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MASSIVE METAL Vinyl Collection Acquired by Amoeba SF Hits the Shelves This Weekend!

Posted by Kelly S. Osato, August 14, 2012 01:05pm | Post a Comment


Attention all METAL heads
: last weekend a behemoth metal vinyl collection descended upon Amoeba Music's San Francisco location!!! Hundreds of records spanning from roughly 1980 to the early-1990's era of vinyl production disruption, including virtually every style of metal imaginable from heavy, hard, hair (glam), thrash, speed, sleaze, and everything in between, including some far-out regional private press pieces. This hoard of remarkable bangers are in excellent condition or maiden (i.e. factory sealed). We're busy readying the beast for release in stages with the first wave to be presented for sale this weekend on Saturday, August 18th. Come feast your eyes, and beware of Stevil and metal Ben's "Buy Or Die" maxim!

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accept massive metal vinyl buy collection rare heavy hard hair hollywood sleaze tease glam rock lp record collectible amoeba music san francisco new arrival wax monster
The images that follow are only a taste of the overall scope and breadth of this collection, from Accept to Znöwhite. While details concerning the who, what, and whyfores behind the collection remain deliciously mysterious, I can relay (on a personal note) that confronting the prowess and megaforces latent in this darkened pain cave's worth of vinyl treasure is enough to render one's powers physical regulation helpless. I went rogue. And much like attempting an impromptu dual-impression of Nitro's Jim Gillett and Michael Angelo Batio, I found myself short of breath, overwhelmed, and somehow unworthy.

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You've Got Another Thing Comin': 30 Years of Screaming For Vengeance!

Posted by Kelly S. Osato, August 13, 2012 11:45am | Post a Comment
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When it comes to metal, whether it be heavy, hard, or hairy, the one thing that really hurts my feelings is a poorly mastered recording. While I admit I possess very little knowledge on the subject of mastering (however informative this link should prove) it would seem that time and inevitable technological developments have redefined what a properly mastered record should sound like, nevermind that my reckoning of a ill-mastered metal record has everything to do with volume control. Putting on an exemplary recording like Judas Priest's Screaming For Vengeance only to discover the maximum volume setting worthy of a dental visit is an insult to the ear and the slap to the id; "why can't I make this any louder", you lament. I feel your pain, people. I too am screaming for vengeance!

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Which is why I am particularly stoked about the upcoming September third celebratory reissue of Judas Priest's Screaming For Vengeance - the 30th Anniversary Special Edition, containing not only the remastered original album plus six bonus tracks, but also a live DVD from the 1983 US festival show filmed in San Bernadino, CA on May 29, 1983.I know, you're probably thinking, Priest has already seen to the digital remastering of most of their catalog in 2001, no? Sound hounds and intense listens have generated a clash of opinions concerning just how beneficial the overall remaster treatment was. While I don't pretend that my ears are trained to recognize minutiae apparent in the thankfully LOUD 2001 Priest remasters, my favorite complaint directed at the "creepy, crawly knob-twiddling" Jon Astley inflicted upon the reissue of British Steel compares the end result to "Edith Bunker being gang raped by a swarm of castrated locusts" -- an observation that potentially bodes ill for any serious audiophile.

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Jacked Up on the Irons: top ten reasons NOT to miss the Maiden England 2012 tour!

Posted by Kelly S. Osato, August 4, 2012 03:07pm | Post a Comment
iron maiden maiden engalnd california event t-shirt tee 2012 tour eddie golden gate bridge flag bear seventh son logo design

Iron Maiden may be senior classmen in the school of rock but they manage to keep outperforming (while, in most cases, shaming to filth) touring rockers the world 'round with their professionalism and showmanship. Last night's show at the Shoreline Amphitheater (even singer Bruce Dickinson seemed perplexed as to just where the venue was supposed to represent, resorting to, "Scream for me Shoreline!" after asking, "Where the fuck are we supposed to be? San Francisco? Oakland?") was so phenomenally epic, a two hour an epoch in my life. And, according to further Bruce banter between songs, due to the limitations of the venue -- I believe he referred the Shoreline as an "old hippie bandshell" -- the band wasn't able to fully bring their show to life. Nevertheless, they certainly seemed to pack as many pyrotechnics, flames and Eddies on stage as they could in the hopes that, as per Bruce's comments, "burn fucker down to they can build a better one!". Here's hoping they achieve their fully realized set up tonight in Sacramento.

