Amoeblog

The Filipino New School Freestyle Revival

Posted by Eric Brightwell, May 5, 2014 06:06pm | Post a Comment

Freestyle is a type of dance-pop music that evolved from Hi-NRG, Electro, and Hip-Hop in the early 1980s — primarily in New York City and specifically the South Bronx. Due to the ethnic and musicological background of some of its producers, performers and many of its fans, Freestyle was originally often referred to as Latin Hip-Hop. After enjoying a period of crossover popularity in the second half of the 1980s, Freestyle stopped being a major musical force in mainstream but was kept alive by a cult largely comprised surprisingly perhaps, largely of Filipinos.


Freestyle CD covers
Freestyle CD covers from the Geocities Era

In the early 1980s listeners could still discern the unique cultural contributions that made pre-corporate Hip-Hop a complex Afro-Caribbean-Hellenic-Italo-Teutonic gumbo. The syncopated rhythms of Electro-Funk owed their popularity to Nuyoricans’ central importance in the emerging subculture. Electro-Funk branched into something distinct (what came to be known as Freestyle) in 1982 and ’83, with the release of songs like Planet Patrol’s “Pay At Your Own Risk,” C-Bank’s “Get Wet,” and Shannon’s “Let the Music Play” and the production efforts of figures like John Robie & Arthur Baker, The Latin Rascals, and Mark Liggett & Chris Barbosa.
 

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A look at Tsukioka Yoshitoshi on his 175th birthday

Posted by Eric Brightwell, April 30, 2014 12:32pm | Post a Comment
Portrait of Yoshitoshi
Kanaki Toshikage portrait of Yoshitoshi

One of Japan's greatest artists, Tsukioka Yoshitoshi, was born on this day in 1839, which I reckon makes it as good a time as any to blog about him. For those unfamiliar, Yoshitoshi is widely regarded as one of ukiyo-e's greatest innovators, as well as its last major practitioner. He produced an enormous body of work (about 10,000 pieces by some estimates) although he's best known for his bloody pieces -- which comprise a large chunk of his oeuvre. After falling out of fashion amongst Japanese art collectors, he was "rediscovered" in the 1970s and is now rightfully placed amongst the ukiyo-e greats.

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Yoshitoshi was born Owariya Yonejiro (米次郎), in the Shimbashi district of Edo (now Tokyo), in 1839. His Photographic portrait of Yoshitoshifather, Owariya Kinzaburō, was a wealthy merchant and samurai. The identity of his mother is unknown, although Kinzaburō's mistress, apparently not wanting the share their home with the child, sent him off to live with an otherwise childless relative, Kyōya Orizaburō, when Yonejiro was about three. At the age of five, after showing interest in art, the pharmacist uncle (or cousin by other accounts) began offering the young boy art instruction.

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Italo-disco singer Savage is coming to Southern California

Posted by Eric Brightwell, April 23, 2014 11:01am | Post a Comment
Savage portrait

On 6 June, 2014, '80s Italo legend Savage is performing for the first time in Southern California. He'll perform his greatest hits, including “Don't Cry Tonight,” “Only You,” “A Love Again,” “Fugitive,” “Radio,” and more in an event that will be DJed by BPM and hosted by singer TQ. Advance tickets are available here

Savage Flyer


Savage was born Roberto Zanetti was born in Massa, Italy on 28 November, 1956. Zanetti's musical education began when he was fourteen and he began taking piano lessons. Soon after he began playing keyboards in several bands including L'inchiesta, Fathima e i Pronipoti, I Vicini di Casa, andSangrià. 




In 1977, Zanetti formed Santarosa with Alberto Feri, Tiziana De Santis, Angelo Tedesco, and Paolo Zilio. In 1979 they had a his with Souvenir," which sold over 200,000 copies. The song was produced by singer “Zucchero” Fornaciari (né Adelmo Fornaciari)  and in 1980, he and Zanetti began a creative partnership. In 1983, the first fruit of their labor was also their first stab at dance music, "To Miami," attributed to Taxi and released by Florence-based Harmony Music and credited to Taxi

Tears in your beers -- Country tunes for Tax Day

Posted by Eric Brightwell, April 15, 2014 09:35am | Post a Comment
Krazy Kat and crew

Income taxes -- they're no fun -- especially when you're poor. 

There are few escapes from them, too. Most of the few countries which don't have them are located in Arabia, where massive corporate taxes on even more massive oil revenue make them unnecessary. In the US, on the other hand, corporate income taxes only account for about 9% of federal government receipts (we may have the highest nominal corporate tax rate in the world but the effective corporate tax rate is much lower) whereas individual income taxes account for about 41%. That might, at first glance, seem high but our individual income taxes are actually low compared to those of most countries. In the developed world, only Chileans, Mexicans, and Turks contribute less to their countries' GDPs... or something (my mind glazed over for a second). 



Enough about percentages and Arabia -- what if you want to stay in America but still avoid taxes. You could always go Unabomber or embark upon a black market career... as Big Daddy Kane told us, "pushers don't pay taxes." But Jesus wouldn't approve of either of those options. The Messiah made his opinions on taxes known in the Gospel of Matthew, and even got a little testy:

Ziv Television and a brief history of syndicated television in America

Posted by Eric Brightwell, April 8, 2014 03:52pm | Post a Comment
Ziv Productions logo

Due to the rise in quality television and the sad, hopefully-not-irreversible decline of Hollywood films, any unbiased viewer of both would have to agree that television is entirely capable of producing great art. Much of the credit goes to cable (e.g. Breaking Bad and Mad Men) and online television (e.g. Homestar Runner and House of Cards). Then there's syndicated television, which came into existence literally to provide television filler 65 years ago this month, when Ziv Television's first production aired.

Ziv advertisement 1955

For the most part syndicated television's reputation for providing chaff is deserved. Syndicated programs have long been dominated by cheap anthology shows, court shows, game shows, variety shows, talk shows, celebrity gossip "news" shows, and other low-budget, low-brow, fare that at its best is enjoyable as a time-killers and guilty pleasures. Sometimes due to their peripheral nature, they're amazingly watchable for all the wrong reasons -- in many ways a television equivalent of the grindhouse cinema.

Back in the old days, neither the big four radio networks (ABC, CBS, Mutual, and NBC), nor the big three US television networks (CBS, DuMont, and NBC) offered a full day's dose of programming. Then as now there were television stations not affiliated with any network -- but even they rarely could produce enough programming to fill the day. In radio, syndicated programing, produced by independent companies had been the solution at least since the 1930s. The first American television company to produce syndicated programs was Ziv Television Programs, whose first program, Fireside Theatre, began airing back on 5 April, 1949

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