Amoeblog

Smithsonian Should Acquire CBGB Awning At Sotheby's Auction & Loan To Grammy Museum's Ramones "Birth of Punk" Exhibit

Posted by Billyjam, December 2, 2016 02:31am | Post a Comment

The awning from bygone punk mecca CBGB's, to be auctioned off next week by Sotheby's, deserves to remain in the public domain. Rather than go to some private collection, it would be wonderful if the historic  315 Bowery club awning were  acquired by the Smithsonian Institution. In turn it could then be loaned out to exhibits such as the ongoing Ramones exhibit "Hey, Ho! Let's Go: Ramones and the Birth of Punk" at the Grammy Museum in Los Angeles through March 2017. More than any other act closely associated with CBGB's in its 70's heyday (Television, Patti Smith Group, Talking Heads, Blondie, Dead Boys etc.), The Ramones most epitomized the legendary punk/new wave club whose initials stood for stood for Country, Bluegrass and Blues. The late great quartet of Joey, Johnny, Dee Dee and Tommy Ramone were like the house band in the beginning.

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Concert Tickets for Sale at Amoeba Hollywood December 2016

Posted by Amoebite, December 1, 2016 03:16pm | Post a Comment

Concert Tickets For Sale at Amoeba HollywoodAmoeba Hollywood regularly sells tickets to local shows. Get physical tickets from us and skip the high fees!

All tickets can be purchased at the registers (while supplies last) for a $2 service fee. We take cash and credit cards for all ticket sales. Store credit and coupons cannot be applied to ticket sales. Limit 4 tickets per person. 

We have a new partnership with Teragram Ballroom, an intimate venue in downtown LA. We are the only place in town to buy physical tickets (aside from the venue itself). We'll have a small amount of tickets for every Teragram show available the day they are announced on a first-come, first-served basis with our low $2 ticket service fee.

For The Novo (formerly Club Nokia) and Shrine Expo Hall shows, we only carry general admission tickets. If you wish to purchase reserved seating at The Novo (where available), you can buy those tickets online here. If you wish to purchase reserved seating at Shrine Expo Hall (where available), you can buy those tickets online here.

Please note that on the day of the show, we will stop selling tickets for that show at 5pm.


Tickets are limited, so please call the store first to make sure they are available: 323-245-6400.
 

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Three Essential Beck LPs Get the Reissue Treatment

Posted by Amoebite, December 1, 2016 02:35pm | Post a Comment

Beck Vinyl Reissues

The inimitable Beck has announced he's reissuing his entire Interscope/Geffen/DGC catalog on vinyl, with the first round of releases out on December 2nd. This is great news for fans, as many of Beck's most beloved releases hit stores in the era when CDs were king, which means finding a vinyl copy of your favorite LP can get pretty expensive. That's all about to change this Friday, however, when the first three reissue albums arrive in our stores. Here's what's on the way.

Odelay

Odelay

Beck's second LP is perhaps his most famous, with classic tracks like "Where It's At," "Devils Haircut," and "The New Pollution." Not surprisingly, Odelay is Beck's top-selling album of all time and consistently ranks in roundups of the best albums of the '90s. Odelay took home the Grammy for Best Alternative Music Album in 1997, and Beck received nods for Album of the Year and Best Male Rock Vocal Performance.

Sea Change

Sea Change

Egyptian Lover: Into the Future

Posted by Kelly S. Osato, November 30, 2016 08:11pm | Post a Comment

Always timeless, it comes as no surprise that electro hip-hop pioneer The Egyptian Lover - aka L.A. native Greg Broussard, aka chief 808 seductor supreme - keeps moving forward masterfully with his patent "throwback" sound, conquering the dance floor one ass at a time. By any reckoning, it seems like 2016 has been a good year for Egyptian Lover. He's been consistently killin' it on the road in support of his latest full-length LP 1984 (Egyptian Empire), he released a 4 LP anthology, 1983-1988, and a super dope pyramid-shaped 7-inch reissue of Egypt, Egypt (both on Stones Throw), and lately he has been offering up some seriously rad hand drawn custom 12" art covers in addition to droppin' new music videos (like the vibetastic "Into the Future" above, complete with TRON meets Pole Position visuals). He even rustled up a late night, cure-all infomercial for his new box set featuring clips from some of his best videos for folks suffering from some serious new music fatigue (like me):


