crystalline pop-synth clarion calls to be heard of all the relief offerings put together by musicians with a mind to support Japan's post-tsunami healing process. The collection, spread over two LPs, features Blonde Redhead of course, plus an impressive array of singular artists like Four Tet, Ryuichi Sakamoto teamed up with David Sylvian, Broadcast, Deerhunter, John Maus, Interpol, Terry Riley, Pantha du Prince and many more - it is available for purchase through Amoeba Music here. Simply put, it is a gorgeous effort created to further a worthy cause - one that shouldn't provoke a pause to contemplate the value of music, but rather the value of hope.