This edition of the neighborhood blog is about The Arts District... or The Artist District... or is it The Artist-In-Residence District... or perhaps The Artists' District? This, and other issues, will be sorted out by blog's end to everyone's satisfaction.
Pendersleigh & Sons' Official Map of the Arts District
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William Wolfskill La Grande Station
By the 1870s, trains began arriving in the area both to transport the citrus to far off locales and to bring in migrant workers to work in the groves. The Atchison, Topeka and Santa Fe Railroad opened the Moorish-style La Grande Station in 1893. Thirteen years later, a new depot opened at 3rd and Santa Fe.
BIRTH OF SKID ROW
Following the arrival of trains and the immigrant laborers they brought, the area began to rapidly industrialize. Much of the work in Los Angeles, based as it was on agriculture, was seasonal. To cater to the workers between jobs, many bars and flophouses sprang up between downtown proper and the growing industrial district which gradually became known alternately as Skid Row and the Nickel -- because it’s centered on 5th St.
Nate Starkman & Son Industrial St. after sunset
RISE OF INDUSTRY - THE WAREHOUSE DISTRICT
Between San Pedro and the Los Angeles River, Central City East was soon covered with large factories and warehouses. By 1950, Los Angeles was an industrial powerhouse where more cars were assembled than in any American city besides Detroit. The city’s tire production was only exceeded by that of Akron. Los Angeles also outranked all American cities in garment production except for New York City.
One famous warehouses was owned by George Shima, the first Japanese-American millionaire. Shima was born ???? in Kurume in 1864 and lived in Berkeley (when he bought a house the newspaper headline read "Yellow Peril in College Town." His base of operation was out of a warehouse on 1275 E. 6th Street. After beginning his career as a domestic servant and later becoming a migrant worker, he nonetheless managed to amass a fortune of about $18 million (about $200 million adjusted for inflation) due to his Shima Fancy potatoes commanding 85% of the potato market.
As the population of the city swelled, much of the industry and especially the residential population center moved away from the city center, leaving behind many massive empty buildings.
In the late ‘60s, many returning emotionally-disturbed and drug-addicted Viet Nam vets joined the older, by then permanent population of alcoholic ex-hobos, tramps and bums. Many missions had long serviced the indigent area and the mostly abandoned industrial area became a hotbed for those both dropping out of society and those expelled from it. Not all of the industrial core was abandoned and as different areas took on different characteristics are still organized around smaller districts, including The Wholesale District (an area where most of the produce, seafood and flowers pass into the city), Skid Row (an area where most of the county’s 10,000 or so homeless pass through), The Fashion District (formerly known as The Garment District), The Toy District and -- on the eastern edge -- The Arts District.
Economy Supply (with large chess pieces on the roof) Looking east down 5th St from Alameda
BORDERS OF THE ARTS DISTRICT
Not all of the district's borders have been accepted by all parties. Since it became a highly desirable area, developers have continually attempted to stretch its borders so that they can convert and sell more properties. The western border has always been accepted as Alameda. The eastern border has always been accepted as the L.A. River. Though the northern border is defined in city documents as 1st Street, both Temple and the 101 have also been described as the border and even appear as such in some unofficial maps. Confusingly, the only "Arts District" signs in the area are located at Hewitt & Traction and at 3rd & Santa Fe, intersections within anyone's definition but not marking a border. In 2000, the Central City North Community Plan officially set “Artists-in-Residence District’s” southern boundary at 6th street. Then, in 2007, the southern boundary was officially extended several blocks further to Violet St.
It is bordered by the Civic Center to the north, Boyle Heights to to east, the Wholesale District to the south, the Downtown Industrial District to the southwest, and Little Tokyo to the northwest.
BIRTH OF THE ARTS DISTRICT
The area began to take shape as the Arts District around 1976 when artists began to come to the area to inhabit the by-then often vacant buildings, attracted in part by the ample space and average rent of thirty cents-per-square-foot. Since the empty warehouses weren’t zoned for residences, there were occasional raids by the fire department and it was all a bit lawless.
In 1979, the storied Al’s Bar opened on the ground floor of The American Hotel when Marc Kreisel bought the property from the titular Al. Over the years, the club hosted many underground and then-obscure acts like The Fall, Gun Club, The Jesus Lizard, The Residents, The Misfits, Mudhoney, Nirvana, Red Kross, Sonic Youth and The Red Hot Chili Peppers. Even acts that would never likely play there were attracted by its "cred" and so poppier acts like Bad Religion, Coolio and Pennywise all filmed videos there.
A massive Iron Mountain warehouse Mesquit under 6th St Bridge
1981 - AIR ORDINANCE
In 1981, the Artists-In-Residence (AIR) ordinance was passed, allowing artists to live in their work spaces as long as the residences conformed to building and safety standards. After the neighborhood began to build up a bit of Bohemian cache, some enterprising individuals began buying the buildings and the rents began to climb, at first fairly slowly. The area came to be known by a variety of names, including The Lofts District and more often The Arts District.
Gorky's (image source: Vespa Vamanos)
Gorky's Cafe opened at 536 E. 8th Street in 1981 by a former librarian, Judith Markoff, and originally catered to local homeless and artists. Fred Powers bought the cafe in 1985, and added a microbrewery, nightly live music, neon and security guards -- promising "Foodski, Funski, Brewski" athe venue, renamed Gorky's Cafeteria & Russian Brewery. It got trendier and Powers opened a second location in Hollywood. The Hollywood location soon closed and a patron, Candace Choi, took over the Arts District location in 1992 before permanently closing the doors in 1993. The building has since been absorbed by the growing Flower District and is home to a flower shop with googly-eye dogs made out of poms and crosses made of flowers.
