Amoeblog

Andy Lau frees Chow Yun-Fat

Posted by Eric Brightwell, February 27, 2009 05:27pm | Post a Comment
Andy Lau bailing out Chow Yun-Fat
"Your plan worked, Lau. With Trapjaw rusted, he can't even move or call for help! To the Talon Fighter!"

Chow Yun-Fat
is a renowned actor whose career spans several decades, but who is best known to American audiences for his roles in John Woo’s heroic bloodshed films and a couple of wuxia films that were released in the oughts. Andy Lau, whilst less well known in America at large, has an enormous following both among film fans, especially well known for his work with Johnny To, and his career as a Cantopop star. Throughout both of their careers, Chow and Lau have appeared in several films and a television program:

1982 - Sou hat yi
1986 - 楊家將 aka Yang ka cheung aka The Yangs’ saga
1987 - 江湖情 aka Goo woo ching aka Drifter love aka Jian hu qing aka Rich and famous
-and - 英雄好漢 aka Ying hung ho hon aka Hero aka Heroic hero aka Rich and famous II aka Tragic
            Hero
aka Ying xiong  hao ban
1988 - 精裝追女仔 aka Jin zhuong zhui nu zi zhi er aka Romancing star II
1989 - 賭神 aka Du shen aka Dao san aka God of gamblers
1991 - 賭神2 aka  Dou hap aka Du xia aka God of gambers II aka Knight of gamblers
 
Although their careers haven’t intersected in a long time, that didn’t apparently stop Andy Lau from bailing out his old friend who seems to have been imprisoned underneath Snake Mountain, judging by the eerie green light and the ancient magenta bricks. How did Lau and Woo find themselves on Eternia? Who painted this amazing picture? [Insert Orco saying something silly.] I found this ad in a Vietnamese rag whilst hanging out with the ever astonishing Ngoc cung.

Skeletor and Snake Mountain
"Curses Lau! You win this time but I'll be back! Meh heh ha ha hanh!

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I feel like bootin' up -- The Take Fo' story

Posted by Eric Brightwell, February 20, 2009 06:06pm | Post a Comment
Take Fo' Records

Take Fo' Records
is a little known (outside of New Orleans) music label that truly broke ground with its motley roster of artists and progressive attitude, yet it's never received adequate recognition for its pioneering role in music. Whereas New Orleans's other big labels: Big Boy, Cash Money, Mobo, Parkway Pumpin', Untouchable, Tombstone and No Limit all seemed to consciously project a hard-as-nails image with tales of slangin', bangin', head bussin' and wig splittin', Take Fo' welcomed gangstas but also ball busters, dancer-cum-rappers, party starters and probably the first openly gay rapper. Despite the possible negative associations that might come with being part of this hip hop Island of Misfit Toys, the rappers on Take Fo' seemed unbothered and showed up on each others' albums in a show of courageous support.



Who's black and whose black?

Posted by Eric Brightwell, February 17, 2009 12:00am | Post a Comment

As Black History Month rolls on, I asked myself a question that may seem stupid to most people: Who exactly is black and who is not? And how is it decided? Does the individual or society determine what we are or is it a combination of both? Are there other factors? Is this the Family Feud or actual objective science?
 

In 2009, all rational and educated people now accept that race is a human construct, which isn't to say that it's meaningless. As long as people are treated differently (preferentially, discriminatorily or just differently based on presupposed differences) on the basis of race, how society constructs and applies that race is worth thinking about. And, ideally, there shouldn't be any shame in recognizing broad cultural differences either. Why should "white pride" be offensive? Pride in er-one, I say. Minor caveat: to even assume that American society has reached a consensus on race defies reality – that's why Dave Chappelle instituted the racial draft. So step with me into a blog of shadows and substance, things and ideas into, to coin a phrase, The Twilight Zone.

 

The Great Black North

Posted by Eric Brightwell, February 10, 2009 12:56pm | Post a Comment

One fact that’s widely overlooked during Black History Month is that it’s not only Black History Month in the US. Besides having the stated aim of highlighting the contributions to human history made by the entire black diaspora, BHM is simultaneously observed in Canada. People who've never been to Canada may not believe that black people live there. While it's true that the black Canadian population is minute compared to the black American populartion both in terms of numbers and percentage, black Canadians have contributed significantly to Canada's mostly overlooked music scene and their contributions are surely worth honoring (oops! ...honouring). [Special thanks goes to MuchMusic].


Dream Warriors - Wash Your Face in My Sink


Maestro Fresh Wes - Let Your Backbone Slide

Interspersed with exemplars of black Canadian musical contributions, allow me to ponder the controversies surrounding terminology used to discuss black Canadians and hopefully in the process shed a little light on history. No doubt we'll never come to a consensus on what's the most accurate/least offensive/least ridiculous terminology, but just thinking and talking about it is worthwhile far as I'm concerned... or at least fun.


Oscar Peterson - Waltz For Debby

Cinema of Burkina Faso

Posted by Eric Brightwell, February 1, 2009 01:27pm | Post a Comment
Sindou Peaks in Burkina Faso

Background on Burkina Faso

What is now Burkina Faso has been continuously inhabited for at least 14,000 years. The main indigenous population of this Sahelian region were the Yonyonse, who remained for thousands of years until they were displaced by the Mossi people of what is now Ghana only a thousand years ago. The Mossi established several kingdoms; the first, Tenkodogo, was founded in 1120 and ruled by Naaba. The Dogon, who'd inhabited areas in the north, left between the 15th and 16h centuries. Two more Mossi Kingdoms followed and dominated the area for about 800 years until 1896 when France invaded and established a colonial occupation. Upper Volta, as it was then known, gained independence from the French in 1960. As is the case with most post-Colonial countries, the years since have been dominated by dictatorships, wars and coups.

Street scene in Ouagadougou

Yet despite being plagued by poverty, unemployment and strife, Burkina Faso inarguably has one of West Africa's most vibrant cultures. Literature, primarily transmitted orally until collected in the 1930s, has long been a central part of Burkina Faso's culture. A strong theater tradition owing to both Burkinabé traditions and French influences has also been a major aspect of Burkinabé's cultural life. With over 60 ethnic groups, no one sort of music has yet dominated Burkina Faso's musical scene, although American and European pop are the most popular. Since 1969, Burkina Faso has been one of, if not the, dominant powers in Africa's film industry.

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