If that doesn't make you feel all good deep down inside, then perhaps, sadly, The Egyptian Lover isn't your medicine man. Personally speaking, I don't know that I could have made it through this bumpy year without Broussard's past and present old skool stylings, and I've preached the benefit of tuning out any and all modern cacophony by turning on some Egyptian Lover at length to anyone who will listen, for all of my life I've been a freak, doin' what I want to seven days a week. Seriously, if it weren't for the his music, this year might have brought me so far down there'd be no future to get into. Here's to enjoying the past by looking ahead with The Egyptian Lover—today, tomorrow, and always—because in these times of hate and pain, we need a remedy...in fact, we need a freak:

The Ten Most Noteworthy Collaborations on E-40’s The D-Boy Diary: Book 1 & Book 2

Posted by The Bay Area Crew, November 30, 2016 07:55pm | Post a Comment

E-40, D-Boy Diary: Book 1-- By doubleay

Vallejo’s E-40 is a man of many titles. 40 Fonzarelli, 40 Water, and "the tycoon known as Charlie Hustle" are only a few of his dozen or so monikers, but the truest of his titles undoubtedly has to be "The Ambassador of the Bay."

The prolific MC is a forefather of West Coast hip-hop, and his extensive discography and boundless accolades have essentially deemed him the epitome of Bay Area rap. 40 brought Bay Area’s unique sound and style to the rest of the world and if any artist wanted to get a piece of the Bay Area scene, they’d have to go through 40 Belafonte to get it. While many other hip-hop legends have comfortably taken their seat among the ranks of rap’s hall of fame, E-40 has never slowed down nor declined in relevance. Many rap veterans may feel threatened by break-through up-and-comers, but in 40’s case it is quite the opposite. In fact, one of the most admirable things about E-40 is the interest he takes in young artists. While continually progressing his own career, 40 has always put on and supported rising talent new to the industry. E-40’s incomparable stature and experience, met with his kindhearted tendency to promote up-and-comers, truly warrants the title "Ambassador of the Bay."

E-40, D-Boy Diary: Book 2After 27 solo albums, E-40 is back with a new double LP that totally embodies The Ambassador’s ability to cater to his people, both young and old. The D-Boy Diary: Book 1 & Book 2 are each 22 tracks in total, featuring a star-studded track list of stand out OG’s to young bucks. The project has over 40 features, including everything from legends both native and foreign to the Bay Area to fresh up-and-comers with little to no fame or coverage. Few albums have ever had a unique and substantial list of collaborators successfully cater to a wide audience such as this. In an effort to bring some clarity to the depth of this all-ages showcase of a project, I took it upon myself to highlight the most notable features on the double LP.

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Top Ten Best & Worst Moments of Krip-Hop in 2016 by Leroy Moore, Krip-Hop Nation Founder [Hip-Hop Artists with Disabilities]

Posted by Billyjam, November 29, 2016 11:49pm | Post a Comment

In taking a look back at krip-hop music and culture in 2016, the Amoeblog invited regular contributor  Leroy Moore, the founder of Krip-Hop Nation [pictured above], to draw up his Top Ten Best and Worst Moments of Krip-Hop in 2016. That list below was assembled by ever busy artist/activist from his Berkeley CA home/office right before heading off to South Africa this week (Dec. 1st) for a Krip-Hop Tour. In looking back over the past year, one in which a certain president elect publicly mocked people with disabilities and in which civil rights overall seemed to take a step backwards, Leroy noted that despite continued obstacles and setbacks that, "Krip-Hop Nation in 2016 continued to plant seeds both internationally and here in the U.S. through interviews, and projects." Leroy further stressed how he and fellow members of Krip-Hop Nation monitored mainstream hip-hop and continually, "called out artists on their ableism." [discrimination against those with disabilities]



Top Ten Best and Worst Moments of Krip-Hop in 2016 by Leroy Moore



1) The film documentary with Emmitt Thrower, Where Is Hope, Police Brutality and Profiling Against People With Disabilities came out in January of 2016 after which we did a whole Bay Area tour of screenings of the film.

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New "What's In My Bag?" Episode with Peter Bjorn and John

Posted by Amoebite, November 28, 2016 06:22pm | Post a Comment

Peter Bjorn and John What's In My Bag? Amoeba Music

What do soul performer/producer Anderson .Paak and indie rockers Whitney have in common? Well, for starters they both feature singing drummers and, secondly, they're both bands that Peter Moren of Peter Bjorn and John happened to see in concert on the same day. While the styles of music were quite different from each other he was struck by the unusual similarity in their vocal drummers, as well as the quality of each show. Peter picked up both of their latest LPs here at Amoeba Hollywood during the band's recent visit to the store.