In 1982, multimedia artist Stephen Seemayer finished his rough cut of an 8mm film titled Young Turks. Its setting was the area around and including the Arts District between 1977 and 1981, when few of the wealthy loft dwellers would've likely even risked a drive through the area. The stars include artists Bob & Bob, Coleen Sterritt, Richard Newton, Woods Davy, and Al's Bar owner, Marc Kreisel.
BLOOM'S GENERAL STORE
Bloom's General Store Acme Modern Supplies
As is normally the case in industrial areas, there was a distinct lack of greenery aside from vegetation springing up in hard to access nooks and crannies until some of the locals began planting trees. As the area grew, the distinct lack of nearby services for residents became an issue until Joel Bloom opened Bloom’s General Store. Bloom, along with other community activists, lobbied the city to make The Arts District official. Recognizing the by-then thriving scene, the city began actively encouraging people to move to the district and many of the warehouses were re-zoned and converted into Artist in Residence dwellings. They also installed signs declaring it The Artist District. Even today there are official signs referring to it thusly, or in other cases as, “The Artists' District” but it has long been known primarily as The Arts District, which is what the signs now say. For a while, there was one of the old signs mounted on the exterior of Bloom's store.
Looking east on Conway Newly restored building on 6th St.
BEDLAM ART SALON
In a predictable narrative, after the artists begin reversing the long decline of an area with their efforts, gentrification followed. Aiding the speed of the shift were clauses in AIR that exempted the building owners from rent control, so massive developers began to price out and evict long-time residents, converting the buildings in the process into appealing, if less affordable, condos. As the old timers were forced out and the buildings transformed, not surprisingly the character of the Arts District once again began to transform. The American Hotel was sold to Magnum Properties and in 2001, Al’s Bar closed its doors. In 2007, Joel Bloom passed away and his famed store closed its doors after struggling for two years in 2009. Though the intersection of 3rd and Bloom is named Joel Bloom Square, for better or worse (or both), the Arts District has quite a different character than it used to in its heyday as an arts colony.
Between Barker Block and Molino Former train depot, now SCI-Arc
As with Historic Filipinotown, the Arts District's name now applies largely to an historic population, as most artists can't afford to live in the expensive neighborhood. No longer is the area populated primarily by practicing, struggling artists, but rather by wealthy loft owners attracted by the concept of "artist" as a lifestyle rather than an actual creative pursuit. Although slumming will always hold an attraction for those from a privileged background and realtors bounce around words like “gritty,” “funky,” and “hip” like a hacky-sack in a college dormitory courtyard, in reality the big lofts, including Barker Block, Molino, Toy Factory, Biscuit Company, 2121 and the proposed AMP, are squeaky clean, posh and only affordable to established, celebrity artists or dabbling trustafarians.
The lofts are at least tastefully done (although it would be nice if part of the conversion process had included installing green roofs or walls!) and residents of the neighborhoods busily crowd their ground floor businesses whilst expertly leaving the non-loft areas surprisingly desolate and empty except for the homeless.
There are now a handful of restaurants, stores and bars in the area. I've been known to knock back a few (OK, more than a few) at Royal Clayton's English Pub in the Toy Factory Lofts. Across the street are The Biscuit Lofts, where Sandra Oh's character lives in Grey's Anatomy. I believe that show takes place somewhere in the northwest which is why, when filming down there, they routinely wet the street.
The Biscuit Lofts Looking south at Mateo and 6th
To be fair, there is still art being produced in the neighborhood, although much of it has a controlled, prescribed and commodified vibe. Perhaps no space embodies the well-mannered, inorganic and sanctioned "edginess" more than the Barker Block's private, enclosed (and therefore off limits to non-residents) “Artists' Alley.” Most of the rest of the public art in the neighborhood is run-of-the-mill graffiti of the sort favored by the backpack-and-hoodies crowd whose notions of gritty street culture more likely come from Urban Outfitters than firsthand urban experience.
There’s also fair amount of theater in the neighborhood (which I haven't checked out) and several art galleries where you’ll hear terms like “outsider art” and “new ideas” bandied, even though most of what’s being discussed (and most modern art in general) seems to me ironically to be highly uniform, generic and excessively rule-bound. Ironically, much of the online discourse from new residents of the neighborhood revolves around complaining about the twin nuisances of the homeless population, on the one hand, and industrial activity on the other. Sure, Andres Serrano, Chris Ofli and Survival Research Labs type stuff is apparently fine-and-dandy as long as they’re on display in galleries -- but not when the same "media" are on the sidewalks where you walk your tiny dogs on your way to an upscale coffee shop. While I agree that homelessness and pollution are enormous problems in Los Angeles, if you hate water you probably shouldn't move to the coast and then complain that the ocean won't dry up.
In 2000, The Southern California Institute of Architecture moved to the former train depot on Santa Fe. In 2006, Gideon Kotzer opened the last Crazy Gideon’s in the Arts District. His son Daniel runs Café Studio nearby, on Palmetto. The elder Kotzer is trying to get out of the electronics game and now trying to get the approval to convert his property into a truly hideous series of ugly corrugated box residences lined stupidly by palm trees. Given the high standards on display throughout the neighborhood, I doubt the final version will look much like the Crazy One's warped vision.
Currently the Arts District is one of the most unique and physically attractive urban sections of Los Angeles. Not surprisingly, it’s been featured in several films. La Grande Station used to contain a Harvey House, was the subject of (and featured in) The Harvey Girls. In The Limey, Terence Stamp’s character utters his most memorable line before menacingly crossing Willow St. after shooting some pests in a factory there. I'm sure there've been other filmss, (I think Repo Man), videos and TV shows filmed in part or in whole down there. If you know of any, let me know.