The Apple iPod turns the big 8 today. On the morning of November 10th, 2001, Apple first began selling its original version of the iPod MP3 music player. Pictured left, that original iPod sold for $399 + tax, and was marketed as an "Ultra-Portable MP3 Music Player" that "puts 1,000 Songs in Your Pocket." Up to that point there had been many types/brands of MP3 players around (I knew a lot of folks who favored using their MiniDiscs as MP3 players) but no company had streamlined and made an MP3 player as user friendly as Apple did with the iPod. In 2001 it came with a 5GB hard drive, coupled with the first scrolling wheel and interface on an MP3 player.
Of course, in retrospect, compared to the variety of models of iPods and other MP3 players available to us today, this prototype iPod seems both bulky and pricey in contrast. Such is the way in this fast paced, ever-changing digital age. But what is most significant about the iPod is that in eight short years, it has not only changed the fortunes of the company that manufactures it (just as Apple's next big hit, the iPhone -- almost at 45 million in unit sales -- has similarly done), but it also has altered how the world listens to and consumes music.
Immediately before its commercial release back in late 2001, the iPod was being billed as the coming "Next Generation Player" and boy, that could not have been closer to the truth, since it literally signaled the generation of music consumers to come. The iPod was largely instrumental in changing everything to do with music; from listening to it, to buying or acquiring it, to selling, sharing, & storing music, etc, from that point on. In fact, in the music business that date, November 10th, 2001, could well be considered the watershed moment that divides two eras: BiP/AiP (Before iPod and After iPod).
Two and a half weeks before that date, on October 23rd, 2001, Steve Jobs, Apple’s CEO prophetically said in a statement from the company's Cupertino, CA headquarters, “With iPod, listening to music will never be the same again...Apple has invented a whole new category of digital music player that lets you
put your entire music collection in your pocket and listen to it wherever you go."I remember back to this time eight years ago when the iPod was first trickling into the market place and how some luddite-like cynics scoffed at those foolish enough to fork over $400 for what some labeled "a glorified CD player." I also remember stories of iPod owners, easily identified by the trademark white earbuds, being held up and robbed of their valuable iPods by thieves on BART and buses in the Bay Area and being warned to use other types of headphones so that they wouldn't be so easily targeted.
In the final seven and a half weeks of 2001 when the original iPod was first made available it sold 125,000 units. In the eight years since, iPod's cumulative sales have exceeded 220 million units. And that figure represents a lot more than sales of one electronic product -- it represents a whole shift in how music is now consumed in the years AiP.
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I beg to differ that DJ's don't play real vinyl anymore Joe. I know of many DJ's to this day in age who still play real vinyl. A lot of them still buy vinyl and transfer them to their respective DVS's for whatever tour they go on. Believe it or not, vinyl sales have been up for quite some time now. I have no problem reading about articles such as this because it's based on music.
LaterZzz!
ALF
Point taken, there are certainly DJs out there keeping vinyl alive, but even many of the ones who buy it (as you mention), leave it at home when they play out in favor of digital files. Does a digital rip sound as good? Are we as a culture acclimating en masse to declining audio quality as the very technology that delivers it advances? Yet another topic I wish had been explored here...
I haven't bought to this day bought a DVS. I still use vinyl because I have know need for a DVS at the moment. I'm not currently touring dealing with the airport drama of getting my vinyl stolen by some baggage personel. I know of many DJ's who have had this unfortunate accident happen. The first person who comes into mind is DJ Shortkut from the Bay Area. His story can be heard on either "Skratch Attack" Vol. 1 or 2(can't recall at the moment). There are other DJ's who have switched to DVS because of back problems from lugging bags of records for MANY years. Yes, I agree 100% that a digital rip doesn't sound as great as the sound coming from vinyl. I'm sure Billy Jam can interview many DJ's out there about this topic. I've been reading about this topic ever since the Digital DJ Packages came out on the market. I read those type of debates mostly on the now defunct www.asisphonics.net and www.djdstyles.com. Stay tuned to this blog Joe, your wishes may be answered into exploring this topic.
LaterZzzz!
ALF
For Joe, there is a great book called "The Perfect Thing" by Steven Levy. It is well written and very interesting. Gives some good analysis on the iPod's cultural relevance/influence, but also gives a great "in the trenches" view of the development from inside Apple.
Check it:
http://www.amazon.com/Perfect-Thing-Shuffles-Commerce-Coolness/dp/0743285220




I find the topic of the evolving culture of music consumption and trends very interesting, particularly the ipod effect. I was looking forward to some interesting thoughts on this topic, such as how the popularity of this device made mp3s consumable to the masses which has had all kinds of unintended affects. The album culture most of us have grown up with is dying (singles once again rule after 40+ years of LP dominance), DJs don't play real vinyl anymore, the process of music discovery is completely different, more and more people are embracing a wider range of musical genres because of how easily accessible they are. The cultural impact of this little device is very large, and I am curious why a writer for Amoeba would not explore any of these kinds of topics and post something I would be likely to find in the bland "culture" or "tech" section of a small town newspaper.