Roughly occurring at the same time as the more well-known and more celebrated French Nouvelle Vague (or New Wave), another group of frequently collaborative film-makers were grouped together under the moniker "Rive Gauche", named after Paris' artsy side. These film-makers (Agnès Varda, Chris Marker, Jean Cayrol, Henri Colpi, Marguerite Duras, Alain Robbe-Grillet,) applied to film the concepts which defined the Nouveau Romain in contemporaneous literature. Duras and Robbe-Grillet were also writers and associated with the literary movement in which experimental authors sought to create a new style with each work. Together, they produced an amazing body of film which remains largely overshadowed by the much more popular New Wave, though no less interesting or significant.

Because of the film-makers' approach to art and their being French, as well as contemporaries of the New Wave, they're often lumped in with them even though the New Wave which, while radically experimental, was more stylistically consistent due its focus on the director as the film's author. Ironically, the New Wave view served to encourage the personal and recognizable authorial nature of film, whereas members of the Rive Gauche often sought to depersonalize their works in an attempt to defy expectations, placing them in polar opposition in this regard.



Alain Resnais began making films in the 1940s. He is best known for his films Nuit Et Brouiilard (1955), Hiroshima Mon Amour (1959) and L'Anee Derniere a Marienbad (1961).

Nuit Et Brouillard  stands alone in cinematic history in its depiction of the Jewish Holocaust.  Resnais avoided the familiar black and white stock-footage for most of the film and instead presented tranquil scenes of the by-then abandoned concentration camps in color, with flowers growing through the cracks and sun beams shining on the desolate remains.  Compare, for example, Nuit Et Brouiilard to a cinematically conservative film like Schindler's List.  Spielberg chose to film in black and white (both literally and morally), with big name actors and with action unfolding in a familiarly un-ending winter that makes the events seem cliche and safely remote.

This past Sunday at the Heritage Square Museum in Highland Park it was L.A. Heritage Day. The Heritage Square Museum is a "living museum" made up of some Victorian buildings saved from impending demolition that was begun in the 1960s. All the homes were moved from their foundations and transported to their current home in Highland Park. Some of the buildings are still pretty rundown and, as money comes in, are restored. My sister and I used to play a game on road-trips where we'd try to spot rundown houses with trees poking through the roofs and cry out, "That's your honeymoon house!"  The idea is that honeymooning in a run-down house would be rather humorously outrageous. Of us siblings, only my sister has been married so far and I don't think she did end up honeymooning in a dilapidated mansion. Anyway, our parents responded by creating the "Quiet Contest."


        One of the more colorful Victorian homes.                              A Victorian teenager posing in front of the chapel.

Because of fire code, so the story goes, all of the second (and third, in the case of the hexagonal house) stories of these fine buildings are off limits except to the volunteers. One of the costumed guides complained how silly that was since there is no danger of fire in the homes. However, another guide said that two of the original buildings burnt down after being moved to Heritage Square. Probably some punk kids out for kicks but who knows?


    A docent and I in my Zodiac shirt.       It's like a giant cable-knit sweater that someone keeps knitting and knitting and...

This installment of Eric's Blog takes us to Rosemead.

 

First, a bit of background on the City of Rosemead. As is proving to be true of everywhere I go in southern California, the area which now makes up Rosemead was formerly inhabited by the Tongva for thousands of years before the Spanish came. I'm considering just saying in regards to my posts about Southern California, "Unless I say otherwise, this area was inhabited by the Tongva for thousands of years before the Spanish came." Anyway, the Spanish did come and built a mission there in what's now Whittier Narrows. Due to flooding, they relocated the mission to it's current home over  in San Gabriel in 1775.

After the land moved from Mexico to the U.S.A.'s hands, pioneers began moving to the area like John and Harriet Guess in 1852. Around that time, Leonard and Amanda Rose bought a tract of land where they bred horses and they named their ranch "Rosemeade."

In 1959 Rosemead became a city in name, although it's still pretty undeveloped compared to its neighbors. There are lots of vacant patches and not really a downtown or town center unless you count the Diamond Square Shopping Center on Garvey. Also of note is the Bánh Mì District with the popular chain Lee's,  Bánh Mì (&) Che Cali and, my personal favorite, Baguette Express. There's also Paris Sandwhich, Ba Le and Saigon Sandwich. Bánh Mì, for those who don't know, are the culinary silver lining in the cloud of French imperialism- sandwiches made on wheat & rice flour baguettes with pickled carrots, daikon, gluten, roasted rice, meat (or mock meats), cilantro, chilis, pate, mayonnaise and other stuff. They're delicious and, best of all, nearly always about two dollars for a decent-sized one. There was a short lived Bánh Mì place in Silver Lake where they charged upwards of 6.50 a sandwich! In the world of sandwiches and Silver Lake, I suppose it was quite reasonable. In the competitive world of Bánh Mì it was suicidal and I felt guilty and lazy for eating there even once. For that price I could've gotten about seven sandwiches at Che Cali!

New Beverly, silent movie theater, nuart, Egyptian, Aero, Billy Wilder Theater

I've been commissioned to write a blog about one of my favorite Canadian bands. As someone who spent a year and a half in rural Iowa with no friends and a satellite dish, I spent many Mountain Dew-fueled hours watching Much Music with the VCR remote in hand hoping to tape videos by the likes of the Dream Warriors, Zumpano, Leonard Cohen, Trans-X, Lime, Skinny Puppy, Frontline Assembly, or Eric's Trip whilst adroitly changing the channel within microseconds of a Bootsauce song's opening notes.



But there was one band who, I don't think, ever got any airtime on Much and will not likely ever be inducted into the Canadian Music Hall of Fame. That band is ...  Zit Remedy. They formed in 1985 and only recorded one song, "Everybody Wants Something" which they sold for 2 dollars (Canadian) which, echoing Peter Saville's costly New Order packaging for "Blue Monday," cost less than the blank tapes they were recorded on. There's a Zit Remedy website that does a good job of providing the biographical information for the seminal band. I will say that a bit of the information is wrong, or out of date. Anyone who keeps up with Degrassi knows that after Craig Manning's dad died, he formed a band Downtown Sasquatch with Spinner, Jimmy and Marco which practiced in... legendary Zit Remedy frontman Joey Jeremiah's garage. And he performed his song "What I Know" at the Degrassi Battle of the Bands as a sort of apology to Ashley Kerwin. So, obviously there's a lot of musical talent coming out of Degrassi. In fact, there's a wikipedia entry devoted to them.