Anyway, find yourself on the fence about hopping the Maiden train this summer? Here's ten good random-order reasons (i.e. every reason could and should be reason number one anyway) to drink the kool-aid!

Reason number one: event tees! The Maiden England 2012 California event tee, pictured above, features Eddie riding an unchained bear, ripping the Golden Gate a new one? Yes please! I'm lucky I got me one of these last night as they were sold out even before the show began. Looking forward to wearing this sweet baby out. 
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Reason number one: love that patent twin axe-attack "guitarmony" sound? Man do I ever. And Maiden one-ups the advance with the promise of a triple threat what with Dave Murray, Adrian Smith and Janick Gers on guitar. Add to that the galloping bassmageddon of founding member Steve Harris and there you have the classic recipe for a flaming face-melting of harmonized rifflines.

Another long overdue Lizzy vinyl reissue finally sees the Light (in the Attic)!

Posted by Kelly S. Osato, August 4, 2012 01:25pm | Post a Comment
thin lizzy light in the attic reissue repackage debut lp vinyl self titled album record phil lynott eric bell era years brian downey inner sleeve artwork extras bonus content

We the people of Amoeba Music mayn't always hear ear to ear when it comes to mutual enjoyment of preferred musical genres and styles but it would seem that roughly ten out of ten Amoeba employees agree that Thin Lizzy is the hardest, heaviest most essential band of rockers, Irish or otherwise, ever assembled. Though they are perhaps more widely appreciated for their mid-career jukebox jammers like "The Boys Are Back In Town" (c'mon, who hasn't heard this one), the Bob Seger penned rocker "Rosalie" (oft covered by Motörhead), and new takes on traditional tunes like "Whiskey in the Jar" (Metallica, schmeh-tallica), Seattle-based label Light In The Attic Records has lately seen to the proper vinyl reissue of Lizzy's 1971 self-titled debut, an album that plays like a slightly psychedelic folk tinged early dawn portrait of singing bassist Phil Lynott, drummer Brian Downey, and guitarist Eric Bell

In A Cloud II - MORE New Sounds From San Francisco!

Posted by Kelly S. Osato, July 17, 2012 12:23pm | Post a Comment
Looking to scope the lay of the local pop scene in San Francisco? Seek no further than In A Cloud...II!
in a cloud II san francisco local bands various artists vinyl lp compilation secret seven records Vetiver, Ty Segall, Hannah Lew (of Grass Widow), Wymond Miles (of Fresh & Onlys), Chuck Prophet, Lucky Eyes, Will Sprott (of The Mumlers), Sonny & The Sunsets, Paula Frazer, Kelley Stoltz, Bad Backs, Tim Cohen (of Fresh & Onlys), and Papercuts, Cover Art by Simon Evans, limited editon pressing

Finally, the long anticipated sister release to the initial In a Cloud - New Sounds from San Francisco compilation the fine folks at Secret Seven Records delivered back in 2010 is ready for her coming out par-tay! Like her predecessor, In A Cloud II: New Sounds from San Francisco features 13 previously unreleased recordings from some of the city by the bay's finest, including: Vetiver, Ty Segall, Hannah Lew (of Grass Widow), Wymond Miles (of Fresh & Onlys), Chuck Prophet, Lucky Eyes, Will Sprott (of The Mumlers), Sonny & The Sunsets, Paula Frazer, Kelley Stoltz, Bad Backs (featuring Andrew Kerwin of Trainwreck Riders & Bianca Sparta of Erase Errata), Tim Cohen (of Fresh & Onlys and Magic Trick), and Papercuts with fresh-to-death cover art by Simon Evans. Unlike the previous In A Cloud jammer, this sweet baby is a limited vinyl-only release with 650 copies pressed so don't go sleepin' in on the release date (that would be today, y'all sleepyheads). The Hannah Lew track, "Octopus via Satellite", currently has my heart hypnotized like a gracefully executed intergalactic postcard, it's hard to imagine this would've could've ever been a throw-away creation. Get yours today at Amoeba Music!

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