One Album Wonders Northside's Chicken Rhythms

Posted by Eric Brightwell, June 23, 2015 03:55pm | Post a Comment


My introduction to the quartet named Northside came in my second year of college, I believe, a few years after the release of their only album, Chicken Rhythms. As a teenage fan of all things Madchester, I'd heard of them, of course, but it wasn't until Liz lent me a cassette that I was able to give it a listen. Although I was at first dismissive of what seemed to me to be by-the-numbers Baggy, over time the album unexpectedly grew on me.

Northside were formed in 1989 by Warren "Dermo" Dermody (vocals and United supporter) and Cliff Ogier (bass and City supporter). They were soon after joined by Michael "Upto" Upton (guitar) and Paul Walsh (drums). Upton was soon after replaced by Timmy WalshAll were residents of either Blackley or Moston, in Manchester's Northside. In August they recorded a demo at The Cutting Rooms, part of Abraham Moss College

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One Album Wonders: The Paris Sisters Singer Everything Under the Sun!!!

Posted by Eric Brightwell, June 16, 2015 03:48pm | Post a Comment

The Paris Sisters

Real life siblings Priscilla, Albeth, and Sherrell began cutting records as The Paris Sisters in 1954. In the fifteen years that followed, they only released on full-length studio LP and in their final year as a recording unit. The San Francisco trio did appear on more than 25 singles, however, and are best remembered for the perfect pop hit, “I Love How You Love Me."

The Paris Sister Decca years

When The Paris Sisters first performed, they did so in the style of earlier popular sister acts like The Boswell SistersThe Andrews Sisters and The McGuire Sisters, releasing nine singles through Decca (two backing Bings son, Gary) that didn’t perform terribly well commercially. In 1957 they released two singles for Imperial that also went nowhere.

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One Album Wonders: The La's

Posted by Eric Brightwell, June 9, 2015 03:48pm | Post a Comment

The La's

In 2000, Pearl Jam treated their audience to a cover of The La’s“Timeless Melody.” Eddie Vedder, addressing the Mancunian audience characteristically mumbled, “Hey! There’s a good, uh — fuckin’ good? -- a great band who made one great record and they’re called The La’s and I think they’re from your town… I believe. A great songwriter from your town… his last name ain’t Gallagher.” 

Vedder's geographical mix-up could’ve, under the wrong circumstances, ignited a full scale riot but The La’s were a great band and what sensible person wouldn’t want to be associated with their brilliance. Also, Lee Mavers’s name “ain’t” Gallagher but — along with other Scouse bands like Rain and The Real People — the so-called Cosmic Scally scene arguably had much more influence on Oasis than the Manchester scene which quickly stole its spotlight. Also, both the Gallaghers and Mavers are dyed-in-the-blue-wool football supporters — the Gallaghers of “The Sky Blues” (Man City) and Mavers of “The Blues” (Everton).

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One Album Wonders: The Music Machine's (Turn On) The Music Machine

Posted by Eric Brightwell, June 3, 2015 09:16pm | Post a Comment

The Music Machine

Los Angeles
's  The Music Machine are one of those bands which was not only a one album wonder but a one hit wonder as well (there are a few of them). The Music Machine’s big hit was “Talk Talk,” a stomping, grunted neolithic garage stomper from 1966 that quickly rose to #15 on the charts and remained in the Top 40 for twelve weeks. 

The Music Machine’s San Jose-born singer-songwriter Sean Bonniwell, Doug Rhodes (organ), Ron Edgar (drums), Keith Olsen (bass), and Mark Landon (guitar) first assembled in 1965 as The Ragamuffins. Rhodes and Edgar had previously played with Curt Boettcher in folk-pop act, The Goldebriars. The changed their name to The Music Machine in 1966 and seem to me to have been musically inspired by The Troggs — a British band capable of peppy pop (“With a girl like you”), sparkling psychedelia (“Purple Shades”), and caveman rock (“Wild thing”). Sartorially, they were inspired by bands who adopted a gimmicky uniform like The Count Five, The Monks, and Paul Revere & the Raiders. The Music Machine’s look consisted of head (including dyed hair) to toe black — topped off with a single, black glove. It’s a gimmick, to be sure, but one that nonetheless allowed for more individuality, creativity, and fun than a nation of indistinguishable crate-service-clothed beardos.

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One Album Wonders: Sonic Boom's Spectrum

Posted by Eric Brightwell, May 25, 2015 03:27pm | Post a Comment

For this edition of One Album Wonders we take a listen to Sonic Boom, who released one album, Spectrum, in 1989. 

Sonic Boom Spectrum

Sonic Boom 
is Peter Kember, an English musician born in Rugby in 1965. In 1982, whilst at Rugby Art College, he co-founded The Spacemen (later Spacemen 3) with Jason Pierce. After releasing two albums -- 1986's Sound Of Confusion and 1987's The Perfect Prescription -- Kember signed a deal with Silvertone Records for a solo album. On the resulting album, Spectrum, Kember's professed influences such as SuicideThe Velvet UndergroundThe Stooges, and early electronic music were all on display.

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