St. Louis Union was a Manchester six piece fronted by singer Tony Cassidy. They won a Melody Maker beat contest in 1965 which scored them a deal with Decca. They were billed as "THE Group on the Northern Soul Scene." Their sound was centered around Alex Kirby's tenor saxophone and Keith Millar's electric guitar backed by some serious organ by Dave Tomlinson and Dave Webb on the skins.
Their live set was built around "Turn On Your Lovelight," "Woke Up This Morning," "Every Day I Have the Blues" and "Get On the Right Track Baby."
Their name seems to be a reference to the St. Louis Union Station, a train station famous, like many things in St. Louis, as having been the biggest and busiest thing in its field way back when. Its archways are designed so that one can whisper into them and someone else can hear you clearly on the other end, a design feature with no apparent practical applications, save simple amusements in a simpler time. It was largely built of limestone taken from Indiana, probably just to remind the Hoosiers who's boss, as the state of Missouri is entirely made of limestone and they're the nation's leader in lime production.
Truman having a laugh at St. Louis Union Station
In the 1970s, the station was bought by Amtrak. They ended operations soon afterward and relocated their operations to a building the unhealthily train-obsessed refer to as Amshack. Now it's a mall where tourists watch the guys at the Fudge Factory put on a show and the Footlocker has a basketball hoop with the backboard autographed by the D.O.C.
While ridership of trains out of the station began to decline in the 1960s, 1966 was the Mancunian band's biggest year. Their debut single was a cover of the Beatles' "Girl," which reached #11 on the charts. A band known as the Truth also released a cover at the same time and didn't score a hit. Such was the world of British pop in mid-60s bands releasing covers of their peers. The b-side was a cover of Otis Redding's "Respect." They went on to open for him when he played in Manchester.
Their second single was a recording of slept-on genius Mancunian Graham Gouldman's "Behind the Door." The b-side was "English Tea."
They appeared in the Spencer Davis-centered Ghost Goes Gear alongside Dave Berry (singer of "The Crying Game"), The Three Bells and Acker Bilk (as the object of Mordernists' disdained Traditionalist Jazz). It's not a great film, but as a relic it's fascinating and provides us with the only visual evidence of St. Lous Union's impeccably forward fashion, timeless hair and considerable stage presence.
"East Side Story" backed by "Think About Me" failed to make the top 40 and it proved to be their final recording.
They split the following year, in 1967. Tom Cassidy, the swaggering singer, died in 2005 at just 57 years old.
Their live set was built around "Turn On Your Lovelight," "Woke Up This Morning," "Every Day I Have the Blues" and "Get On the Right Track Baby."
Their name seems to be a reference to the St. Louis Union Station, a train station famous, like many things in St. Louis, as having been the biggest and busiest thing in its field way back when. Its archways are designed so that one can whisper into them and someone else can hear you clearly on the other end, a design feature with no apparent practical applications, save simple amusements in a simpler time. It was largely built of limestone taken from Indiana, probably just to remind the Hoosiers who's boss, as the state of Missouri is entirely made of limestone and they're the nation's leader in lime production.
Truman having a laugh at St. Louis Union Station
In the 1970s, the station was bought by Amtrak. They ended operations soon afterward and relocated their operations to a building the unhealthily train-obsessed refer to as Amshack. Now it's a mall where tourists watch the guys at the Fudge Factory put on a show and the Footlocker has a basketball hoop with the backboard autographed by the D.O.C.
While ridership of trains out of the station began to decline in the 1960s, 1966 was the Mancunian band's biggest year. Their debut single was a cover of the Beatles' "Girl," which reached #11 on the charts. A band known as the Truth also released a cover at the same time and didn't score a hit. Such was the world of British pop in mid-60s bands releasing covers of their peers. The b-side was a cover of Otis Redding's "Respect." They went on to open for him when he played in Manchester.
Their second single was a recording of slept-on genius Mancunian Graham Gouldman's "Behind the Door." The b-side was "English Tea."
They appeared in the Spencer Davis-centered Ghost Goes Gear alongside Dave Berry (singer of "The Crying Game"), The Three Bells and Acker Bilk (as the object of Mordernists' disdained Traditionalist Jazz). It's not a great film, but as a relic it's fascinating and provides us with the only visual evidence of St. Lous Union's impeccably forward fashion, timeless hair and considerable stage presence.
"East Side Story" backed by "Think About Me" failed to make the top 40 and it proved to be their final recording.
They split the following year, in 1967. Tom Cassidy, the swaggering singer, died in 2005 at just 57 years old.