Peter Bjorn and John Breakin' Point Amoeba MusicSwedish indie pop trio Peter Bjorn and John was founded in 1999 by Peter Moren, Bjorn Yttling, and John Eriksson. In their early years as a band, they released the Forbidden Chords EP, a self-titled debut full-length, and a sophomore LP, Falling Out. However, it wasn't until the release of their 2006 LP Writer's Block that Peter Bjorn and John began to achieve international recognition. The LP's lead single, "Young Folks," featured Victoria Bergsman of The Concretes, which led to appearances on Late Night with Conan O'Brien and The Tonight Show with Jay Leno.

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Music Monday Screenings at the New Mission Theater in SF

Posted by The Bay Area Crew, November 27, 2016 07:04pm | Post a Comment

Music Monday at the New Mission Theater, San Francisco

From Kenneth Anger to anonymous YouTubers, film and moving pictures have maintained and nurtured Medicine for Melancholya mutually beneficial relationship for eons. Sometimes it’s a documentary about a long-lost icon, or a legendary concert film, or a movie that uses music to hammer home what its trying to say – Music Monday at the New Mission Theater in SF is a weekly series here to bring you fun, rare, important, new, old, or otherwise kaleidoscopic films linked to the world of music. This December, catch two very special Music Monday titles: Medicine for Melancholy on December 5th at 9:15pm and Gimme Danger on December 12th at 10pm.

Medicine for Melancholy is the first feature film by Bay Area director Barry Jenkins, who made waves earlier this year in the indie film world with his latest work, Moonlight. Medicine for Melancholy explores issues such as race, identity, gentrification, and personal politics from the perspective of two San Francisco locals. From a drunken Soul Night at the Knockout to a heart-stoppingly apropos soundtrack by the likes of Casiotone For The Painfully Alone, Au Revoir Simone, and more, Medicine for Melancholy is a visually and sonically powerful portrait of a city that doesn’t really exist anymore. Tickets available HERE.

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Pauline Oliveros, Deep Listening Pioneer [1932 - 2016]

Posted by Billyjam, November 27, 2016 03:20pm | Post a Comment


Music lost another important figure in 2016 with the passing of experimental composer and "deep listening" pioneer Pauline Oliveros, who died Thursday (November 24th) at age 84.  Filled under such categories as classical, avant-garde, electronic, and experimental Oliveros was an artist, author, educator and humanitarian with strong ties to the Bay Area. She may not have been a household name like some of the other musical greats we've lost this year such as Bowie, Prince or Leonard Cohen. Nonetheless Pauline Oliveros' contributions to music history were no less significant: most notably her development of deep listening, the theory she summarized as "listening in every possible way to everything possible to hear no matter what one is doing."

With a career spanning six decades, Oliveros' diverse body of work included musical compositions themed on such subjects as African history of the 17th century. An author and prolific writer who penned papers on various aspects of musical theory, Oliveros was also a teacher at institutes including Oakland's Mills College. Beyond being a pioneer within music Oliveros was also an early ambassador for equality of women in the male dominated field of music. Decades before "women's music" became a thing and long before the mainstream would take notice of just how unbalanced the ratio of women to men was in every field of music from classical to pop, Oliveros was loudly advocating for gender equality in music on behalf of both composers and performers. 
 
Born in Houston, Texas where her introduction to music came by learning to play the accordion, the geographical locale that Oliveros is perhaps most associated with is the San Francisco Bay Area. Back in  the early sixies, along with such fellow forward thinking experimental composers as Terry Riley and Steve Reich, Oliveros was part of the nonprofit, cultural, educational entity the San Francisco Tape Music Center (SFTMC) that was founded by composers Morton Subotnick and Ramon Sender. Founded in 1962 the SFTMC was an outgrowth of the  San Francisco Conservatory electronic studio established a year earlier. It was founded by the improv group Sonics that Oliveros was a part of.
For an accurate example of the work of the SFTMC pick up Music From The Tudorfest San Fancisco Tape Music Center 1964 that features David Tudor John Cage, Toshi Ichiyanagi, as well as Pauline Oliveros.  In the latter 1960's the SFTMC would receive a grant to join the Mills Center for Contemporary Music with Oliveros as director. As time moved on Oliveras work morphed into studies and practices of rhythms and flow patterns of the human breath. But the school of thought she dubbed "deep listening" that would influence many generations of musicians will be her greatest legacy.

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