The prolific Mark Kozelek has been undergoing a career renaissance of sorts. Whereas songs in his ’90s project Red House Painters were often autobiographical, if morose and romantic, if, to call his recent releases with Sun Kil Moon confessional would be an understatement. Not only is Benji
a classic example oversharing in the social media age, it’s just a new classic period, the best thing he’s done since RHP’s heyday. Two songs directly address Kozelek’s love for his aging parents as he himself hits middle age (“I Can’t Live Without My Mother’s Love” and “I Love My Dad” are far from ironic, though they cover ground beyond what their titles suggest). “Dogs” covers Kozelek’s history with women in sometimes excruciating detail, from his first kiss at 5 to getting bathed by two women. Part of what makes Benji
so masterful is how Kozelek blends rich physical details, with references to Panera Bread and Pink Floyd records, along with impressionistic accounts, such as his atmospheric telling of what caught his attention in a Led Zeppelin film (“I Watched the Film the Song Remains the Same”) and what that says about him as a person. It can be a lot to take in at once—“Micheline” at first feels like a diary dump, though it ends on a touching note about his grandmother—but most of the time, the details are funny or poignant or both, coming through clearly with little more than Kozelek’s wavering, creaking voice and reverbed acoustic guitar. “Ben’s My Friend,” which ends the album with its catchiest song (and curiosity value, due to its titular subject being Ben Gibbard of Death Cab for Cutie), is a sterling reminder of how many little things add up to the sum of our lives, making a pretty refrain out of “blue crab cakes,” throwing in some horns and flamenco guitar for good measure and tying the album up nicely with a reflective bow. Simply put, Benji
is an album for fans of songwriting and storytelling, the mastery of which makes it unmissable.